In mythology and literature, a werewoman or were-woman is a woman who has taken the form of an animal through a process of lycanthropy. The use of the word "were" refers to the ability to shape-shift but is, taken literally, a contradiction in terms since in Old English the word "wer" means man. Werewomen are reported in antiquity and in more recent African folklore, where the phenomenon is sometimes associated with witchcraft, though sources often do not state the animal into which the woman has transformed and it is not necessarily a wolf. In areas where wolves do not exist, other fierce animals may take their place, for instance leopards or hyenas in Africa. Werewomen are distinctive as most legends of lycanthropy involve men, though the process is not restricted solely to men, and if they involve women it is usually in the role of a victim. The theme of the female werewolf has been used in fiction since Victorian times, while recently the term werewoman has become associated with transgender culture and specifically the fantasy of a forced, but temporary, transformation of a man into a woman.
A 1591 broadside, Werewolves of Jurich, printed by Georg Kress, tells the story of the terrorising of the town of Jurich by hundreds of werewolves and depicts a number of male and female werewolves being executed, including some apparently wearing nun's veils.
In 1615, French physician Jean de Nynauld reported in De la lycanthropie, transformation et extase des sorciers (On lycanthropy, transformation and ecstasy of witches) the case of a woodsman who had been attacked by a wolf but had managed to cut off its leg. Immediately the wolf turned into a woman who was subsequently burned alive.
Lewis Spence, in his 1920 An Encyclopaedia of Occultism, recorded that in Armenia it was thought that a demon would present himself to a sinful woman and command her to wear a wolf's skin, after donning which she would spend seven years as a wolf during the night, devouring her own and other children and acting generally as a wild beast until the morning when she would resume her human form.
In a legend from Liberia, a lazy husband asks his wife to use her shape-shifting powers to change into a leopard and capture food in order to save him the trouble of hunting. After the wife transforms, she terrorizes her husband with her claws and teeth until he agrees to start hunting again.
In the early modern world, there was not always a clear separation between the idea of the werewolf and the witch. A werewolf could be male or female but was not necessarily a witch. Some witches, however, could transform themselves into dogs or wolves or enchant those animals, and witch trials sometimes mention witches riding wolves. A werewolf might become so by using a magic ointment and this was similar to the ointment that witches were reputed to use to allow flight. Jean de Nynauld discussed werewolf magic ointments in his 1615 book, though he saw lycanthropy as a form of mental illness rather than a form of magic and believed that the ointments contained hallucinogenic compounds that caused an out of body experience which reinforced the lycanthropic delusion.
In late nineteenth century Asaba, in the Igbo region of what is now Nigeria, witches were often thought to be werewomen, and a close connection was thought to exist between all women and witchcraft. In one story a mother tries to prevent her son leaving home by transforming herself into a werewoman and is only revealed when the son challenges the "monster or spirit" to reveal its true identity as a human being.
In transgender culture
In transgender slang, the term werewoman has a different meaning of a man who transforms into a woman at night, or possibly once a month on a full Moon. The theme is the subject of fantasy fiction on the internet in stories such as Curse of the Were-Woman: A transformation tale by Dawn Carrington, Gynothrope and Shifters by Maxwell Avoi, and similar stories which together form a genre described as "Reluctant Gender Transformation" or "Gender Transformation Erotica". Such transformations are normally portrayed as forced, either through natural forces like the phases of the Moon or through some form of magic. In the case of the Carrington story, the actions of a supernatural succubus cause the transformation. The transformation is also forced in the graphic novels Curse of the Were-Woman, written by Jason M. Burns and illustrated by Christopher Provencher, where an inveterate womanizer is cursed by an angry jilted lover and witch, causing him to become a woman at night.
In fiction as werewolves
Werewomen as wolves have appeared in modern popular fiction and the idea was also used in Victorian fiction to explore the issue of women's rights and women's sexuality in, for instance, The Were-Wolf by Clemence Housman, and works by Frederick Marryat. The 1938 short story "Werewoman" by C. L. Moore also dealt with the subject. In comics, Marvel published an edition of their Conan the Barbarian comic in 1974 titled The Warrior and the Were-Woman! while a 1976 comic featured a character named Tigra the Were-woman.
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