When a Stranger Calls (1979 film)
|When a Stranger Calls|
Theatrical release poster
|Directed by||Fred Walton|
|Produced by||Doug Chapin
|Written by||Steve Feke
|Music by||Dana Kaproff|
|Edited by||Sam Vitale|
|Distributed by||Columbia Pictures (US)|
When a Stranger Calls (released in the UK as When a Stranger Rings) is a 1979 psychological horror film. It was directed by Fred Walton and stars Carol Kane and Charles Durning. The film derives its story from the classic folk legend of "The Babysitter and the Man Upstairs" and the 1974 horror classic Black Christmas. The film was commercially successful, grossing $21,411,158 at the box office, though it received a mixed critical reception. It was followed by the 1993 made-for-television sequel When a Stranger Calls Back and a remake in 2006.
Jill Johnson (Carol Kane) is babysitting the children of Dr. Mandrakis (Carmen Argenziano) at their home. When the children are asleep, Jill receives a telephone call from a man who asks her if she has checked the children. At first, Jill dismisses the telephone calls as a practical joke; however, as the calls become more frequent and threatening, Jill becomes frightened and decides to call the police, who promise to trace the caller if Jill keeps him on the telephone line long enough. Jill, frightened to extreme measures, arms herself as she receives one final call from the nefarious stalker. Soon after the conversation, Jill receives a call from the police, only to find out that the stalker is calling from inside the house. A light comes on at the top of the staircase, and Jill sees the stalker's shadow. She immediately runs to the front door to scream for help.
Afterwards, Officer John Clifford (Charles Durning) investigates the matter. It turns out that the children were murdered by the perp several hours earlier. The killer is identified as an English merchant seaman named Curt Duncan (Tony Beckley), and is subsequently sent to an asylum.
Seven years later, Duncan escapes from the asylum, still psychopathic. Dr. Mandrakis hires Clifford, now a private investigator, to find Duncan. Not knowing Clifford is after him, Duncan is now a homeless, vagrant loner. He gets into a fight and is beaten after disturbing a middle-aged woman, Tracy (Colleen Dewhurst), in a tavern, and later follows her to her apartment. Feeling sorry for his disastrous appearance and for the fact that his attempts at conversation with her started the fight in the first place, Tracy makes light conversation with him. While they are in the doorway talking, Tracy's phone rings. As she goes to answer it, Duncan lets himself into her apartment. Tracy does not tell him to leave right away nor does she explicitly rebuff his awkward proposal to visit her for coffee the next night, assuming or hoping it will be the last of him she will see.
Meanwhile, an increasingly obsessed and vindictive Clifford, having confided to a former partner (Ron O'Neal) that his intention is to kill Duncan rather than arrest him, follows the trail to the tavern where the fight took place, then to Tracy's residence—the same night Duncan is likely to arrive for his visit. Clifford goes there and tells Tracy just how dangerous her situation has become, revealing that Duncan literally tore and hacked up Mandrakis' children with his bare hands, rendering them virtually unrecognizable. Tracy reluctantly accepts to be Clifford's bait at the tavern that evening, but Duncan does not arrive and she decides to return home. Clifford then leaves Tracy's place, but she is then attacked by Duncan, who was hiding in her closet. Tracy screams for help, and Clifford returns and chases Duncan away from the scene. In the streets of downtown Los Angeles, he loses Duncan's trail.
Jill Johnson is now an adult, married with two young children. One night, she and her husband Stephen go out to dinner in celebration of a promotion, and a friend named Sharon babysits her children. At the restaurant, Jill gets a telephone call from someone asking, "Have you checked the children?" Jill panics and calls Sharon. It appears that nothing is wrong at first, but then the call is suddenly disconnected. The police arrive and escort Jill back home and finds that everything was fine. Clifford tries to call Jill, but finds that the line was disconnected. Jill and Stephen sleep. Later, Jill goes down for a glass of milk, when the lights go out. She goes back upstairs and gets in bed once again. She picks up the phone and realizes the phone line is dead. The closet door opens a little, and she hears the voice of Curt Duncan. She tries to awaken Stephen, who turns around, revealing that Curt is actually in the bed. He rips Jill's nightgown and chases her around the room. Clifford arrives and shoots Curt, killing him. Stephen is revealed to be in the closet, alive but seemingly unconscious. As Clifford comforts Jill, the last view is of the house, in view of the frightening eyes of Curt Duncan.
|This section requires expansion. (February 2015)|
When a Stranger Calls is essentially an expanded remake of Fred Walton's $12,000 short film for Columbia Pictures, The Sitter, which comprised the first 20 minutes of this film. Walton was inspired to turn the short into a feature-length film after the considerable success of John Carpenter's Halloween (1978). The premise of the police calling and telling the girl the killer is inside the house is taken directly from the 1974 horror classic Black Christmas.
Tony Beckley, who plays Curt Duncan, was terminally ill throughout production. Because of this, he did not at all fit the description of the killer, but Fred Walton refused to replace him. Beckley died soon after he finished filming his scenes. The 1993 sequel, When a Stranger Calls Back, was dedicated to his memory.
on December 3, 2014 Umbrella Entertainment Released Film on Blu-ray For the First Time in Australia.
|Blu-ray name||Discs #||Region B (Australia)||DVD Special Features|
|When a stranger calls||1||December 3, 2014||NONE|
|This section requires expansion. (February 2015)|
However, the opening 22–23 minutes of the movie are largely considered the reason for the movie's cult status, and consistently regarded as one of the scariest scenes in horror cinema.
Negative reviews of the film cited the decline in quality following those first 20 minutes, owing to a lack of suspense and the plot development slowing down considerably. Some critics also noted that Tony Beckley looked far too physically frail to be believable as a killer who could rip children apart with his bare hands. Roger Ebert described the movie as "sleazy" in a 1980 episode of Sneak Previews.
The Classification and Rating Administration had originally voted unanimously for a PG rating (5 years before the PG-13 rating was available for use). However, CARA chair Richard Heffner then viewed the film and called the board for further discussion to consider voting for an R rating instead. Although the theme of a film could potentially be accommodated within a PG rating, Heffner argued that this film's treatment of its theme was too unsettling for most parents to want it to be freely available to unaccompanied children. A majority vote was then received to assign the film its R rating. 
- It's a Scream for Three Unknowns: UNKNOWNS Thomas, Kevin. Los Angeles Times (1923–Current File) [Los Angeles, Calif] 26 Oct 1979: g23.
- "PASSINGS: Perry Moore, Don Peterman, Nancy Carr". latimes.com. 22 February 2011. Retrieved 27 June 2012.
- "When a Stranger Calls (1979)". Rotten Tomatoes. Retrieved 27 June 2012.
5. Richard Heffner Oral History: transcript volume 10 - 1979