William Basinski

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William Basinski
Basinski.jpg
Basinski performing live at the Empty Bottle in 2005.
Background information
Born (1958-06-25) June 25, 1958 (age 61)
Houston, Texas, U.S.
Genres
Occupation(s)Composer
Years active1978–present
Labels
Associated actsRichard Chartier
Websitewww.mmlxii.com

William Basinski (born 25 June 1958) is an American avant-garde composer based in New York City.[1] He is also a clarinetist, saxophonist, sound artist, and video artist.[2]

Basinski is best known for his four-volume album The Disintegration Loops (2002–2003), constructed from rapidly decaying twenty-year-old tapes of his earlier music.[3]

Biography[edit]

William Basinski was born in 1958 in Houston, Texas.[4] He was raised in a Catholic family,[5] and states that he had his first "really mystical, wonderful, magical" musical experiences as an infant at Houston's St. Anne Church.[6] His father was a scientist contracted to NASA, which caused the family to move often.[6]

A classically trained clarinetist, Basinski studied jazz saxophone and composition at North Texas State University in the late 1970s. In 1978, inspired by minimalists such as Steve Reich and Brian Eno,[7] he began developing his own vocabulary using tape loops and old reel-to-reel tape decks. He developed his meditative, melancholy style experimenting with short looped melodies played against themselves creating feedback loops.[8]

His first release was Shortwavemusic. Although created in 1983, it was first released on vinyl in a small edition in 1998 by Carsten Nicolai's Raster-Noton label. This was followed by Watermusic, self-released in 2000 on Basinski's 2062 Records. Another 2-disc work was Variations: A Movement in Chrome Primitive, 1980: it was finally released in 2004 by David Tibet on the Durtro/Die Stadt label. At the time this work was created, Basinski was experimenting with compositions for piano and tape loops.[9]

Throughout the 1980s, Basinski created a vast archive of experimental works using tape loop and delay systems, found sounds, and shortwave radio static. He was a member of many bands including Gretchen Langheld Ensemble and House Afire. In 1989, he opened his own performance space, "Arcadia" at 118 N. 11th Street.[10]

In August and September 2001, he set to work on what would become his most recognizable piece, the four-volume album The Disintegration Loops.[11] The recordings were based on old tape loops which had degraded in quality. While attempting to salvage the recordings in a digital format, the tapes slowly crumbled and left a timestamp history of their demise.[12][13][14][15]

Discography[edit]

Studio albums[edit]

  • Shortwavemusic (1998, Raster-Noton)
  • Watermusic (2000, 2062 Records)
  • The Disintegration Loops (2002, 2062 Records)
  • The River (2002, Raster-Noton)
  • The Disintegration Loops II (2003, 2062 Records)
  • Watermusic II (2003, 2062 Records)
  • Melancholia (2003, 2062 Records)
  • The Disintegration Loops III (2003, 2062 Records)
  • A Red Score in Tile (2003, Three Poplars)
  • The Disintegration Loops IV (2003, 2062 Records)
  • Variations: A Movement in Chrome Primitive (2004, Durtro/Die Stadt)
  • Untitled (2004, Spekk) (with Richard Chartier)
  • Silent Night (2004, 2062 Records)
  • The Garden of Brokenness (2006, 2062 Records)
  • Variations for Piano and Tape (2006, 2062 Records)
  • El Camino Real (2007, 2062 Records)
  • 92982 (2009, 2062 Records)
  • Vivian & Ondine (2009, 2062 Records)
  • Aurora Liminalis (2013, Line) (with Richard Chartier)
  • Nocturnes (2013, 2062 Records)
  • Cascade (2015, 2062 Records)
  • The Deluge (2015, 2062 Records)
  • Divertissement (2015, Important Records) (with Richard Chartier)
  • A Shadow in Time (2017, 2062 Records)
  • Selva Oscura (2018, Temporary Residence Limited) (with Lawrence English)
  • On Time Out of Time (2019, Temporary Residence Limited)

Compilation albums[edit]

  • The Disintegration Loops (2012, Temporary Residence Limited)

See also[edit]

References[edit]

  1. ^ Lester, Paul (11 October 2010). "New band of the day – No 884: William Basinski". The Guardian.
  2. ^ AllMusic
  3. ^ Medwin, Marc (1 October 2012). "William Basinski - The Disintegration Loops". Dusted Magazine.
  4. ^ AllMusic
  5. ^ Gotrich, Lars (November 15, 2012). "Divinity From Dust: The Healing Power Of 'The Disintegration Loops'". NPR.
  6. ^ a b Beaumont-Thomas, Ben (10 April 2019). "'I wanted to be David Bowie': music maverick William Basinski". The Guardian.
  7. ^ Catalano, Nicola (2004). "William Basinski + Richard Chartier interview". spekk. Retrieved 17 July 2012.
  8. ^ AllMusic
  9. ^ AllMusic
  10. ^ "William Basinski". Flaunt. Retrieved 16 August 2014.
  11. ^ AllMusic
  12. ^ Tangari, Joe (8 April 2004). "The Disintegration Loops I-IV - Review". Pitchfork. Retrieved 27 July 2011.
  13. ^ Simmons, Ian. "The Disintegration Loops - Review". nthposition. Archived from the original on 13 April 2009. Retrieved 27 July 2011.
  14. ^ Mason, James. "Disintegration Loops 3 - Review". AllMusic. Retrieved 27 July 2011.
  15. ^ Levaux, Christophe (2014). "William Basinski, The Disintegration Loops. De l'érosion de l'espace sonore. L'antithèse totaliste". Revue et corrigée (101): 24–27.

External links[edit]