"Your Woman" is a song by British one-man bandWhite Town. It was released on 13 January 1997 as the lead single from the album, Women in Technology. It features a muted trumpetline taken from "My Woman" by Al Bowlly and it peaked at number one in the UK Singles Chart. It also topped the charts in Spain, and peaked at number two in Australia, number four in Canada, Denmark and Finland and number 23 in the United States.
White Town's sole band member and writer of "Your Woman", Jyoti Prakash Mishra, has stated that the lyrics could stem from or be related to multiple situations. He says "When I wrote it, I was trying to write a pop song that had more than one perspective. Although it’s written in the first person the character behind that viewpoint isn’t necessarily what the casual listener would expect". The lyrics could mean "Being a member of an orthodox Trotskyist / Marxist movement. Being a straight guy in love with a lesbian. Being a gay guy in love with a straight man. Being a straight girl in love with a lying, two-timing, fake-arse Marxist. The hypocrisy that results when love and lust get mixed up with highbrow ideals."
The '>Abort, Retry, Fail?_' message that appeared on some inlay cards is explained by the artist thus: "Well, this cheerful message became a kind of shibboleth for me and sort-of characterizes what's been going on for me the last few years."
In the video there are numerous elements of acting, cinematography, and editing that suggest an old-fashioned film style. The exaggerated gestures of the hat-wearing woman, helpless and fearful, and those of her quick-tempered lover hint at the acting style from 1920s expressionist films. The ostensive metaphors, such as the hypnotising of the woman by the man or the recurring shots of crossroad signs bearing names of romantic relationship-related attitudes, remind of the 1920s and 1930s efforts to express subjectivism in film. The use of circular masks, as to emphasize focal points or for a mere elegant look, also belongs to the aforementioned period. At the point where the woman first enters the man's bedroom and in the final rope scene, match cuts are used in a manner resemblant of that from silent experimental films. Mishra can be seen for brief moments on television screens in the background.