Yeon Sang-ho

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Yeon Sang-ho
(사이비) 기자 간담회 영상 연상호 39s.jpg
Born1978 (age 42–43)
EducationSangmyung University - Western Painting
OccupationFilm director, screenwriter
Years active1997-present
Korean name
Hangul
Hanja
Revised RomanizationYeon Sang-ho
McCune–ReischauerYŏn Sang-ho

Yeon Sang-ho (born 1978) is a South Korean film director and screenwriter. He wrote and directed the animated films The King of Pigs (2011) and The Fake (2013), and the live-action film Train to Busan (2016), its sequel Peninsula (2020) and Psychokinesis (2018).

Career[edit]

Born in Seoul in 1978, Yeon Sang-ho graduated from Sangmyung University with a degree in Western Painting.[1] He directed his first animated short film, Megalomania of D in 1997, followed by D-Day in 2000 and The Hell in 2003, then set up his own production house Studio Dadashow in 2004.[2] His next two animated shorts The Hell: Two Kinds of Life (2006) and Love Is Protein (2008) were invited to various international film festivals. The Hell: Two Kinds of Life won the Asian Ghost Award at the Short Shorts Film Festival Asia and the Public Award for Best Film School (Short Film Battle Royal) at the 2007 Lyon Asian Film Festival, and Love Is Protein screened in competition at the 2009 Curtocircuit International Short Film Festival of Santiago de Compostela in 2009.[3][4] Love Is Protein was later included in the three-short omnibus Indie Anibox: Selma's Protein Coffee.[5] Yeon also directed the animated opening trailer for the Busan International Film Festival in 2010.[6]

Yeon's first feature-length animation was The King of Pigs (2011), about a man who kills his wife after his business goes bankrupt, and seeks out his long-lost friend, a ghostwriter, 15 years after both had been severely bullied as adolescents in middle school. Inspired by the works of Satoshi Kon and Minoru Furuya, Yeon said the incidents in the film were drawn from his own life, and he cried while writing the screenplay.[7][8] The low-budget (US$150,000) film drew widespread critical acclaim for its raw portrayal of bullying, violence and systemic poverty (and the lifelong effects of such oppression), as well as the psychology of public attitudes toward a hero figure.[9][10] It became the first Korean animated film to be invited to the Cannes Film Festival, where it screened in the 2012 Directors' Fortnight sidebar.[11][12][13] It won numerous awards at domestic and international film festivals, including the Director's Guild of Korea Award for Best Director, CGV Movie Collage Award, and NETPAC Award at the 2011 Busan International Film Festival, the Satoshi Kon Award for Achievement in Animation and Special Mention (New Flesh Award for Best First Feature) at the 2012 Fantasia International Film Festival, and the Jury Prize at the 2013 Jameson Dublin International Film Festival.[14][15]

His follow-up The Window was a 30-minute animated short depicting violence in the military, and was the first film of the Independent Short Film Release Project organized by Indiespace, an independent-only theater and Indieplug, a digital distributor of independent films. Yeon said the script (illustrated by cartoonist Choi Gyu-seok) was 100% based on his own personal experience while doing his mandatory military service.[16] The Window won a Special Mention from the Jury at the 2013 Fantasia International Film Festival.

Yeon continued to make animation targeted at adults with dark, controversial themes that brutally and incisively explore human nature and social realism. His second feature The Fake (2013) critiqued organized religion, as a cult leader swindles rural, uneducated villagers out of their compensation money, while no one believes the local wastrel who discovers the truth (the characters were voiced by Oh Jung-se and Yang Ik-june, who previously starred in Love Is Protein and The King of Pigs).[17] Yeon said he wrote the script in 2009 because of his political dissatisfaction regarding issues about the FTA and Four Major Rivers Project.[18] The Fake made its world premiere at the 2013 Toronto International Film Festival, and won Best Film of AnimaFICX at the 2013 Gijón International Film Festival, Best Animated Feature Film at the 2013 Sitges Film Festival, and the FIPRESCI Award at the 2014 Korean Association of Film Critics Awards.[19][20][21]

He then cast Ryu Seung-ryong and Shim Eun-kyung as voice actors in his third animated feature, Seoul Station (2015).[22] Yeon said he wanted to depict society's collective rage in a "simple, powerful way" by making a zombie film in which zombies are among people protesting for the democratization of Korea.[23]

In 2016, Yeon released his first live-action film Train to Busan, which takes place on a train to Busan as a zombie apocalypse suddenly breaks out in the country and threatens the safety of the passengers. The film was released to rave reviews, with praise given to its characters and use of social commentary. A standalone sequel Peninsula was released in 2020, also directed by Yeon.[23]

Filmography[edit]

Feature films[edit]

Year Film Credited as Notes
Director Writer Producer
2011 The King of Pigs Yes Yes also voice actor, editor, storyboard, character design, key animation, background artist, in between
2013 The Fake Yes Yes also voice actor, editor, storyboard, key animation, compositing
2014 Master and Man Yes
The Satellite Girl and Milk Cow as voice actor
2016 The Senior Class Yes Yes
Train to Busan Yes Adaptation
Seoul Station Yes Yes Yes
Kai Yes
2018 Psychokinesis Yes Yes
2019 Princess Aya Yes
2020 Peninsula Yes Yes
TBA The Cursed: Jaechaui Yes Yes

