This article needs additional citations for verification. (May 2017)
|School of Advanced Study, University of London|
Woburn Square, London, England,
The Warburg Institute is a research institution associated with the University of London in central London, England. A member of the School of Advanced Study, its focus is the study of cultural history and the role of images in culture – cross-disciplinary and global. It is concerned with the histories of art and science, and their relationship with superstition, magic, and popular beliefs.
The researches of the Warburg Institute are historical, philological and anthropological. It is dedicated to the study of the survival and transmission of cultural forms – whether in literature, art, music or science – across borders and from the earliest times to the present including especially the study of the influence of classical antiquity on all aspects of European civilization.
Based originally in Hamburg, Germany, in 1933 the collection was moved to London, where it became incorporated into the University of London in 1944.
As an art historian, Warburg had become dissatisfied with an aestheticising approach to art history and was interested in a more philosophical and interdisciplinary approach. While studying the culture of Renaissance Florence, he grew interested in the influence of antiquity on modern culture, and the study of this second life of the Classical World became his life work.
In 1900 he decided to establish the Warburg-Bibliothek für Kulturwissenschaft (Warburg Library of the Science of Culture), but, although he had begun collecting books in 1886, he didn't actually establish his library until 1909.
Warburg was joined in 1913 by the Vienna art historian Fritz Saxl (1890–1948). They discussed the possibility of converting the library into a research institute in 1914, but World War I and illness interfered. After Warburg returned to Hamburg in 1924, he and Saxl initiated the process of conversion, and the Warburg-Bibliothek officially opened its doors as a research institute in 1926.
Eventually, the privately funded library, built around the interdisciplinary approach, became enormous. Warburg "famously forfeited his right to a share of his fortune on condition that his younger brother Max would buy him any books he required".
The institute was later affiliated to the University of Hamburg. Neo-Kantian philosopher and professor at the newly founded University Ernst Cassirer used it, and his students Erwin Panofsky and Edgar Wind worked there.
In 1933, under the shadow of Nazism, the institute was relocated to London, where, with the aid of Lord Lee of Fareham, Samuel Courtauld, and the Warburg family, it was installed in Thames House in 1934. The institute moved to the Imperial Institute Buildings in 1937. In 1944 it became associated with the University of London.
Henri Frankfort succeeded Saxl as director in 1949, and in 1955 was succeeded by Gertrud Bing, who had joined the organization in 1922. During her term as director, the institute moved to its current home at the university in 1958. Bing was succeeded by Ernst Gombrich in 1959. From 1976 to 1990, J. B. Trapp was director, and from 1991 to 2001, Nicholas Mann. In 1994 the Warburg became a founding institute of the University of London's School of Advanced Study.
In 2011, legal action was started by the University of London together with the institute's advisory council about their disagreement regarding the meaning of the 1944 deed of trust that granted the university the collection; the pledge "to maintain and preserve the collection 'in perpetuity' as 'an independent unit'" is problematised by the institute's annual deficit, estimated at half a million pounds. Several students and scholars who had used the Warburg resources or studied there protested this planned merge. A petition on Change.org to save the Warburg's independence was started by Brooke Palmieri, a student of University College London after working on her PhD thesis at the Warburg. In only two months, the petition had almost twenty five thousand signatures. In recent years the university has charged a proportion of its total estate expenditure to the Warburg Institute; as a result, the finances of the once solvent Institute have been strongly affected. In November 2014, a High Court judgment established that the university's conduct in this regard was not lawful.
The institute occupies a large building on Woburn Square, in the University of London's Bloomsbury campus in the central London Borough of Camden. Designed by Charles Holden and built in 1957, the building is adjacent to the University of London Student Union, Birkbeck College, School of Oriental and African Studies, and Christ the King Church. It is also the home of the studio of the Slade School of Fine Art, University College, London.
The Warburg Institute maintains a research library of more than 350,000 volumes. These volumes, except for a small number of rare and valuable books, are kept on open shelves and are accessible to all. The library is notable for its unusual and unique reference system: the books are arranged by subject according to Warburg's division of human history into the categories of Action, Orientation, Word, and Image. The institute also holds a large photographic collection of 450,000 photographs of paintings, sculptures, prints and drawings, arranged according to an iconographic system initiated by Rudolf Wittkower and Edgar Wind. The photographic collection also holds the valuable archive of the Image of the Black in Western Art. The Institute's archive contains the personal and working papers of Aby Warburg, together with the archives of Henri Frankfort, Ernst Gombrich and other Warburgian scholars.
