Water Lilies (film)
French theatrical release poster
|Directed by||Céline Sciamma|
|Produced by||Bénédicte Couvreur
|Written by||Céline Sciamma|
|Music by||Jean-Baptiste de Laubier (as Para One)|
|Edited by||Julien Lacheray|
|Distributed by||Haut et Court|
The film tracks the sexual awakenings of three 15-year-old female friends in a middle class suburb of Paris over the course of a single summer. Finding privacy in the solitude of the swimming pool locker room, blossoming teens Marie (Pauline Acquart), Anne (Louise Blachère) and Floriane (Adèle Haenel) come to learn the true meaning of arousal and the power of sexual attraction.
Marie seems to be physically and emotionally attracted to Floriane. Both Floriane and Anne are members of a synchronised swimming team, The Stade Franas Swimmers. Marie expresses an interest in joining the team in order to become closer to Floriane, whom the other girls regard as a "slut". Floriane exhibits her protectiveness for and caring attitude towards Marie when the former gives the latter a medal she was awarded.
When Marie sees Anne at a later point in time, Anne is resentful towards Marie for ignoring her. Marie tells Anne that she was just spending time at her cousin's. Anne accepts this explanation. The next day, Anne speaks to a young man upon whom she has a crush, François. Meanwhile, Floriane confesses to Marie that she has not yet had sex, despite what everyone else on the swim team seems to think. Floriane tells Marie that the rest of the young women on the team make up rumours because they do not like her. In fact, Floriane does not have many female friends.
Floriane tells Marie that one day, she was practicing in the water and the swimming instructor showed her his penis under the water. When Floriane asks Marie if she has any similar stories to tell, Marie is quiet and Floriane tells her that she is very lucky. When they go to Floriane's place, they spend time together lying on Floriane's bed holding hands. After a swim practice, Marie feels affronted when she sees Floriane kissing François. Floriane tells Marie that she is afraid of what will happen if Francois discovers that she is really not a slut and is hesitant about the prospect of having sex.
Floriane and Marie spends the night at a nightclub, where Floriane attempts to find an older man in order to lose her virginity before François discovers that she's a virgin. Floriane then finds a man and kisses him in his car, but is interrupted by Marie. Floriane thanks Marie for the interruption, and later tells Marie that she wants Marie to be her 'first', but Marie rejects Floriane. Later that day, Marie meets Anne at a shopping mall, where Anne shoplifts a necklace. When the two eat lunch at McDonald's, Marie tells Anne that she is immature, then leaves the eating establishment. When Anne enters the male swimming pool locker room after her confrontation with Marie, she gives François the necklace, which he then gives to Floriane. She confesses to Marie that François wants to see her tonight when her parents are not at home. Marie then states that she will do what Floriane had asked her to do earlier. In bed, it seems as if Marie accomplished the goal.
François and Anne later have sex at Anne's house. When Anne sees Marie the next day, she tells Marie that Floriane actually did not have sex with François. After Marie and Anne share a kiss, Marie tells Anne that she likes somebody. Anne assumes that Marie has a heterosexual crush. At the swimming party, Anne spits into François's mouth when he attempts to have sex with her for a second time.
In the locker room, Marie and Floriane finally share a passionate kiss. Floriane indicates that she is going back to the party. Floriane tells Marie to 'save her' if the guy she talked to earlier at the party turns out to be 'an ass.' Marie and Anne jump into the pool fully clothed. They float on their backs in the pool together, while Floriane dances alone at the party, oblivious to the effect that her actions have had upon Marie and Anne.
- Pauline Acquart as Marie
- Louise Blachère as Anne
- Adèle Haenel as Floriane
- Warren Jacquin as François
- Alice de Lencquesaing as Girl in locker room
Critics have given the film generally positive reviews. Review aggregation website Rotten Tomatoes gives the film a score of 77% based on reviews from 43 critics. The site's consensus is: "Water Lilies is a sharply-observed, provocative coming-of-age story that captures the anxieties of the early teen years." Metacritic gives the film an average score of 65%, based on 12 reviews, indicating "generally favorable reviews."
Tim Palmer discusses the film in the context of first-time, debutant filmmaking in France, which makes up around 40% of French cinema each year. As such, Sciamma's film is formally audacious (notably in its minimalism), self-referential (as in the directors' cameo as a McDonald's clerk), and very engaged with intimate rites-of-passage, the socialization process rendered through a feminine sensibility.
Awards and nominations
The film was selected for screening in the section Un certain regard at the 2007 Cannes Film Festival, and won both the 2006 Prix de la jeunesse at Cabourg Film Festival and the 2006 Louis Delluc Prize for Best First Film.
The film secured three nominations for the 2008 César Awards; Céline Sciamma was nominated for the 2008 César Award for Best Debut, and actresses Adèle Haenel and Louise Blachère were both nominated for the 2008 César Award for Most Promising Actress. Eventually the Best Debut award went to Marjane Satrapi and Vincent Paronnaud for Persepolis, and the Award for Most Promising Actress went to Hafsia Herzi for her performance in La Graine et le Mulet.
- "Naissance des pieuvres". JP's Box-Office.
- «Pieuvres» par trois by Bruno Icher in Libération, August 15, 2006.
- Jeunes filles en eaux troubles in Le Journal du dimanche, August 15, 2006.
- "Water Lilies Movie Reviews, Pictures - Rotten Tomatoes". Rotten Tomatoes. Flixster. Retrieved December 12, 2010.
- "Water Lilies (2008): Reviews". Metacritic. CBS. Retrieved December 12, 2010.
- Palmer, Tim (2011). Brutal Intimacy: Analyzing Contemporary French Cinema, Wesleyan University Press, Middleton CT. ISBN 0-8195-6827-9.