Wincing the Night Away
|This article needs additional citations for verification. (December 2015) (Learn how and when to remove this template message)|
|Wincing the Night Away|
|Studio album by The Shins|
|Released||January 23, 2007|
|Recorded||Mid 2005 – mid 2006, Oregon City, Oregon; Portland, Oregon; Seattle, Washington|
|Genre||Indie rock, indie pop|
|Producer||James Mercer, Joe Chiccarelli|
|The Shins chronology|
Wincing the Night Away is an album by the indie rock group The Shins. It was released by Sub Pop Records on January 23, 2007. It is the band's third album, and the last under their contract with Sub Pop. The album was recorded in James Mercer's basement studio, Phil Ek’s home in Seattle and in Oregon City with the veteran producer Joe Chiccarelli.
Writing and recording
Chiccareli had become acquainted with Mercer while in Portland, Oregon, working with Pink Martini. At the time Mercer was recording the new Shins album on his own and finding that it was not going the way he wanted and at the speed he wanted. Frustrated and in need of fresh objective feedback he sought Chiccarelli's advice and suggestions, before the producer eventually became involved in a professional capacity.
The duo did not start the record from scratch; while they started some songs completely anew, they also retained some of the material that Mercer had been recording on his own. According to Chiccarelli in an interview with HitQuarters, they spent around two months working together on the album.
The title is a play on the title of a Sam Cooke song "Twistin' the Night Away". As reported in Rolling Stone magazine, it is a reference to band member James Mercer's "crippling insomnia". "Sleeping Lessons", the title of the first track, also refers to insomnia and was considered as a possible album title.
The full track listing was announced by Pitchfork Media on October 16, 2006. The first single, "Phantom Limb", was released on iTunes on November 14, 2006, and reached physical retailers on November 21. The new album was previewed in its entirety on the band's MySpace.
The album was leaked from a promotional copy on October 20, 2006. Sub Pop hired a UK company to track down the source of the leak.
On January 9, 2007, iTunes accidentally put the album on sale two weeks before its official release, then removed the option to purchase a day later. It is not known how many people purchased the album within these two days.
Wincing the Night Away debuted at number 2 on the Billboard 200 chart, selling in excess of 100,000 copies. This is the highest chart position reached by not only The Shins, but the whole Sub Pop label. During the same week, it also appeared as the top album in four other category charts: Top Digital Albums, Top Rock Albums, Tastemakers and Top Independent Albums.
In the album's second week on the Billboard 200, it fell to number eight and sold about 53,000 copies. Like Oh, Inverted World, the album went Gold. According to Billboard the album had sold 617,000 in the US up to December 2011.
Mercer said that the band was "stretching out" on the new album, and that the extended recording period had given them more time to develop their ideas. He hoped to address more of the "human condition" on the third album, even though it is subdermally present in the previous two albums as well. Wincing the Night Away is The Shins' most musically diverse and experimental album yet, ranging from hip hop loops to psychedelic to Hawaiian folk to new wave and post-punk elements.
|The A.V. Club||B+|
|Los Angeles Times|||
According to the review aggregator Metacritic, Wincing the Night Away is rated slightly lower on average than its predecessor, Chutes Too Narrow. While fewer in number, the positive reviews provided higher praise than for the band's prior work. For example, the Austin Chronicle said that it "makes both [previous] albums sound like fragmented potential". The New Musical Express stated that the album was "their best yet". More negative reviews came from Dusted magazine, which said "this is music that not only is mature enough to know that it can't change the world, but is content to not try", while Village Voice said, "filler tunes like "Pam Berry" and "Black Wave" are a far cry from the tenacious stuff that made Chutes the subject of lavish hyperbole."
All songs written and composed by James Mercer.
|7.||"Turn on Me"||3:41|
|11.||"A Comet Appears"||3:49|
The Japanese edition of the album contains two additional tracks, "Nothing at All" and "Split Needles" (alternate version), both taken from the "Phantom Limb" single. "Nothing at All" is also included on the album when purchased on iTunes.
