She was the daughter of Marco Dandolo and related to the doges Andrea Dandolo and Arigo Dandolo. She married Priuli in 1526 in what was considered as almost an unequal match, as she was considered more high born than he. Zilia hosted many parties in the famous Palazzo Priuli. She was described as the leading female aristocrat and the most respected female noble in Venice, and the election of her spouse to doge is attributed to her. When her spouse was elected doge in 1556, the council decided that Zilia should be crowned. This was somewhat remarkable, as no dogaressa had been crowned since Taddea Michiel in 1478. Her Grand Entry and coronation on 18 September 1557 set the pattern for future ceremonies of the same kind. A new form of glass was named after her La Zilia. Zilia was given many honors from the state unknown to other dogaressas. As a widow in 1559, she was granted the title of princess, her own court and pension from the state: when she appeared in public as dowager dogaressa, she was accompanied by courtiers, and was entitled to wear state robes. Their marriage produced one daughter, who Titian painted in "The Annunciation" as Mary.
- Staley, Edgcumbe: The dogaressas of Venice : The wifes of the doges, London : T. W. Laurie, 1910
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