Waylon & Willie

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Waylon & Willie
JenningsNelsonWaylon&Willie.jpg
Studio album by Waylon Jennings and Willie Nelson
Released January 1978
Genre Country
Outlaw country
Length 32:50
Label RCA Victor
Producer Waylon Jennings, Willie Nelson
Waylon Jennings chronology
Ol' Waylon
(1977)
Waylon & Willie
(1978)
White Mansions
(1978)

Waylon & Willie is a duet album by Waylon Jennings and Willie Nelson, released on RCA Victor in 1978. It stayed at #1 album on the country album charts for ten weeks and would spend a total of 126 weeks on the country charts.

Background[edit]

At the dawn of 1978, Waylon Jennings and Willie Nelson had attained country music superstar status. Jennings had scored three #1 country albums in a row, and his most recent, 1977's Ol' Waylon, included what turned out to be the biggest hit single of his career, "Luckenbach, Texas (Back to the Basics of Love)." Nelson, who had taken a verse on the Jennings single, had enjoyed blockbuster success of his own with the release of his 1975 West Texas epic Red Headed Stranger and would again with Stardust in 1978. After so many one-off collaborations and tours, it was inevitable that the pair would record an album of duets, although the fact that they were on different record labels (Waylon with RCA and Willie with CBS) made matters difficult. According to RCA executive Jerry Bradley, Jennings initially attempted to overdub his vocals on a few archival Nelson recordings (Nelson had recorded for RCA from 1965 to 1972) but struggled to do so; instead, he approached CBS Records in Nashville with the idea of recording an album of new duets.[1] In a surprising show of cooperation, CBS agreed. Jennings and Nelson had achieved great success previously, winning the CMA award for Duo of the Year for their song "Good Hearted Woman" in 1976 and were the marquee attractions on the Wanted! The Outlaws compilation, country music's first million selling album.

Recording and Composition[edit]

The album contains three songs sung individually by Jennings and Nelson, as well as five duets. Although it was presented as a new release, several of the tracks had been recorded for some time and had been redone using overdubbing. The Nelson-sung "It's Not Suppose to Be That Way" and "If You Can Touch Her at All" had appeared on Jennings' 1974 album This Time (which Nelson had co-produced), as had the song "Pick Up The Tempo," which is featured on this LP as a duet. Nelson's guitar playing is noticeably absent on the recording.

Jerry Bradley later recalled:

"Waylon come to play those for me. He looked at me and said, 'You don't really like them?' I said 'Well, we'll do well with them, but I don't think there's one as good as what we had with the Outlaws.' He said, 'What about this one?' And that's when he played 'Mammas.'"[1]

"Mammas Don't Let Your Babies Grow Up to be Cowboys," written by Ed and Patsy Bruce, peaked at # 1 in March 1978, spending four weeks atop the country music charts. It also reached 42 on the Billboard Hot 100, and won the 1979 Grammy Award for Best Country Performance by a Duo or Group with Vocal. It was quite simply the perfect song for the pair to sing and propelled the album to the top of the Billboard country albums chart. The Waylon-sung "The Wurlitzer Prize (I Don't Want to Get Over You)" also shot to #1, while Nelson's tender reading of Lee Clayton's "If You Can Touch Her at All" reached #5. In many ways, Waylon and Willie was the summation of everything that had made the outlaw country movement such a subversive force, but as music journalist Stephen Thomas Erlewine of AllMusic observes:

"...in retrospect, it looks like where the movement was beginning to slide into predictability, even if both singers are more or less in command of their talents here. Though still at the peak of his popularity, Waylon had begun to slip slightly creatively starting with the very good, but not great, Are You Ready for the Country, which suggested that he was having a little harder time getting a full album of consistently great material together. The patchwork nature of this album suggests that he still had the problem, but since it was divided into three solo songs apiece and five duets, this plays to his strengths, because the limited number of new songs doesn't give him room to stumble."

