William Basinski

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William Basinski
William Basinski (cropped).jpg
Basinski performing live at the Empty Bottle in 2005
Background information
Born (1958-06-25) June 25, 1958 (age 63)
Houston, Texas, U.S.
Genres
Occupation(s)
  • Composer
  • musician
Years active1978–present
Labels
Associated actsRichard Chartier, Sparkle Division
Websitemmlxii.com

William Basinski (born June 25, 1958) is an American avant-garde composer based in New York City.[1] He is also a clarinetist, saxophonist, sound artist, and video artist.[2]

Basinski is best known for his four-volume album The Disintegration Loops (2002–2003), constructed from rapidly decaying twenty-year-old tapes of his earlier music.[3]

Biography[edit]

Early life[edit]

William James Basinski was born in 1958 in Houston, Texas.[2][4] He was raised in a Catholic family,[5] and states that he had his first "really mystical, wonderful, magical" musical experiences as an infant at Houston's St. Anne Church.[6] His father was a scientist contracted to NASA, which caused the family to move often.[6] Basinski says he knew that he was gay from an early age.[7]

A classically trained clarinetist, Basinski studied jazz saxophone and composition at North Texas State University in the late 1970s. In 1978, inspired by minimalists such as Steve Reich and Brian Eno,[8] he began developing his own vocabulary using tape loops and old reel-to-reel tape decks. He developed his meditative, melancholy style experimenting with short looped melodies played against themselves creating feedback loops.[2]

Career[edit]

His first release was Shortwavemusic. Although created in 1983, it was first released on vinyl in a small edition in 1998 by Carsten Nicolai's Raster-Noton sub-label. This was followed by Watermusic, self-released in 2000 on Basinski's 2062 Records. Another 2-disc work was Variations: A Movement in Chrome Primitive, 1980: it was finally released in 2004 by David Tibet on the Durtro/Die Stadt label. At the time this work was created, Basinski was experimenting with compositions for piano and tape loops.[2]

Throughout the 1980s, Basinski created a vast archive of experimental works using tape loop and delay systems, found sounds, and shortwave radio static. He was a member of many bands including Gretchen Langheld Ensemble and House Afire. In 1989, he opened his own performance space, "Arcadia" at 118 N. 11th Street.[9] On one occasion, he opened for David Bowie, playing saxophone with rockabilly band The Rockats.[7] Basinski would later dedicate a track from A Shadow in Time to Bowie.

In August and September 2001, he set to work on what would become his most recognizable piece, the four-volume album The Disintegration Loops.[2] The recordings were based on old tape loops which had degraded in quality. While attempting to salvage the recordings in a digital format, the tapes slowly crumbled and left a timestamp history of their demise.[10][11][12][13]

Discography[edit]

Studio albums[edit]

Compilation albums[edit]

  • The Disintegration Loops (2012, Temporary Residence Limited)

Film scores[edit]

See also[edit]

References[edit]

  1. ^ Lester, Paul (October 11, 2010). "New band of the day – No 884: William Basinski". The Guardian.
  2. ^ a b c d e "William Basinski | Biography & History". AllMusic.
  3. ^ Medwin, Marc (October 1, 2012). "William Basinski – The Disintegration Loops". Dusted Magazine.
  4. ^ "William Basinski". IMDb. Retrieved February 27, 2021.
  5. ^ Gotrich, Lars (November 15, 2012). "Divinity From Dust: The Healing Power Of 'The Disintegration Loops'". NPR.
  6. ^ a b Beaumont-Thomas, Ben (April 10, 2019). "'I wanted to be David Bowie': music maverick William Basinski". The Guardian.
  7. ^ a b Beaumont-Thomas, Ben (April 10, 2019). "'I wanted to be David Bowie': music maverick William Basinski". Theguardian.com.
  8. ^ Catalano, Nicola (2004). "William Basinski + Richard Chartier interview". spekk. Retrieved July 17, 2012.
  9. ^ "William Basinski". Flaunt. Retrieved August 16, 2014.
  10. ^ Tangari, Joe (April 8, 2004). "The Disintegration Loops I-IV – Review". Pitchfork. Retrieved July 27, 2011.
  11. ^ Simmons, Ian. "The Disintegration Loops – Review". nthposition. Archived from the original on April 13, 2009. Retrieved July 27, 2011.
  12. ^ Mason, James. "Disintegration Loops 3 – Review". AllMusic. Retrieved July 27, 2011.
  13. ^ Levaux, Christophe (2014). "William Basinski, The Disintegration Loops. De l'érosion de l'espace sonore. L'antithèse totaliste". Revue et corrigée (101): 24–27.

External links[edit]