In addition to its primary purpose as an academic reference library, the institute accepts a small number of graduate students each year. The institute awards the degrees of Master of Arts in Cultural and Intellectual History (1300–1650) and Master of Arts in Art History, Curatorship and Renaissance culture, Master of Philosophy and Doctor of Philosophy; the first and the second are one-year degrees with taught and research components, the MPhil is a two-year research degree which would usually be expected to lead onto a PhD with further study, and the last is a three-year research degree.
The emphasis of these programs is on developing interpretative skills in a number of different academic subjects, which follows from the institute's interdisciplinary mission. Considerable attention is devoted to improving language skills and knowledge of primary sources.
Students and faculty
Scholars associated with the Warburg Institute include Ernst Cassirer, Rudolf Wittkower, Otto Kurz, Henri Frankfort, Arnaldo Momigliano, Ernst Gombrich, Erwin Panofsky, Edgar Wind, Frances Yates, Enriqueta Harris, D. P. Walker, Michael Baxandall, Jennifer Montagu, Anthony Grafton, and Elizabeth McGrath. The current group of scholars continues the institute's tradition of interdisciplinary research into history, philosophy, religion, and art. The permanent staff includes a number of academics and graduate students who hold short and long-term fellowships.
Journal of the Warburg and Courtauld Institutes
In 1980 Dozy, Holmyard, Samsó, and Pingree; published 'Some of the Sources of the Ghāyat al-hakīm', in Volume 43. In 1999 Quentin Skinner published his Ambrogio Lorenzetti's Buon Governo Frescoes: Two Old Questions, Two New Answers.
Directors of the Institute
- 1929–1948: Fritz Saxl
- 1949–1954: Henri Frankfort
- 1954–1959: Gertrud Bing
- 1959–1976: Ernst Gombrich
- 1976–1990: J. B. Trapp
- 1990–2001: Nicholas Mann
- 2001–2010: Charles Hope
- 2010–2014: Peter Mack
- 2014–2015: Raphaële Mouren (acting)
- 2015–2017: David Freedberg
- 2017: Michelle O'Malley (acting)
- 2017– : William H Sherman
- "Aby M. Warburg" Archived 2015-04-02 at the Wayback Machine at the Aby-Warburg-Stiftung website (in German). Retrieved 3 March 2015.
- Deborah J. Haynes (1996). "Warburg, Aby", vol. 32, pp. 854–855, in The Dictionary of Art (34 vols.), edited by Jane Turner. New York: Grove. ISBN 9781884446009. Also at Oxford Art Online, subscription required.
- "History" Archived 2015-03-08 at the Wayback Machine at The Warburg Institute website. Retrieved 3 March 2015.
- Grove, Jack (19 June 2014). "Warburg Institute: library saved from Nazis awaits its fate". Times Higher Education. Retrieved 25 June 2014.
- "The World's Weirdest Library". The New Yorker. Retrieved 2015-10-25.
- "Warburg-Haus Hamburg" (in German). 2006. Retrieved 25 June 2014.
- "Peter Mack, Director and Professor of the History of the Classical Tradition". Archived from the original on July 3, 2014. Retrieved 2015-03-04.CS1 maint: bot: original URL status unknown (link), originally at The Warburg Institute website.
- Distinguished international scholar David Freedberg appointed Director of The Warburg Institute Archived 2016-09-14 at the Wayback Machine
- "Warburg Institute Press Release (6 November 2014)". Archived from the original on 8 November 2014. Retrieved 2014-11-08.CS1 maint: bot: original URL status unknown (link), originally at The Warburg Institute website.
- K. Mazzucco, 'L'iconoteca Warburg di Amburgo: Documenti per una storia della Photographic Collection del Warburg Institute', Quaderni storici, 141, xlvii n. 3, 2012
- [dead link]
- Journal of the Warburg and Courtauld Institutes volume 62, 1999
- Catalog of the Warburg Institute Library. 1961 – via Hathi Trust.
- Gombrich, E.H. (1970). Aby Warburg : an intellectual biography : with a memoir on the history of the library of F. Saxl. London: Warburg Institute. OCLC 272441727.
- Guardian. The Warburg Institute is fighting for its life, July 2010
- NY Review of Books. Save the Warburg Library, 2010
- Guardian. Academics fear for Warburg Institute's London library, August 2014
- Hope, Charles (4 December 2014), "Charles Hope writes about the battle over the Warburg Institute", London Review of Books, retrieved 2 December 2014
|Wikimedia Commons has media related to Warburg Institute.|
- Warburg Institute website
- Graduate Studies website
- The Warburg Institute Iconographic Database
- "The World's Weirdest Library" at The New Yorker