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Original 1981 film poster
|Directed by||Michael Wadleigh|
|Produced by||Rupert Hitzig|
|Based on||The Wolfen
by Whitley Strieber
|Music by||James Horner|
|Distributed by||Warner Bros.|
|Box office||$10.6 million|
Wolfen is a 1981 American crime horror film directed by Michael Wadleigh and starring Albert Finney, Diane Venora, Gregory Hines and Edward James Olmos. It is an adaptation of Whitley Strieber's 1978 novel The Wolfen.
Former NYPD Captain Dewey Wilson (Albert Finney) is brought back to the force and assigned to solve a bizarre string of violent murders after high-profile magnate Christopher Van der Veer (Max M. Brown), his wife (Anne Marie Pohtamo), and his bodyguard are slain in Battery Park. Executive Security, Van der Veer's client, prefers to blame the murders on terrorists; but knowing that the victim's bodyguard was a 300-pound Haitian with voodoo ties makes Wilson skeptical. At the crime scene, Wilson meets with Warren (Dick O'Neill), his superior. With pressure to solve the case coming down from both the Police Commissioner and the Mayor, Warren partners Wilson with criminal psychologist Rebecca Neff (Diane Venora). Meanwhile, a homeless man goes exploring an abandoned church in Charlotte Street, South Bronx, which was going to be demolished by Van der Veer along with the rest of the ruined buildings in the area, to be able to build apartment complexes. He is suddenly attacked and torn to pieces by an unseen monstrous being. Wilson and Neff arrive to investigate his murder. While investigating the abandoned church, sounds of crying lure Neff up the bell tower. Wilson follows her but does not hear the crying; however, once Neff is separated from him, he hears a wolf howl. He goes up after Neff and drags her forcibly to safety. Later, during the night, a bridge worker is apparently murdered by the same creature.
Coroner Whittington (Gregory Hines) discovers non-human hairs on several mutilation victims and consults zoologist Ferguson (Tom Noonan). Ferguson immediately identifies the hairs as belonging to Canis lupus and explains that there are 40 existing subspecies and that these particular hairs do not belong to any of them. Ferguson foreshadows his own death when he asks incredulously, "What are you two trying to pin on The Big Bad [wolf]?" He compares wolves to Indians, giving Wilson his first real inspiration.
Wilson finds Eddie Holt (Edward James Olmos), a militant Native activist he arrested some years ago for killing a conservative Indian or "apple," working in construction. While Wilson interrogates Holt on top of an unfinished suspension bridge, Holt claims he's a shapeshifter, which implicates him as the killer; and he even goes so far as to threaten Wilson with carefully constructed dialogue. Feeling that the conversation is circumstantial and potentially dangerous, Wilson opts to let him alone and tail him later that night on his own terms. Following animal clues, Ferguson goes to Central Park, where the actual killer ambushes and kills him in a tunnel. Oblivious, Wilson spends the remainder of his night with Neff where they make love. The following morning, a man in a jogging suit rides Ferguson's motorcycle right past Wilson as he leaves Rebecca's apartment. The man crashes, illustrating that he stole the motorcycle.
Back at the station, Whittington is the second person to foreshadow his own death when he says, "If violence comes, I'm ready. I'm a dead shot, and a karate expert." He and Wilson stakeout The Bronx church, armed with sniper rifles and sound equipment; and, after he almost blows his ears out by opening a beer can near a parabolic microphone, an animal who appears to be a wolf ambushes and kills him. Meanwhile, Executive Security apprehends a "Götterdämmerung" terrorist cell in connection with the Van der Veer slaying.
