Ye Watchers and Ye Holy Ones

From Wikipedia, the free encyclopedia
Ye Watchers and Ye Holy Ones
Original publication: English Hymnal, 1906
TextAthelstan Riley
Based onPsalm 135:1-3
Melody"Lasst uns erfreuen"

"Ye Watchers and Ye Holy Ones" (Latin: Vigiles et Sancti) is a popular Christian hymn with text by Athelstan Riley, first published in the English Hymnal (1906). It is sung to the German tune Lasst uns erfreuen (1623).[1][2] Its uplifting melody and repeated "Alleluias" make this a favourite Anglo-Catholic hymn during the Easter season, the Feast of All Saints, and other times of great rejoicing.

The hymn was also notably adapted for the final movement of The Company of Heaven (1937), a cantata by Benjamin Britten.[3]


The 1906 text is based on two ancient Christian prayers, Te Deum and Axion Estin.[1] The first stanza addresses each of the traditional nine choirs of angels. The second stanza focuses on the Blessed Virgin Mary. The third stanza urges the faithful departed to join in praising God, including the church patriarchs, prophets, apostles, martyrs and saints, addressed in groups similar to those in the Litany of the Saints. The fourth stanza finally addresses the present congregation to join together in praise. So, this hymn addresses the traditional Three States of the Church (the Church Triumphant, the Church Expectant, the Church Militant), reflecting the belief in the communion of saints.[4]

The original text follows:[2]

Ye watchers and ye holy ones,
Bright Seraphs, Cherubim and Thrones,
Raise the glad strain, Alleluya!
Cry out, Dominions, Princedoms, Powers,
Virtues, Archangels, Angels' choirs,
Alleluya, Alleluya, Alleluya, Alleluya, Alleluya!


O higher than the Cherubim,
More glorious than the Seraphim,
Lead their praises, Alleluya!
Thou Bearer of the eternal Word,
Most gracious, magnify the Lord,
Alleluya, Alleluya, Alleluya, Alleluya, Alleluya!


Respond, ye souls in endless rest,
Ye Patriarchs and Prophets blest,
Alleluya, Alleluya!
Ye holy Twelve, ye Martyrs strong,
All Saints triumphant, raise the song,
Alleluya, Alleluya, Alleluya, Alleluya, Alleluya!


O friends, in gladness let us sing,
Supernal anthems echoing,
Alleluya, Alleluya!
To God the Father, God the Son,
And God the Spirit, Three in One,
Alleluya, Alleluya, Alleluya, Alleluya, Alleluya!


Below is the 1623 German hymn tune Lasst uns erfreuen, as set in the 1906 English Hymnal:[5]

<< <<
\new Staff { \clef treble \time 3/2 \partial 2 \key es \major \set Staff.midiInstrument = "church organ" \set Score.tempoHideNote = ##t \override Score.BarNumber  #'transparent = ##t
  \relative c' 
  << { es2^\markup { \italic "Unison." } | es4 f g es g as | <bes f>1 es,2 | es4 f g es g as | <bes f>1 \bar"||" \break
  es4^\markup { \italic "Harmony." } d | c2 bes es4 d | c2 bes\fermata \breathe \bar"||" es2^\markup { \italic "Unison." } | es4 bes bes as g as | \break <bes f>1 es2 | es4 bes bes as g as | bes1 \bar"||"
  as4^\markup { \italic "Harmony." } g | f2 es as4 g | \break f2 es es'4 d | c2 bes es4^\markup { \italic "Unison." } d | c2 bes as4 g | f1. | es1 \bar"|." } \\
  { bes2 | es1 es2 | es2 d es | bes4 d es2 es2 | es2 d
  bes'4 bes | bes( as) g2 es4 d | g( f) d2 bes'4 as | g2~ g4 f es2 | es d es4 f | <bes es,> <as d,> <g es> es2. | es4 d g f
  es4 es | es( d) es2 es4 es | es( d) c2 g'4 f | g( f) d2 <bes' g>~ | <bes g>4 <as f>4~ <as f> <g c,> c, es | es2 d1 | bes } \\
  { s2 | s1. | s1. | s1. | s1 
  s2 | s1. | s1. | s1. | s1 \stemDown \once \override NoteColumn.force-hshift = 0 bes'2 } >> %necessary for that one note
\new Lyrics \lyricmode {
""2 | ""1. ""1. ""1. ""1
""2 | ""1. ""1. ""1. ""1. ""1. ""1
Al4 -- le -- lu2 -- ya, Al4 -- le -- lu2 -- ya,
Al4 -- le -- lu2 -- ya, Al4 -- le -- lu2 -- ya,
Al4 -- le -- lu1. -- ya!1
\new Staff { \clef bass \key es \major \set Staff.midiInstrument = "church organ"
  \relative c'
  << { g2 | g4 as bes g c2 | bes1 bes4 c | bes as bes2 c | bes1 
  es4 es | es2 es g,4 bes | bes( a) bes2 es2 | es2~ es4 bes bes as | f2 bes bes | bes~ bes4 es d c | bes1 
  c4 c | c( bes) bes2 c4 bes | c( as) g2 g4 bes | bes( a) bes2 g2~ | g4 as f g as bes | c2 bes as | g1 } \\
  { es2 | es~ es2 es8 d c4 f | bes, bes'4 as g as | g f es d c f | bes,2 bes'4 as 
  g g | as2 es c4 d | es( f) bes,2\fermata g'4 f | es d c d es c | bes2 bes'4 as g as | g f es c' bes as | g f es d 
  c bes | as2 g f4 g | as( bes) c2 c4 d | es( f) bes,2 c4 d | es f d e f g | as2 bes bes, | <es es,>1 } \\
  { s2 | s1. | s1. | s1. | s1
  s2 | s1. | s1. | s1. | s1. | s1. | s1 
  s2 | s1. | s1. | s1 \stemUp \once \override NoteColumn.force-hshift = 0 bes'2 } >> %necessary for that one note
>> >>
\layout { indent = #0 }
\midi { \tempo 2 = 70 }


  1. ^ a b Shomsky, Tiffany. "Ye Watchers and Ye Holy Ones: Worship Notes". Retrieved 13 April 2017.
  2. ^ a b Riley, Athelstan (1906). "519. Ye watchers and ye holy ones". The English Hymnal. Oxford University Press. pp. 672–673. Retrieved 13 April 2017.
  3. ^ "Britten: The Company of Heaven". AllMusic. Retrieved 16 April 2017. Sample... XI. Ye watchers and ye holy ones
  4. ^ Mitchican, Jonathan (1 August 2013). "Ye Watchers and Ye Holy Ones". The Living Church. Retrieved 13 April 2017.
  5. ^ Wilson, John (Winter 1980). "Treasure No 46: The Tune 'Lasst uns erfreuen' as we know it". Bulletin of the Hymn Society of Great Britain and Ireland. IX.10 (150). Retrieved 13 April 2017. One of the great successes of The English Hymnal in 1906 was its inclusion of the old German Catholic tune 'Lasst uns erfreuen', linked originally with Easter rejoicing, but now set to 'Ye watchers and ye holy ones', a new text by Athelstan Riley... The EH attribution of the melody was to the book [Auserlesene, Catholische,] Geistliche Kirchengesäng (Cöln, 1623)...