- "Phantom Limb" (with B-side "Nothing at All", which was also available as an iTunes pre-order only track)
- "Turn on Me"
- "Sea Legs" (UK)
- James Mercer – vocals, guitar, bass guitar, synthesizers, ukulele, banjo, cat piano, percussion, beat and MIDI programming
- Marty Crandall – synthesizers, organ, bass guitar, percussion
- Dave Hernandez – lead guitar
- Jesse Sandoval – drums
- Chris Funk – lap steel guitar on "Red Rabbits" and "A Comet Appears", hammered dulcimer and bouzouki on "A Comet Appears"
- Eric D. Johnson – backing vocals and piano on "Girl Sailor"
- Anita Robinson – backing vocals on "Phantom Limb" and "Turn On Me"
- Paloma Griffin – violin on "Red Rabbits"
- Niels Gallaway – French horn on "A Comet Appears"
- Additional assistance by Jason McGerr, Marisa Kula, Chris Jones, Bob Stark, Brian Lowe, Brian Vibberts, Kendra Lynn, Wes Johnson & Pete Tewes.
- Produced by James Mercer and Joe Chiccarelli
- Mixed by Joe Chiccarelli
- Additional production on "Australia", "Girl Sailor" and "Phantom Limb" by Phil Ek
- Recorded by Sean Flora, Hiro Ninagawa, Brian Deck and Lars Fox
- Recorded at Supernatural Sound, Oregon City; The Aural Apothecary, Portland; Avast! 2, Seattle
- Mastered by Emily Lazar and Sarah Register at The Lodge, New York City
- Design and illustration by Robert Mercer
Notes and references
- "Interview with Joe Chiccarelli". HitQuarters. June 14, 2010. Retrieved August 17, 2010.
- "The Shins Stretching Out On Third Album". Billboard. Retrieved August 24, 2006.
- "The Shins Hit The Fans, Sub Pop Calls In The Sheriff", Idolator
- "Pretty Ricky, Shins Grab Top Album Chart Spots". Billboard. Retrieved January 31, 2007.
- Jonathan Cohen, "Better 'Late' Than Never: Jones Debuts At No. 1", Billboard.com, February 7, 2007.
- "Reviews for Wincing The Night Away by The Shins". Metacritic. Retrieved June 1, 2016.
- Phares, Heather. "Wincing the Night Away – The Shins". AllMusic. Retrieved June 1, 2016.
- Murray, Noel (January 23, 2007). "The Shins: Wincing The Night Away". The A.V. Club. Retrieved June 1, 2016.
- Rosen, Jody (January 22, 2007). "Wincing the Night Away". Entertainment Weekly. Retrieved June 1, 2016.
- Costa, Maddy (January 26, 2007). "The Shins, Wincing the Night Away". The Guardian. Retrieved June 1, 2016.
- Powers, Ann (January 27, 2007). "Sleepless nights and singalongs". Los Angeles Times. Retrieved June 1, 2016.
- Woodhouse, Allen (January 19, 2007). "The Shins: Wincing the Night Away". NME. Retrieved June 1, 2016.
- LeMay, Matt (January 22, 2007). "The Shins: Wincing the Night Away". Pitchfork Media. Retrieved June 1, 2016.
- Christgau, Robert (January 10, 2007). "Wincing The Night Away". Rolling Stone. Retrieved June 1, 2016.
- Keefe, Jonathan (January 23, 2007). "The Shins: Wincing The Night Away". Slant Magazine. Retrieved June 1, 2016.
- Kelley, Trevor (January 2007). "They Politely Decline". Spin 23 (1): 87. Retrieved June 1, 2016.
- "The Shins - music review". Austin Chronicle. January 19, 2007. Retrieved March 13, 2011.
- "The Shins-Wincing the Night Away". New Musical Express. 19 January 2007. Retrieved March 13, 2011.
- "The Shins - Wincing the Night Away". Dusted. January 24, 2007. Retrieved March 13, 2011.
- "The Shins-Expectations Too Narrow". Village Voice. January 16, 2007. Retrieved March 13, 2011.
- The Shins Hit the Fans, Sub Pop Calls in the Sheriff - Idolator
- theshins.co.uk, The Shins UK fansite