Zhong Kui

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Zhong Kui
Zhong Kui the Demon Queller with Five Bats.jpg
A Ming painting of Zhong Kui the Demon Queller with Five Bats, with the five bats representing the five blessings as well as the vase, red coral, and fungi—held by demons—that also contain auspicious symbolism
Chinese name
Traditional Chinese鍾馗
Simplified Chinese钟馗
Japanese name
Kanji鍾馗

Zhong Kui, also known in Japanese contexts as Shōki, is a figure in Chinese and Japanese mythology. Traditionally regarded as a vanquisher of ghosts and evil beings, and reputedly able to command 80,000 demons, his image is often painted on household gates as a guardian spirit, as well as in places of business where high-value goods are involved.

Becoming the king of ghosts[edit]

According to background folklore, Zhong Kui travelled with a friend from his hometown, Du Ping (杜平), to take part in the state-wide Imperial Examinations held in the capital city. Though Zhong Kui attained a great academic success through his achievement of top-honours in the major exams, his rightful title of "Zhuangyuan" (top-scorer) was stripped away from him by the emperor because of his disfigured and ugly appearance. In anger and fury, Zhong Kui committed suicide upon the palace steps by continually hurtling himself against the palace gates until his head was broken, whereupon Du Ping had him buried and laid to rest. During a divine judgment after his death from suicide, Yama (the Chinese Hell King) saw much potential in Zhong Kui, who was intelligent and smart enough to score top honours in the Imperial Examinations but who was also condemned to Hell because he committed the grave sin of suicide. Yama then gave him a title, as the king of ghosts, and tasked him to hunt, capture, take charge of and maintain discipline and order of all ghosts. After Zhong Kui became the king of ghosts in Hell, he returned to his hometown on Chinese New Year's eve. To repay Du Ping's kindness, Zhong Kui gave his younger sister in marriage to Du Ping.[1]

Popularization in later dynasties[edit]

Zhong Kui's popularity in folklore can be traced to the reign of Emperor Xuanzong of Tang China (712 to 756). According to Song Dynasty sources, once the Emperor Xuanzong was gravely ill. He had a dream in which he saw two ghosts. The smaller of the ghosts stole a purse from imperial consort Yang Guifei and a flute belonging to the emperor. The larger ghost, wearing the hat of an official, captured the smaller ghost, tore out his eye and ate it. He then introduced himself as Zhong Kui. He said that he had sworn to rid the empire of evil. When the emperor awoke, he had recovered from his illness. So he commissioned the court painter Wu Daozi to produce an image of Zhong Kui to show to the officials. This was highly influential to later representations of Zhong Kui.[2]

In art[edit]

  • An image of Zhong Kui painted sometime before 1304 by Gong Kai

  • Dai Jin's The Night Excursion of Zhong Kui (15th century), depicting Zhong Kui undertaking a night patrol while being carried in a sedan chair by four demons

  • Wen Zhengming's Zhong Kui in a Wintry Grove (Ming dynasty), matching Ge Hong's Master Embracing Simplicity that states that ominous creatures often haunted forests, which is why Zhong Kui is needed there

  • Zhong Kui and Spiders by Zhou Xun (1649–1729), depicting Zhong Kui eyeing spiders dangling down from above (a rebus or auspicious pun for 'joyful things')

  • Ren Yi's Zhong Kui (1883), in which Zhong Kui appears as an elegant but somewhat eccentric scholar, with his sword sheathed and a blossom in his hair, as he decorously reads

  • Auspicious Omen of Abundant Peace (Qing dynasty), humorously depicting Zhong Kui being shocked as he looks at his grotesque visage in the mirror

  • Zhong Kui is seen waving his sword at five bats representing the five blessings, as if symbolically bringing these fortunes down to someone as recipient, depicted in a late 19th or early 20th century xylograph

  • Zhong Kui, the Demon Queller (17th century), in which Zhong Kui rides an ox while quelled demons carry his sword or lead his ox

  • A 16th-century painting, depicting a seated Zhong Kui

  • A 17th-century painting by Lu Xue, depicting Zhong Kui with demons

  • A painting by the Shunzhi Emperor (r. 1643–1661) of the Qing dynasty

  • A detail of Okumura Masanobu's Shōki zu (Shōki striding), dated c. 1741–1751.

  • Fei Danxu's Zhong Kui and his Assistants Under Willows (1832), depicting Zhong Kui and his demon helpers

  • Zhong Kui by Min Zhen (1730–after 1791), depicting Zhong Kui riding a quadrupedal creature

  • A 1776 painting by Min Zhen, in which Zhong Kui sits and leans on a chair

  • Zhong Kui and Demons Crossing a Bridge (16th century), depicting Zhong Kui on a donkey

  • Zhong Kui Appreciating Plum Blossom (18th century)

Temples[edit]

In popular culture[edit]

Gong Kai's Zhongshan Going on Excursion (13th or 14th century), depicting Zhong Kui and his sister setting out on a hunting expedition, with a retinue of subjugated demons carrying Zhong Kui's sword, household goods, pots of wine, and even smaller demons that they have captured

See also[edit]

References[edit]

  1. ^ Nagendra Kumar Singh (1997). International encyclopaedia of Buddhism: India [11]. Anmol Publications. pp. 1372–1374. ISBN 978-81-7488-156-4. Retrieved 7 June 2013.
  2. ^ Richard Von Glahn (2004). The Sinister Way: The Divine and the Demonic in Chinese Religious Culture. University of California Press. pp. 122–128. ISBN 978-0-520-92877-0. Retrieved 7 June 2013.

External links[edit]

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