Zen in the Art of Archery
|Cover artist||Joseph del Gaudio|
|1948 (Germany), 1953 (United States), 1955 (Japan)|
|Media type||Print (hardcover and paperback)|
|Pages||90 pp (1953 edition, paperback)|
Zen in the Art of Archery is a short book by German philosophy professor Eugen Herrigel, published in 1948, about his experiences studying Kyūdō, a form of Japanese archery, when he lived in Japan in the 1920s. It is credited with introducing Zen to Western audiences in the late 1940s and 1950s.
Herrigel (1884–1955) was a German professor of philosophy, with a special interest in mysticism. From 1924 to 1929 he taught philosophy in Japan, and studied Kyūdō (the art of the Japanese bow) under a master named Awa Kenzô. Awa taught kyūdō in a way that was regarded by some as a mystical religion, called Daishadokyo. Daishadokyo was an approach to kyūdō that placed great emphasis on the spiritual aspect and differed from much of the mainstream practice at the time. In 1936, Herrigel wrote a 20-page essay about his experiences, and then in 1948 expanded the essay into a short book. The book was translated into English in 1953 and Japanese in 1955.
The book sets forth theories about motor learning. Herrigel has an accepting spirit towards and about unconscious control of outer activity Westerners heretofore considered wholly to be under conscious-waking control and direction. For example, a central idea in the book is how through years of practice, a physical activity becomes effortless both mentally and physically, as if our habit body executes complex and difficult movements without conscious control from the mind.
Herrigel describes Zen in archery as follows:
- "(...) The archer ceases to be conscious of himself as the one who is engaged in hitting the bull's-eye which confronts him. This state of unconscious is realized only when, completely empty and rid of the self, he becomes one with the perfecting of his technical skill, though there is in it something of a quite different order which cannot be attained by any progressive study of the art (...)"
Herrigel's book is the likely inspiration for Tim Gallwey's The Inner Game of Tennis (1st ed. 1974). New York: Random House. ISBN 0-394-49154-8. Both Herrigel and Gallwey approach sport and life as opportunities for learning inner cooperation. In this, Zen in the Art of Archery is a fore-father to the inner child discussion, in Humanistic Psychology. Later literature takes one of two forks: balancing the Inner Game~Outer Game in golf, basketball, etc; and, counseling approaches to accessing, communicating and collaborating with the inner child beyond sports per se.
The title "Zen in the Art of Archery" most likely inspired the titles of many other works, either directly or indirectly. Foremost among these is Robert Pirsig's wildly popular 1974 book Zen and the Art of Motorcycle Maintenance. More than 200 works have been created with similar titles, including Ray Bradbury's 1990 book Zen in the Art of Writing, as well as "Zen and the Art of Poker,", "Zen and the Art of Knitting", Crazy Legs Conti: Zen and the Art of Competitive Eating, and so on.
J.D. Salinger's fictional character "Seymour Glass" applied one aspect of Zen archery—aiming by deliberately not taking aim—to playing the children's game of marbles.
- "The Myth of Zen in the Art of Archery" (PDF). Japanese Journal of Religious Studies, 2001, 28/1-2. Retrieved October 2013.
- "Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values"; Author: Rober Pirsig; Publisher: HarperTorch; Reprint edition (April 25, 2006) Language: English ISBN 0060589469 ISBN 978-0060589462