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Theatrical release poster
|Directed by||Harry Bromley Davenport|
|Produced by||Mark Forstater|
|Music by||Harry Bromley Davenport|
|Edited by||Nicolas Gaster|
Amalgamated Film Enterprises Ltd.
Xtro is a 1983 British science fiction horror film directed by Harry Bromley Davenport. Starring Bernice Stegers, Philip Sayer, and Simon Nash, the film focuses on a father who was abducted by aliens and returns to his family three years later, where he goes in search of his son. Production of the film started and completed in February 1982.
As Sam Phillips and his son Tony are playing outside their farm, Sam is suddenly abducted by a bright light. Three years later, the light returns and plants a seed. A half-human, half-alien creature develops from the seed, and is hit by a car; the couple in the car are soon killed. The creature then goes to a cottage nearby, where it attacks and impregnates the young woman living there before dissolving. When she awakens later, her belly rapidly grows to a gargantuan size until she gives birth to a fully formed Sam, killing her. Sam washes himself, steals the driver's clothes and leaves in the car.
Sam seeks out Tony, who lives in an apartment building in London with his mother Rachel, her new boyfriend Joe Daniels, and French au-pair Analise Mercier. Tony has recurring nightmares where he wakes up soaked in another person's blood. Sam picks Tony up from school and is found by Rachel. Despite Joe's consternation Sam goes to live with the family, claiming that he can't remember anything. After Tony sees Sam eating the eggs of his pet snake, Sam comforts him and drinks his blood. Tony soon discovers he has paranormal powers, which he uses to send a human-sized toy soldier to slaughter a neighbor who killed his snake and to bring a toy clown to life.
Sam and Rachel visit the farm where they used to live, leaving Tony in Analise's care. During a game of hide-and-seek with Tony, Analise is knocked out by the clown and used as a womb for the alien eggs. Tony sends a toy tank to attack her boyfriend Michael, who is killed by a panther as he tries to flee. Meanwhile, while Sam and Rachel make love at the farm, his skin starts to bleed and decompose. Joe takes Tony to the farm, where Sam takes his son up a hill towards the alien light. Sam, now taking the form of an alien, uses his scream to kill Joe. Sam and Tony enter the light and return to the alien world, leaving Rachel behind. Arriving at home the next day, Rachel finds the apartment full of eggs. As she picks up an egg, Rachel is killed by a newborn creature.
Director Harry Bromley Davenport originally intended the film to end with Rachel coming home to find the apartment filled with clones of Tony, having apparently come from the alien eggs which the real Tony had left in the refrigerator. Executive producer Robert Shaye, not thinking the scene's special effects were convincing enough, edited it out and released it for its New York debut with the film ending when Rachel sits down in the field after Sam and Tony have left. Davenport, however, not wanting to have it end on such an abrupt note, created another ending which had Rachel going back to the apartment, picking up one of the eggs, and being attacked by a face-grabbing creature similar to the one that attacked the woman in the cottage. The UK 2018 Blu-Ray release of Xtro included this ending.
- Philip Sayer as Sam Phillips
- Bernice Stegers as Rachel Phillips
- Danny Brainin as Joe Daniels
- Maryam d'Abo as Analise Mercier
- Simon Nash as Tony Phillips
- Peter Mandell as Clown
- David Cardy as Michael
- Anna Wing as Mrs. Goodman
- Robert Fyfe as Doctor
- Katherine Best as Jane
- Robert Pereno as Ben
- Sean Crawford as the Commando
- Tim Dry as the Monster
- Arthur Whybrow as Mr. Knight
- Susie Silvey as Woman in cottage
This section needs expansion. You can help by adding to it. (October 2014)
Producer Mark Forstater got involved in Xtro when the directory Harry Bromley Davenport came to him with a script written by him and Michel Patty. The two had previously met when Davenport during a screening of his directorial debut with Whispers of Fear which impressed Forstater. The film was financed by Ashley Productions Ltd, a subsidiary of a British investment group based in Manchester.
Forstater brought int two other writers, Robert Smith and Iain Cassie, stating that "The plot was kept intact, but the new writers went off into weird and wonderful tangents."
The film had a six week shooting schedule. Chris Hobbs, a sketch artist helped sort out the visual concepts for the production, which originally involved a faceless rubber suit for a creature. This was changed to man standing with his back to the ground on his arms and legs. A mime was hired to perform the strange scuttle of the walk.
Alan Jones wrote in a July issue of Cinefantastique that Xtro was initially set to be released by New Line later in 1982. In December 1982, an article in Fangoria scheduled the film for release in February 1983. Xtro was released as early as March 1983 in the United Kingdom.
It was released on DVD three times in the US by Image Entertainment. The first DVD was released in 2005 as a double feature with sequel Xtro II: The Second Encounter. The second was released in 2006 as a standalone release. The third, released in 2007, was a triple feature alongside Xtro II: The Second Encounter and Skeeter.
