Woman of Tokyo

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Woman of Tokyo
HepburnTokyo no Onna
Directed byYasujirō Ozu
Written byKōgo Noda
Tadao Ikeda
StarringYoshiko Okada
Ureo Egawa
CinematographyHideo Mohara
Edited byKazuo Ishikawa
Release date
  • 1933 (1933)
Running time
45 mins

Woman of Tokyo (東京の女, Tokyo no Onna) is a 1933 Japanese film directed by Yasujirō Ozu. The film's working title was Her Case, For Example (例えば彼女の場合 Tatoeba kanojo no baai)[1]

The film tells of a student whose sister supports his studies by moonlighting as a translator. When he hears that, in reality, she is working as a hostess in a seedy dance-hall, he is devastated.[1]


Ryoichi (Ureo Egawa), a student, and Chikako (Yoshiko Okada), his older sister, go through their morning routine. Chikako gives Ryoichi his pocket money and he leaves for university.

At Chikako's office, a police officer asks Chikako's boss for her employment records. The boss tells him that Chikako also works evenings for a professor. Chikako remains unaware that she is under investigation.

Ryoichi and his girlfriend, Harue (Kinuyo Tanaka), are at the cinema watching If I Had a Million. Afterwards, Harue returns home and talks with her brother, Kinoshita (Shinyo Nara). Kinoshita reveals that he has heard a rumour that Chikako is not assisting a professor but rather working nights at a cabaret bar. He also implies that she may be a prostitute.

Harue visits Ryoichi and tells him what she has heard about Chikako. At first Ryoichi laughs, before becoming angry and demanding that Harue leave.

Chikako touches up her makeup at the cabaret bar, and then phones Ryoichi to tell him that she will be late home. Ryoichi hangs up and Chikako gets into the back of a car with a customer.

Chikako returns home later that night to find Ryoichi still awake. He confronts her, demanding that she give up her job at the bar. When Chikako fails to justify her behaviour, Ryoichi repeatedly strikes her. Chikako implores Ryoichi to work hard at university, thereby making her hardships worthwhile. Ryoichi storms out.

The next morning, Kinoshita dons his police officer's uniform. He tells Harue that she should have let him talk to Ryoichi, and then leaves for work. Chikako comes to the door looking for Ryoichi, since he did not return home the previous night. Harue invites Chikako inside and tearfully reveals that she told Ryoichi what she had heard about Chikako's job. Harue takes a phone call from Kinoshita, who has arrived at the police station. He tells her that Ryoichi has committed suicide. Harue informs Chikako that her brother is dead.

Chikako talks with three newspaper reporters. One of them enters her house uninvited and questions Harue, who is kneeling before Ryoichi's body. Eventually the reporters leave, muttering "there's no scoop here". As Harue weeps, Chikako insults Ryoichi, calling him a "weakling" for his unwillingness to comprehend her motives.

The reporters walk down the street, laughing and joking. They see a poster announcing that a gang of criminals has been apprehended, and one tells the other that his paper was first to the story.


Woman of Tokyo was shot in nine days or fewer, during a gap in Shochiku's production schedule. Ozu had a week or so free before he was due to begin production on his next feature, Dragnet Girl, and was drafted in to direct. The credits indicate that the screenplay, by regular Ozu collaborators Kogo Noda and Tadao Ikeda, was based on the novel "Twenty-Six Hours" by Ernest Schwartz; neither Schwartz nor the novel ever existed.[1]

The script originally suggested that Chikako was contributing her illicit earnings to the Communist Party, but these political elements were excised before shooting began. The reasons for this are unknown, although Ozu scholar Tony Rayns has suggested either Ozu or the studio were responsible, possibly to avoid the attentions of the censor.[1]

When Ryoichi and Harue visit the cinema, they watch the film If I Had a Million. Ozu includes material from the Ernst Lubitsch section of this anthology picture, in which Charles Laughton, an office worker, barges into his boss's office. Ozu cuts away before the climax of the scene, when Laughton stands before his boss and blows a raspberry.[2]


Home media[edit]

In 2012, the BFI released the film on Region 2 DVD, along with of Tokyo Twilight and Early Spring, as Three Melodramas.[3]


  1. ^ a b c d Three Melodramas (Liner notes). Yasujirō Ozu. London, England: BFI. 2012. BFIVD950.CS1 maint: others (link)
  2. ^ Bordwell, David (1988). Ozu and the Poetics of Cinema. Princeton, New Jersey: Princeton University Press. p. 241. ISBN 0-85170-158-2.
  3. ^ http://filmstore.bfi.org.uk/acatalog/info_23253.html