A traumatized Wilson escapes the church and finds himself at the nearby Wigwam Bar, where Eddie Holt and his friends are drinking. The group of Natives reveal the true nature of the killer as "Wolfen," the wolf spirit. They explain to Wilson that the Wolfen have extraordinary abilities and that they "might be gods." Eddie tells Wilson that he cannot fight the Wolfen, stating: "You don't have the eyes of the hunter, you have the eyes of the dead." The leader of the group, the Old Indian (Dehl Berti), informs Wilson that Wolfen kill to protect their hunting ground. Wilson resolves to end his involvement in the Van der Veer case. However, he, along with Neff and Warren, are cornered in Wall Street by the Wolfen pack. Warren tries to fight his way out, but he is killed when a pack member severs his hand and decapitates him in his car. Wilson and Neff flee and blow up Warren's car with a pack member in it. When he and Neff are cornered in Van der Veer's penthouse by the Wolfen pack led by its White alpha male, Wilson smashes the model of the construction project that threatened their hunting ground, to communicate to them that the threat no longer exists, and that he and Neff are not enemies. The Wolfen consent and, just as the police barge in, vanish. Wilson claims the attack was made by terrorists. The story ends on the assumption that Götterdämmerung takes the fall for the murder series. Wilson's voice is heard explaining that the Wolfen will continue to prey on weak and isolated members of the human herd, as humans do to each other on the social and economic scales. The Wolfen will continue to be invisible to humanity because of their nature; not that of spirits, but superior predators, who are higher on the food chain than humans.
- Albert Finney as Dewey Wilson
- Diane Venora as Rebecca Neff
- Edward James Olmos as Eddie Holt
- Gregory Hines as Whittington
- Tom Noonan as Ferguson
- Dick O'Neill as Warren
- Dehl Berti as Old Indian
- Peter Michael Goetz as Ross
- Reginald VelJohnson as Morgue Attendant
- Donald Symington as Lawyer
- Tom Waits as Drunken Bar Owner (uncredited)
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The film is known for its early use of an in-camera effect to portray the subjective point of view of a wolf. Similar to thermography, the technique was later adopted by other horror films such as the Predator film series.
The setting for the transient home of the wolves was shot in the South Bronx (intersection of Louis Nine Boulevard & Boston Road). The church seen in the opening panorama shot was located at the intersection of E 172nd Street & Seabury Place. The shot of this neighborhood is from the north looking roughly south-southeast. The decrepit site of ruined buildings was no special effect. The church was built and burned exclusively for the film. Urban decay in the Bronx in the early 1980s was so widespread that it was the ideal production setting. Today, this community contains mostly suburban-style privately owned houses.
Wolfen was released theatrically in the United States by Orion Pictures through Warner Bros. on July 24, 1981. The film grossed $10,626,725 at the box office and received positive reviews from film critics for its frightening content.
Selected premiere engagements of Wolfen were presented in Megasound, a high-impact surround sound system similar to Sensurround. Director Wadleigh was unsatisfied with the final cut, but, as of 2015, no director's cut is available.
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There was some disagreement if Wolfen is about werewolves. Time Out called it a "werewolf movie," but Roger Ebert asserted Wolfen "is not about werewolves but is about the possibility that Indians and wolves can exchange souls."
The original book proposes the notion that the Wolfen are the next step in wolf evolution, with near human intelligence and opposable thumbs on their paws.
On June 2, 2015, Wolfen received a Blu-ray release from Warner Archives. As with the original DVD, there were not any special features (beyond the trailer) included. The Blu-ray release featured a brand new high definition transfer of the film.
- "WOLFEN (X)". British Board of Film Classification. September 17, 1981. Retrieved June 14, 2015.
- "Wolfen". boxofficemojo.com. Retrieved 2011-03-31.
- "FROM the FILES of FANGORIA: Never Call A WOLFEN a Werewolf".
- NYTimes.com "The Faces in the South Bronx Rubble"
- "31 DAYS TO SCARE ~ WOLFEN". 15 October 2012. Retrieved 31 October 2015.
Finney is an unusual choice for this role but he was the one the director wanted (Wadleigh flat out refused to let Dustin Hoffman have the role despite his repeated pleadings for it)
- "Company Credits for Wolfen". imdb.com. Retrieved 2011-03-31.
- Keith Uhlich, "Wolfen (1981), directed by Michael Wadleigh and starring Albert Finney (VIDEO), Time Out, 3 July 2012, URL accessed 11 May 2013
- Roger Ebert, "Wolfen," rogerebert.com, 1 January 1981, URL accessed 11 May 2013
- "Wolfen". dvdempire.com. Retrieved 2011-03-31.