In the UK, the Xtro trilogy was released in box-set, remastered anamorphic widescreen with 5.1 for Xtro II and an interview with director Harry Bromley Davenport covering the production of all three films. It has been re-released on blu-ray format in the UK in October 2018 by Second Sight, with several featurettes and alternate endings and cuts of the film.
From contemporary reviews, Alan Jones wrote in Starburst that the film has "occasional flashes of tangential inspiration" but was "really nothing very xtro-ordinary." finding that scenes did not scare him "or even disgusted [him] to any great extent" and that he would have liked more characterisation and that Bernice Stegers was "horribly miscast". Jones went on to state that the special effects were "minor miracles of ingenuity" for their low budget and he at least admired director Metcalfe for "trying so earnestly to resuscitate low budget exploitation sf/horror films in this country." "Lor." of Variety found the film "too silly and underdeveloped in story values to expand beyond diehard fans" and that "Harry B Davenport builds little suspense and no thrills in a film devoid of stuntwork or action scenes. It's just another "check out that makeup" exercise, consisting of brief scenes and poor continuity" and that "acting is flat, with Stegers [...] inexpressive and unattractively styled." Roger Ebert panned the film, awarding it 1 of 4 stars, calling the film "ugly" and "despairing" and further commenting, "Most exploitation movies are bad, but not necessarily painful to watch. They may be incompetent, they may be predictable, they may be badly acted or awkwardly directed, but at some level the filmmakers are enjoying themselves and at least trying to entertain an audience. 'Xtro' is an exception, a completely depressing, nihilistic film, an exercise in sadness … It's movies like this that give movies a bad name". Stephen Hunter writing for The Baltimore Sun called the film "the slimiest, wormiest, most nauseating film to come oozing into Baltimore in some time." that was "almost wholly incomprehensible" Hunter went on to state that "what is most depressing about Xtro is that its performances are first-rate, especially Steger's as the distraught Mum" and that the cinematographer by John Metcalfe "displays a good deal of technical finesse, particularly the long, apartment sequence"
Colin Greenland reviewed Xtro for Imagine magazine, and stated that "Xtro is quite unpretentious. It doesn't claim to be anything but a vehicle for Tony Harris' special effects, which are as virulent and glutinous as they come."
From retrospective reviews, TV Guide awarded the film 0 of 4 stars, calling the film, "A vile exercise in grotesque special effects" and "an excuse to parade all manner of perversities across the screen", further stating that, "Not only is this disgusting, it lacks anything that remotely resembles suspense". AllMovie called the movie "pure trash" that was "made to capitalize on public interest in E.T. the Extra-Terrestrial" and "basically presents the gory, sexy exploitation-movie take on that film's 'alien visits Earth' premise."
Director Harry Bromley Davenport made two sequels to the film, Xtro II: The Second Encounter and Xtro 3: Watch the Skies. Neither film had anything to do with the original film. In March 2011, Davenport confirmed that Xtro 4 was in the works.
- Willis 1985, p. 415.
- "XTRO - ALTERNATE ENDING | British Board of Film Classification". www.bbfc.co.uk. Retrieved 7 September 2018.
- Jones 1982, p. 13.
- Martin 1982, p. 23.
- "Cinemas". The Observer. 13 March 1983. p. 39. Retrieved 14 December 2020.
- "Xtro". image-entertainment.com. Retrieved 31 March 2011.
- Jones 1983, p. 22.
- Jones 1983, p. 23.
- Ebert, Roger. "Xtro Movie Review & Film Summary (1983) | Roger Ebert". Roger Ebert.com. Roger Ebert. Retrieved 22 October 2014.
- Hunter 1983.
- Greenland, Colin (January 1984). "Film Review". Imagine (review). TSR Hobbies (UK), Ltd. (10): 37.
- "Xtro Review". TV Guide.com. TV Guide.com. Retrieved 22 October 2014.
- Guarisco, Donald. "Xtro (1983)". AllMovie. Retrieved 14 December 2020.
- "Xtra! Xtra! "Xtro 4" is coming!". fangoria.com. Retrieved 31 March 2011.
- Hunter, Stephen (2 July 1983). "'Xtro': A British Horror Flick Ups the Ooze Factor". The Baltimore Sun. p. A8.
- Martin, Bob (December 1982). "Xtro". Fangoria. Vol. 3 no. 24.
- Jones, Alan (July 1982). "Xtro". Cinefantastique. Vol. 12 no. 5.
- Jones, Alan (1983). "Xtro". Starburst. No. 57. Marvel UK. p. 22.
- Willis, Donald, ed. (1985). Variety's Complete Science Fiction Reviews. Garland Publishing Inc. ISBN 978-0-8240-6263-7.