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Life and work
Doherty was born in Derry, Northern Ireland, and from 1978 to 1981 studied at Ulster Polytechnic in Belfast. As a child he witnessed Bloody Sunday in Derry, and many of his works deal with The Troubles. Some of his pieces take images from the media and adapt them to his own ends.
These works by Doherty explore the multiple meanings that a single image can have. Doherty has suggested that this interest may stem from his witnessing of Bloody Sunday and subsequent knowledge that many photos of the incident did not tell the whole truth. Some of Doherty's earliest works are of maps and similar images accompanied by texts in a manner similar to the land art of Richard Long, except that here the text sometimes seems to contradict the image.
Doherty has acknowledged the importance of the Orchard Gallery in Derry as a venue where he could see modern art in his formative years. He was a participant in dOCUMENTA (13).
Represented in Collections
- Albright-Knox Art Gallery in Buffalo, New York
- Dallas Museum of Art, Dallas, Texas
- Dublin City Gallery The Hugh Lane, Dublin
- De Pont Museum of Contemporary Art, Tilburg
- The Irish Museum of Modern Art, Dublin
- MOMA, New York City
- The Tate Gallery, London
- The Carnegie Museum, Pittsburgh
- The Moderna Museet, Stockholm
- The Weltkunst Foundation, London
- Sammlung Goetz, Munich.
- Kiasma, Helsinki
- De Appel, Amsterdam
Riann Coulter wrote in The Irish Times that "Doherty is arguably the most significant Northern Irish artist of his generation." Aidan Dunne wrote in The Irish Times that Doherty has a "big international reputation" and that his exhibition in June 2013 at Art Basel had been "impressive".
|“||Doherty has built an international reputation working in video and photography. ...
National Museums Northern Ireland's Curator of Fine Art, Anne Stewart, said, "The Ulster Museum has long admired Willie Doherty in particular the profoundly affecting ways in which his work explores themes of identity, territoriality and surveillance. His work frequently involves the layering of text and image, which creates a sense of ambiguity and plays on the viewer's prejudices and assumptions. Closure is a captivating and unsettling piece of work and, unusually for the artist, centres on the thoughts and perceptions of a female figure.”
Doherty was shortlisted for the Turner Prize in 1994 and 2003, and has represented Ireland at the Venice Biennale in 1993, Great Britain at the São Paulo Art Biennial in 2003 and Northern Ireland at the 2007 Venice Biennale.
- "Derry artist Willie Doherty's new work 'Closure' goes on show at the Ulster Museum | Derry Now". Derry Now. 26 January 2017. Retrieved 1 March 2017.
- Coulter, Riann (25 June 2016). "Modern Ireland in 100 Artworks: 1999 – True Nature, by Willie Doherty". The Irish Times. Retrieved 1 March 2017.
- Higgins, Charlotte (29 September 2013). "Derry stages its first Willie Doherty retrospective | Culture | The Guardian". The Guardian. Retrieved 1 March 2017.
- Dunne, Aidan (25 February 2014). "Forged in Derry: punishment beatings and burning cars". The Irish Times. Retrieved 1 March 2017.
- Sheerin, Mark (3 December 2013). "Willie Doherty pitches it close to home with pop-up museum show in Derry-Londonderry | Culture24". Culture24. Retrieved 1 March 2017.
- Donelan, Charles (15 September 2016). "New SBMA Curator Charlie Wylie". The Santa Barbara Independent. Retrieved 1 March 2017.
- MOMA Collection: Willie Doherty
- Tate Collection: Willie Doherty
- Kerlin Gallery: Willie Doherty
- Matt's Gallery: Willie Doherty
- Alexander and Bonin: Willie Doherty
- Galerie Peter Kilchmann: Willie Doherty
- An interview with Doherty by Tim Maul
- Willie Doherty in conversation with Declan McGonagle
- Derry-Londonderry City of Culture 2013: Willie Doherty