Schmid studied music under Christian Döbereiner, and founded the Munich Viol Quartet. He was also a well-respected music critic, and wrote for the Münchener Neueste Nachrichten. He was killed by the Nazi SS during the Night of the Long Knives because he had a similar name to one of the intended targets, apparently either an SA leader named Willi Schmidt, or an associate of Otto Strasser named Ludwig Schmitt. William Shirer's account in The Rise and Fall of the Third Reich mentions that Schmid was playing the cello in his study, while his wife was preparing supper and his three children were playing in the adjacent room, when Nazi agents knocked on the door and took him away. His body was sent to his widow in a casket four days later, with written instructions from the SS not to open it under any circumstances. Rudolf Hess visited the family a few days later to express condolences for the mistake and offer his widow a pension. Schmid's widow, Kate Eva Hoerlin, later emigrated to the United States and became a US citizen in 1944.
Schmid's friend, the philosopher Oswald Spengler, commemorated him in a poem and letter in Reden und Aufsätze (Collected Essays, published in 1937).
- Harry Haskell (1996). The Early Music Revival: A History. Courier Dover. p. 45. ISBN 0-486-29162-6.
- William L. Shirer (1990). The Rise and Fall of the Third Reich: A History of Nazi Germany. Simon and Schuster. p. 223. ISBN 0-671-72868-7.
- Matthew Hughes and Chris Mann (2002). Inside Hitler's Germany: Life Under the Third Reich. Brassey's. p. 98. ISBN 1-57488-503-0.
- Ian Kershaw (2000). Hitler: 1889-1936: Hubris. W. W. Norton & Co. p. 515. ISBN 0-393-04671-0.
|This article about a German writer or poet is a stub. You can help Wikipedia by expanding it.|