Jennings legal problems, including a much publicized cocaine bust in 1977, were no doubt a distraction and perhaps the inspiration for "I Can Get Off On You," a songwriting collaboration with Nelson (a notorious pothead) that celebrated the triumph of new love over past vices ("Take back the weed, take back the cocaine baby, take back the pills, take back the whiskey too..."). Jennings' cover of Fleetwood Mac's "Gold Dust Woman" also addresses drugs, and was a another example of Waylon's penchant for appropriating FM rock staples; he had previously (and some felt more comfortably) covered Neil Young's "Are You Ready for the Country" and the Marshall Tucker Band's "Can't You See." Near the conclusion of Kris Kristofferson's "Don't Cuss the Fiddle," Waylon and Willie began singing "Good Hearted Woman," which has an identical musical arrangement.

The original liner notes, complimenting Jennings and Nelson on their ability to surprise and deliver solid material, were written by Chet Flippo of Rolling Stone. Waylon & Willie was reissued by RCA Records in 2001. The 2001 CD marks the first time the full album was issued on CD in the US; previous US CD issues contained only eight of the album's eleven songs.

Reception[edit]

Rolling Stone ranked Waylon and Willie #30 its "50 Country Albums Every Rock Fan Should Own," stating, "These old stoner compadres teamed up with startling purpose for this consistently poignant, pleasingly loopy Number One country smash. A last call of circular barroom logic, it evenly splits primo world-weary Willie (the quivering waltz 'If You Can Touch Her at All' and bewildered end-of-the-line lament 'It's Not Supposed to Be That Way') with top-tier wobbly Waylon (his chilling cinéma vérité version of Fleetwood Mac's 'Gold Dust Woman' and the light-touch pathos of 'The Wurlitzer Prize'). While conceding that the album "remains one of their biggest-selling albums," AllMusic opines, "its perennial popularity has more to do with their iconic status - something this album deliberately played up - than the quality of the music, which is, overall, merely good...Since it was cut at a time they were making consistently enjoyable music, it's fun, but it could have been much, much more than it is."

Professional ratings
Review scores
Source Rating
Allmusic 3/5 stars link
Rolling Stone (not rated) link[dead link]

Track listing[edit]

Side one[edit]

  1. "Mammas Don't Let Your Babies Grow Up to Be Cowboys" (Ed Bruce, Patsy Bruce) – 2:34
  2. "The Year 2003 Minus 25" (Kris Kristofferson) – 3:04
  3. "Pick Up the Tempo" (Willie Nelson) – 2:32
  4. "If You Can Touch Her at All" (Lee Clayton) – 3:04
  5. "Lookin' for a Feeling" (Waylon Jennings) – 2:38
  6. "It's Not Supposed to Be That Way" (Nelson) – 3:20

Side two[edit]

  1. "I Can Get Off on You" (Jennings, Nelson) – 2:24
  2. "Don't Cuss the Fiddle" (Kristofferson) – 3:04
  3. "Gold Dust Woman" (Stevie Nicks) – 4:00
  4. "A Couple More Years" (Dennis Locorriere, Shel Silverstein) – 4:02
  5. "The Wurlitzer Prize (I Don't Want to Get Over You)" (Bobby Emmons, Chips Moman) – 2:08

Chart performance[edit]

Chart (1978) Peak position
U.S. Billboard Top Country Albums 1
U.S. Billboard 200 12
Canadian RPM Country Albums 7
Canadian RPM Top Albums 11
Preceded by
Here You Come Again by Dolly Parton
Ten Years of Gold by Kenny Rogers
Every Time Two Fools Collide by Kenny Rogers and Dottie West
Top Country Albums number-one album
February 25-April 8, 1978
April 29-May 13, 1978
June 3, 1978
Succeeded by
Ten Years of Gold by Kenny Rogers
Every Time Two Fools Collide by Kenny Rogers and Dottie West
Stardust by Willie Nelson
  1. ^ a b Streissguth, Michael 2013, p. 233.