Westbeth Artists Community
The Western Electric complex which became Westbeth (1936)
|Area||.9 acres (0.36 ha)|
|NRHP Reference #||09001085|
|Added to NRHP||December 8, 2009|
|Designated NYCL||October 25, 2011|
Westbeth Artists Housing is a nonprofit housing and commercial complex dedicated to providing affordable living and working space for artists and arts organizations in New York City. Its campus comprises the full city block bounded by West, Bethune, Washington and Bank Streets in the West Village neighborhood of Manhattan, New York City; the complex is named for two of these streets, West and Bethune.
It occupies the Bell Laboratories Buildings, which were the headquarters of Bell Telephone Laboratories 1898–1966, before being converted in 1968–1970. That conversion was overseen by architect Richard Meier. This low- to moderate-income rental housing and commercial real estate project, the largest in the world of its type, was developed with the assistance of the J.M. Kaplan Fund and federal funds from the National Endowment for the Arts.
Westbeth is owned and operated by Westbeth Corp. Housing Development Fund Corp. Inc., a New York not-for-profit corporation governed by an unpaid, volunteer board of directors. As of 2009[update], Westbeth has a very old population, including many original tenants – about 60% of tenants were over age 60, and about 30% were over age 70. It is thus a naturally occurring retirement community, and has an on-site social worker. Children of tenants are allowed to take over their parents' apartment, and thus there is a multi-generational community. Due to the 10–12 year waiting period for an apartment, Westbeth closed its residential waiting list in 2007 and as of 2014[update] is still not accepting new applications.
Westbeth is among the first examples of adaptive reuse of industrial buildings for artistic and residential use in the United States. It is a complex of 13 buildings in Manhattan's West Village. The complex was originally the site of Bell Laboratories (1868–1966), one of the world's most important industrial research centers and home to many inventions, including the vacuum tube, the condenser microphone, an early version of television, and the transistor. The complex was vacated by Bell Labs in the middle 1960s, and remained empty until the Westbeth project started later in the decade. Using seed money from the J.M. Kaplan Fund and help and encouragement from the National Council for the Arts (which has since become the National Endowment for the Arts), an ambitious renovation project designed to create live-work spaces for 384 artists of all disciplines was initiated under the direction of developer Dixon Bain. The project was the first significant public commission of Richard Meier, who later won the Pritzker Prize for Architecture and who is still a significant figure in modern architecture. Westbeth opened in 1970 for artists, dancers, musicians, actors, writers and film makers.
Artists of all disciplines are admitted as tenants in Westbeth after review by a committee of residential tenants in their discipline. They must also meet certain income requirements at the time of admission. (The waiting list for new residential tenants was closed in 2007.) As of 2014, residential tenants paid an average of $800 a month in rent, including electricity, approximately one-third to one-quarter the market rate for comparable space.
In addition to its residential component, there are also large and small commercial spaces, performance spaces, and rehearsal and artists' studios. Westbeth is home to a number of major cultural organizations, including The New School for Drama, the LAByrinth Theater Company, the Martha Graham Center of Contemporary Dance, and Congregation Beit Simchat Torah, the first LGBT synagogue in New York and the largest in the world, with more than 800 members. The space occupied by The New School was previously occupied by an Off-Broadway theatre.
Westbeth was added to the National Register of Historic Places on December 8, 2009, after the Greenwich Village Society for Historic Preservation (GVSHP), using funds from the J.M. Kaplan Fund, commissioned historic preservationist Andrew Dolkart to write a nominating report to list Westbeth on the State and National Register of Historic Places. The research included interviews with several key figures in the conversion of the former Bell Telephone Labs to the nation's first subsidized housing complex for artists, including architect Richard Meier, choreographer Merce Cunningham, and Joan Davidson,the daughter of J.M. Kaplan who coordinated the founding of Westbeth.  Following Prof. Dolkart's submission, and citing the "extraordinary significance" required to list sites on the State and National Register of Historic Places which are less than 50 years old, the New York State Historic Preservation Board unanimously approved the nomination of Westbeth to the State Register of Historic Places.
As part of an effort to extend landmark protections to the Far West Village, GVSHP spearheaded a campaign to have the New York City Landmarks Preservation Commission (LPC) designate the entire complex as an individual landmark. In response, the LPC committed to do so in 2004 as part of a broader series of landmark designations it agreed to do in the area. It was not until 2009, however, that the LPC took the formal step of "calendaring" the complex for a hearing and issuing a “Statement of Significance.” GVSHP urged the LPC to act before the end of 2010, the 40th anniversary of the complex’s conversion to artists’ housing. On Oct. 25, 2011, Westbeth was designated a landmark by the LPC.
