Zirl Parish Church
Built in the 19th century under the auspices of Cons. Peter Alois Bauer and Fruehmesser Alois Moriggl, the painter Franz Plattner decorated the entire interior with fresoes in vivid colours. This work occupied the master for a significant period of time. The frescoes in the vault were created between 1862 and 1874. Remarkable as well are the abstract floral pattern that cover all the interior walls outside the frescoes as well as the gilded pulpit.
As the architect predominantly used the round arch, this building is clearly neo-romanesque. Using 19th century building materials and techniques it was possible to create much larger windows, compared to monuments from the original Romanesque period. Hence, sunlight floods the interior and amplifies the frecoes' vivid colours.
Gothic elements can be found in the pointed arches of altar and pulpit, nevertheless they form a harmonious whole with the entire building.
The vaulted ceiling is graced by images of the Nativity and the Resurrection of Christ. Immediately above the altar, the Holy Trinity is depicted, surrounded by the Virgin Mary, the prophets of the Old Testament, the four evangelists, and the community of the faithful.
The choir to the left and right of the altar contains two frescoes: Christ is shown entering Jerusalem on Palm Sunday, and the Lazarus is shown resurrected. The artist managed to arrange a noteworthy interaction of natural light and his painting in the left side of the choir, depicting Jesus' entrance into Jerusalem on Palm Sunday. Around noon, rays of sunlight reach the Messiah and the disciples immediately surrounding him. In contrast, those waiting for him with their perfectly understandable, yet earthly wishes and needs—with sometimes desperate hope—are for the time being shrouded in shadow. Thus, power and certainty of the coming salvation are being contrasted with human weakness, doubt and despair.
- Pfarre Zirl (German)