War of the Worlds 2: The Next Wave

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War of the Worlds 2: The Next Wave
War of the Worlds 2- The Next Wave.jpg
DVD cover
Based on The War of the Worlds by H. G. Wells
Screenplay by Eric Forsberg
Story by Steve Bevilacqua
Directed by C. Thomas Howell
Starring C. Thomas Howell
Christopher "Kid" Reid
Kim Little
Fred Griffith
Dashiell Howell
Narrated by C. Thomas Howell
Music by Ralph Rieckermann
Original language(s) English
Producer(s) David Michael Latt, David Rimawi, Paul Bales
Cinematography Mark Atkins
Editor(s) Ross H. Martin
Running time 85 minutes
Distributor The Asylum
Budget $500,000 (estimated)
Original release
  • March 18, 2008 (2008-03-18)
Preceded by H. G. Wells' War of the Worlds (2005 film)

War of the Worlds 2: The Next Wave is a 2008 direct-to-DVD science fiction film starring and directed by C. Thomas Howell. The film was produced and distributed independently by The Asylum.

The film is a sequel to the film H. G. Wells' War of the Worlds, an adaptation of the H. G. Wells novel and mockbuster of the DreamWorks/Paramount adaptation of the same source. The film's tone and overall plot significantly differ from the restrained realism of the first film and the original novel, expanding on Wells' science-fiction concepts and bearing more resemblance to films like Independence Day and Battlefield Earth.

The film is set two years after the extraterrestrial invasion of Earth, where America remains in a state of peace until a wave of aliens attempt another invasion of the planet. C. Thomas Howell reprises his role of George Herbert, who here finds himself physically capable of actually fighting back against a second wave of alien invaders while trying to rescue his abducted son, while American pilots take the battle to the aliens' homeworld, Mars.


George Herbert explains that despite years of searching for extraterrestrial life, mankind never expected the invasion which devastated human civilization into anarchy, and that the aliens were killed by a lack of immunity to the bacteria in the human blood they consumed. Two years later, a town is seen, populated with silent refugees including characters Shackleford and Sissy. Suddenly, three Tripods land in the city. People are struck by a Heat-Ray. Shackleford takes a sample of Sissy's blood, with which he injects himself.

In Washington, American society has not recovered from the invasion. George Herbert recognises a familiar disturbance on the radio, as the same heard during the first invasion and he reveals to Major Kramer and a team of scientists that his studies show that the aliens are creating a wormhole between Earth and Mars for another wave of attacks. A fleet of fighter jets, which appear to have deep-space flight capabilities, thereby raid the planet Mars. George returns home for his son Alex, only to find a Tripod outside his home, which abducts Alex. He escapes to an abandoned city and wakes the next morning to find a man named Pete running from a Tripod. George throws himself before the machine, and wakes inside the machine with Pete. Both escape with Sissy, while the Martians begin a second invasion, attacking London and Paris. Major Kramer leads the fleet of jets to chase the alien mothership back to Mars.

George, Pete, and Sissy find themselves in the town from the start of the film; where Shackleford reveals that the town is created by the Tripods for humans captured by Tripods to live on Mars. Shackleford wants to destroy the aliens in the same way bacteria did them in during the first invasion. Shackleford and Sissy are dying of a virus lethal to the Tripods, and he convinces George to inject his infected blood into himself. George and Pete are kidnapped again and arrive inside the mothership, where they find Alex in a cocoon. There, George injects his infected blood into a pod holding a brain telepathically connected to all of the Tripods, and thus deactivates the invasion. George, Pete, and Alex escape just as the mothership explodes. George survives the infection, and the humans celebrate while listening to the radio, which undergoes some static interference, indicating a third invasion, and the characters spend a few moments in silence before the film ends.



Blu-Ray.com gave the movie 1.5 stars of out 5, finding that while movie opens well, it quickly falls apart, becoming a jumbled mess of a movie.[1]

Differences with the novel[edit]

War of the Worlds 2 is notably different in tone to its predecessor. While War of the Worlds kept relatively faithful to the novel with a focus on realism and humanity rather than the aliens themselves, War of the Worlds 2 features considerably more outlandish science-fiction elements, discarding the horror treatment of the first film for an action/adventure premise. The film's plot is mostly original, its characters entirely so, though it does feature elements from The War of the Worlds which were excluded from the first film.

  • Unlike the novel, humans are shown as having considerable effect and competence in the fight against the aliens. The character of the Artilleryman entertains the possibility of taking down and studying a fighting-machine and building new ones with human pilots to repel the invaders. Humans are seen using jets which have been upgraded with the aliens' technology to fight against the invaders.
  • The first film made effort to disguise the Martian heritage of the aliens (though director David Michael Latt confirmed that the aliens were indeed Martians). In War of the Worlds 2, it has become common-knowledge between events that the aliens originated from Mars - though instead of being launched straight from the planet like in the novel, their ships appear to be transported to near-earth space by a wormhole.
  • In the novel, the Martians are seen abducting humans, carrying them and placing them in metal cages carried by the machines themselves. In War of the Worlds 2, the Tripods use a teleportation-gun to place their prisoners inside them.


The film's music was composed by Ralph Reickermann, a former composer for The Asylum. The film features the single "You Came into my Life" which featured the vocals of singer John Brown Reese.


External links[edit]