Wikipedia:Main Page/Tomorrow

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From tomorrow's featured list

Satyajit Ray
Satyajit Ray

Indian filmmaker Satyajit Ray received numerous awards and honours, including India's highest award in cinema, the Dadasaheb Phalke Award (1984) and India's highest civilian award, the Bharat Ratna (1992). He was also awarded the Commander of the National Order of the Legion of Honour, the highest decoration in France (1987) and an Honorary Award at the 64th Academy Awards (1991). Ray won thirty-five National Film Awards during his four-decade career. Six of his films – Pather Panchali (1955), Apur Sansar (1959), Charulata (1964), Goopy Gyne Bagha Byne (1968), Seemabaddha (1971) and Agantuk (1991) – won Best Feature Film. Three films – Jalsaghar (1958), Abhijan (1962) and Pratidwandi (1970) – were awarded with Second Best Feature Film and Mahanagar (1963) was awarded the Third Best Feature Film. Ray won 21 awards for his direction, including seven Bengal Film Journalists' Association Awards, six Indian National Film Awards, two Silver Bear awards at the Berlin International Film Festival and two Golden Gate Awards at the San Francisco International Film Festival. (Full list...)

Tomorrow's featured picture

Perseus and Andromeda

Perseus and Andromeda is an oil-on-canvas painting by British artist Sir Frederic Leighton. Completed in 1891, the year it was displayed at the Royal Academy of Arts, it depicts the Greek mythological story of Perseus and Andromeda. In contrast to the basis of a classical tale, Leighton used a Gothic style for the artwork. The mythological theme of Andromeda is depicted in a dramatic manner; the scene is a representation of the myth set on a rocky shore. Perseus is depicted flying above the head of Andromeda, on his winged horse, Pegasus. He is shooting an arrow from the air, that hits the sea monster, Cetus, who turns his head upwards, towards the hero. Andromeda's almost naked, twisted body is shaded by the wings of the dark creature, creating a visual sign of imminent danger. Her sinuous body is contrasted against the dark masses of the monster's irregular and jagged body, as well as depicted in white, representing pure and untouched innocence, indicating an unfair sacrifice for a divine punishment that was not directed towards her, but her mother, Cassiopeia, who, with her husband Cepheus, sacrificed her to Cetus. Pegasus and Perseus are surrounded by a halo of light that connects them visually to the white body of the princess, chained to the rock. The painting is now in the collection of the Walker Art Gallery in Liverpool, England.

Painting credit: Frederic Leighton

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