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Waraji resemble other forms of traditional Japanese footwear, such as zōri and geta, with a few key differences. They were historically the simplest form of outdoor footwear (sandals of any type were not worn indoors). Waraji, due to their cheap and rustic nature, are considered to be a very informal type of footwear, and are not worn with formal kimono. They are typically not worn with tabi socks, and are woven so that the wearer's toes generally protrude slightly over the edge of the shoe.
Waraji were once common footwear in Japan. There are records of waraji in the Heian Period (794—1185 AD), with the possibility of waraji having existed before this time. In the Edo Period (1603—1867 AD), geta were worn in cities, but anyone making a long journey wore waraji.[better source needed] They were also worn for energetic or prolonged labour. Their light weight and grip were valued.
Pictorial instructions on how to weave zōri (similar to waraji) in Hida Minzoku Mura Folk Village; most Japanese no longer regularly make waraji.
These rough festival zōri were made like the instructions, but the straps were wrapped in fabric before being twisted together.[a]
In constant use, rice-straw waraji only last three or four days, or roughly 24 hours of active use, meaning each person would have to make about a hundred pairs a year, on average, if they wore them constantly. As waraji could be homemade from cheap materials, and everyone learned how to make them in childhood, this was not a problem. Waraji could also be cheaply bought. Travellers carried a supply and discarded them when they were worn-out.
Rice straw is the common and traditional material for weaving waraji. Long straw (no broken by the processing methods) must be beaten to soften the fibers before use. Most other ropemaking fibers can also be used, such as cotton, hemp, palm fibers, or even strips of rag. The straps of the waraji might be covered, often with paper. Cardboard soles are used on some modern commercial designs.
A method of tying the waraji without a fastening around the ankle. (Gion Matsuri, 2009)
Another more complex tying variation; the leftover heel loops are drawn through the rear set of side loops, with a separate piece of rope threaded between them. (Jidai Matsuri, 2009)
There are a number of different ways of tying waraji straps; even historically, there was no standardised method of attaching the shoes to one's feet.
A giant o-waraji in Asakusa Temple, Tokyo
A pilgrim performing kaihōgyō laces waraji over tabi, 1954
An o-waraji is carried into the sea at a waraji festival, Nakiri-jinja, 2006
Traditionally, waraji were donated to temples as offerings for healthy feet and protection on journeys. This practice, while now less common, is still followed. More modernly, giant waraji ('o-waraji') kept in temples are touched as a charm for tireless endurance in walking.
- Geta, traditional Japanese wooden clogs
- Zōri, traditional Japanese sandals
- Okobo, traditional Japanese wooden platform clogs
- The cloth-wrapped straps make them fuku-zōri (服草履, cloth zōri)
- Victoria and Albert Museum. Department of Textiles; Smith, A. D. Howell; Koop, Albert J. (Albert James) (1919–1920). Guide to the Japanese textiles: Costume. 2. Translated by Inada, Hogitaro. Harold B. Lee Library. London : Printed under the authority of H. M. Stationery Office.
[from volume 2, page 8] The simplest form of outdoor footwear is the waraji, a sandal of coarse rice-straw, some what shorter than the foot, to which it is firmly tied by means of two straw laces (often covered with white paper). These laces issue from between the first and second toes and pass in turn through a couple of loops at each side, up over the foot, through the loop which forms a heel-piece, and back again to be tied over the instep. The waraji are used by men for energetic and long-continued work, travelling, etc. Their length of life is only about twenty-four hours, but they are very cheap (about a farthing a pair) and supplies of them are carried by travellers and thrown away when worn out...For ordinary use, such as leisurely walking on hard, dry ground, the zōri is employed. This is a sandal of fine rice-straw matting and normally has no separate sole. But varieties of it, made of woven rushes of various kinds or of bamboo-sheath, are commonly soled with coiled hemp-rope (asaura-zōri), with wistaria-stems, (fujiura-zōri), or with wood in lateral sections (zōri-geta or itatsuke-zōri). A superior variety, known as setta, has a raw-hide sole with (sic) iron heel-piece.The zōri is kept on by means of two thick soft cords (hanao) of twisted cotton or paper, covered with leather or cloth, issuing from each side near the heel and uniting with a short, thinner piece which passes between, and is gripped by, the first and second toes. Rush zōri with very thick tapering cords of straw-rope covered with white paper or cotton are known as fuku-zōri. In modern times the hanao do not come so far back as in former days; the sandal itself is also a little shorter, instead of being slightly longer, than the foot(translator did not translate the full book text, but from the acknowledgements of vol 1 it sounds as if some of his translations might be incorporated into the work. Volume 1 came out in 1919, volume 2 in 1920. Note the work is in the public domain, therefore the fulltext is not copyright)
- "Japan's Traditional Footwear | LIVE JAPAN travel guide". LIVE JAPAN.
- "曹洞宗 Sōtōshū: Zen Monastic Robes". terebess.hu.
- Schonherr, Johannes. "Fukushima Waraji Festival". (sponsored article)
- Jun-ichi, Ishikawa, ed. (June 15, 2002). "Traditional Footwear". Nipponia. Tokyo Inshokan Printing Co., Ltd. No.21. Retrieved 8 June 2021.
- Pollard, Jenna M. (2012-03-18). "Tezukuri Zouri". In Pursuit of the Good Life.
- "Cardboard Creations: Arty, eco-friendly Kami-waraji cardboard sandals". The Japan Times. 2020-09-05.
- Asakusa (2018-10-29). "Brand-new "O-waraji" at Senso-ji Temple (October 28, 2018) │ Tokyo Free Walking Tour". tfwt.jp. Tokyo Free Walking Tours.
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