The journal was the brainchild of several National Taiwan University students, including Ouyang Tzu and Pai Hsien-yung. The journal published the literary debuts of several prominent Taiwanese writers, and emulated the modernist style that was becoming fashionable in Taiwanese literature during the late-1950s and 1960s. In 1973 the journal ended publication.
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- Leo Ou-fan Lee. Shanghai Modern: The Flowering of a New Urban Culture in China, 1930-1945. Harvard University Press, 1999 p. 366