Short films[edit]

Year Film Segment Credited as Notes
Director Writer
1997 Megalomania of D Yes Yes
2000 D-Day Yes Yes
2003 The Hell Yes Yes also producer, voice actor, rotoscoping cinematographer/line capture, layout, storyboard, in between
2006 The Hell: Two Kinds of Life Yes Yes also editor, character design
2008 Indie Anibox: Selma's Protein Coffee Love Is Protein Yes Yes also lyricist
2012 The Window Yes Yes also voice actor, animation director
2016 The Way Home Yes Yes

Television[edit]

Year Title Credited as Notes
Director Writer
2020 The Cursed Yes 12 episodes
2021 Hellbound Yes Yes 6 episodes

Awards[edit]

References[edit]

  1. ^ "The Fake (2013) - Director". Finecut. Retrieved February 4, 2015.
  2. ^ "STUDIO DADASHOW 스튜디오 다다쇼". Retrieved May 7, 2016.
  3. ^ "The Hell (Two Kinds of Life)". IndieStory. Retrieved February 12, 2015.
  4. ^ "Love Is Protein". IndieStory. Retrieved February 12, 2015.
  5. ^ "Indie Anibox: Selma's Protein Coffee (DVD) (Korea Version)". YesAsia. Retrieved February 12, 2015.
  6. ^ "YEON Sang-ho". Korean Film Biz Zone. Retrieved February 12, 2015.
  7. ^ Jang, Byung-won (November 10, 2011). "Attack to wishes on hero". Korean Film Biz Zone. Retrieved February 4, 2015.
  8. ^ Lee, Claire (November 21, 2011). "Animation is the future: Yeun Sang-ho". The Korea Herald. Retrieved February 12, 2015.
  9. ^ Sung, So-young (November 4, 2011). "Dark, brutal King of Pigs no milquetoast cartoon". Korea Joongang Daily. Retrieved February 4, 2015.
  10. ^ Lee, Hyo-won (November 17, 2011). "Pigs depicts frightening realism". The Korea Times. Retrieved February 4, 2015.
  11. ^ "King of Pigs Animation Invited to Cannes". The Chosun Ilbo. April 25, 2012. Retrieved February 12, 2015.
  12. ^ Lee, Claire (April 26, 2012). "The King of Pigs becomes first Korean animation featured at Cannes". The Korea Herald. Retrieved February 12, 2015.
  13. ^ Kim, Seong-hoon (May 16, 2012). "Korean Films at Cannes 2012 - The King of Pigs". Korean Cinema Today. Retrieved February 4, 2015.
  14. ^ Lee, Claire. "Twisted revenge tale gives anime dark edge". The Korea Herald. Retrieved October 27, 2011.
  15. ^ "The King of Pigs". IndieStory. Retrieved February 12, 2015.
  16. ^ Huh, Nam-woong (November 2, 2012). "Director YEON Sang-ho's THE WINDOW: Society Needs Many Different Frames". Korean Film Biz Zone. Retrieved February 4, 2015.
  17. ^ Sunwoo, Carla (November 8, 2013). "The Fake presents a raw look at Christianity, belief in Korea". Korea Joongang Daily. Retrieved February 4, 2015.
  18. ^ Lee, Ju-hyun (November 8, 2013). "YEON Sang-ho, Director of THE FAKE". Korean Film Biz Zone. Retrieved February 12, 2015.
  19. ^ "The Fake Wins Animation Prize in Spain". The Chosun Ilbo. November 26, 2013. Retrieved February 4, 2015.
  20. ^ Conran, Pierce (November 26, 2013). "THE FAKE Claims Best Animation in Gijón". Korean Film Biz Zone. Retrieved February 4, 2015.
  21. ^ Conran, Pierce (November 4, 2014). "Top Honors for HILL OF FREEDOM at 34th Korean Film Critics Association Awards". Korean Cinema Today. Retrieved February 12, 2015.
  22. ^ Kim, Hee-eun (March 4, 2014). "Animator lines up big names". Korea Joongang Daily. Retrieved February 4, 2015.
  23. ^ a b Kim, Su-yeon (October 17, 2014). "Seoul Station Director YEON Sang-ho: "Trying zombie series through animation and live action films"". Korean Cinema Today. Retrieved February 12, 2015.
  24. ^ Schwankert, Steven (October 14, 2011). "Busan International Film Festival Wraps with New Currents, Flash Forward Awards". The Hollywood Reporter. Retrieved February 4, 2015.
  25. ^ Frater, Patrick (April 1, 2014). "Jiseul Plucks First Wildflower Korea Award". Variety. Retrieved February 4, 2015.
  26. ^ "Actors Gong Hyo-jin, Cho Jung-seok, Cho Jin-woong win top star award". Yonhap News Agency. Retrieved December 29, 2016.
  27. ^ "'The Wailing' named best film by Korean film reporters". Yonhap News Agency.
  28. ^ "'Guardian,' 'The Handmaiden' win big at Baeksang Awards". Korea Herald. May 4, 2017.

External links[edit]