The Westbeth Artists' Residents Council, elected by the residential tenants, acts as the building's tenants association and provides free cultural events to the public such as readings, performances, and film screenings in the Westbeth Community Performance Space and runs the Westbeth Art Gallery, which exhibits the work of both resident and non-resident artists; both in spaces donated by the corporation. The Council receives public funding from the NYC Department of Cultural Affairs. In 2008, the Council was awarded a major grant from the Pollock-Krasner Foundation for the Council's official website. The website hosts individual artists' pages showing the work of its artist-residents and publicizes cultural events and exhibitions sponsored by the Council. The Council also functions as the tenants association, and is involved in various larger community issues, particularly with regard to preserving the historic character of the West Village neighborhood, and zoning issues.
Resident artists of note
Westbeth Artists Housing has been home to a number of influential artists, musicians and performers including Diane Arbus – whose suicide in 1971 caused a stir in the young community – Robert Beauchamp, Paul Benjamin, Karl Bissinger, Joseph Chaikin, David Del Tredici, Robert De Niro, Sr., Vin Diesel, John Dobbs, Gil Evans, David Greenspan, Moses Gunn, Hans Haacke, Billy Harper, Spencer Holst, William Kennon, Gayle Kirschenbaum, Anita Kushner, Ralph Lee, Hal Miller, Herman Rose, Barbara Rosenthal, Muriel Rukeyser, Ed Sanders, Tobias Schneebaum and Anne Tabachnick.
Merce Cunningham, the noted choreographer and dancer, had his studio and offices at Westbeth for over 40 years, from 1971 up to the time of his death and the dissolution of the Merce Cunningham Dance Company in 2012.
The film Growing Up At Westbeth by Christina Maile and Francia Tobacman Smith features archival photos, footage and interviews, 40 years later, with the children who grew up at Westbeth. The film was shown at the 40th Anniversary Celebration of Westbeth in October 2010 as part of the Westbeth Film Festival. A film about the noted feminist artist Anita Steckel, a resident of Westbeth, is in production by the same filmmakers.
- "National Register of Historic Places". National Register of Historic Places. National Park Service. 2009-12-18.
- Bosh, Clemen (June 8, 1968). "The Talk of the Town: Westbeth". The New Yorker.
- Shockley, Jay. "Bell Telephone Laboratories (Westbeth Artists' Housing) Designation Report" New York City Landmarks Preservation Commission (October 25, 2011)
- "Westbeth: Home of the Arts"
- Rosenstock, Bonnie (7–13 January 2009). "Westbeth comes of age: A unique artists’complex tries to stay afloat" 78 (32).
- "FAQ" on the Westbeth Center for the Arts website
- "Mechanical Television: Bell Labs" on the Early Television Museum website
- Gertner, Jon. The Idea Factory: Bell Labs and the Great Age of American Innovation. New York: Penguin, 2012.
- Jackson, Kenneth T. (1995). The Encyclopedia of New York City. New York, NY: The New York Historical Society; Yale University Press. p. 1254. ISBN 0-300-05536-6.
- Horwitz, Simi (2002-03-05). "Westbeth Forced From Home After 25 Years". Backstage. Retrieved 2014-11-22.
- GVSHP & Andrew Dolkart. "Nomination of Westbeth to the State and National Register of Historic Places" (PDF).
- "Westbeth Oral Histories".
- "Re: Landmark Designation of Westbeth and Other Far West Village Sites" (PDF). Greenwich Village Society for Historic Preservation. Retrieved 21 August 2014.
- "Westbeth Statement of Significance" (PDF). New York City Landmarks Preservation Commission. Retrieved 21 August 2014.
- Amateus, Albert (November 3, 2011). "City Dubs Westbeth a Landmark". The Villager.
- Robledo, S. Jhoanna (November 21, 2010). "Enforcing Utopia". New York.
|Wikimedia Commons has media related to Westbeth Complex.|
- Westbeth Artists Residents Council official website
- Westbeth Center for the Arts official company website
- Westbeth: Home of the Arts movie clip
- Westbeth Theatre at the Internet off-Broadway Database
- Westbeth Oral Histories: project manager Dixon Bain; NEA official Ana Steele Clark; Westbeth executive director Peter Cott; choreographer Merce Cunningham; project coordinator Joan Davidson; architect Richard Meier; architect Tod Williams. Greenwich Village Society for Historic Preservation