Zorba the Greek (film)

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Zorba the Greek
Zorba the Greek poster.jpg
Original film poster
Directed byMichael Cacoyannis
Produced byMichael Cacoyannis
Screenplay byMichael Cacoyannis
Based onZorba the Greek
by Nikos Kazantzakis
Music byMikis Theodorakis
CinematographyWalter Lassally
Edited byMichael Cacoyannis
Distributed byTwentieth Century-Fox Film Corporation
Release date
  • 14 December 1964 (1964-12-14) (Greece)
  • 16 December 1964 (1964-12-16) (United States)[1]
Running time
142 minutes[2]
  • Greece
  • United States
  • English
  • Greek
Box office$23.5 million

Zorba the Greek (Greek: Αλέξης Ζορμπάς, Alexis Zorbas) is a 1964 Greek-American comedy-drama film written, produced, edited, and directed by Greek Cypriot Michael Cacoyannis and starring Anthony Quinn as the titular character. Based on the 1946 novel The Life And Times Of Alexis Zorba by Nikos Kazantzakis, the film's cast includes Alan Bates, Lila Kedrova, Irene Papas, and Sotiris Moustakas.


Basil is a British-Greek writer raised in Britain who bears the hallmarks of an uptight, middle-class Englishman. He is waiting at the Athens port of Piraeus on mainland Greece to catch a boat to Crete when he meets a gruff, yet enthusiastic Greek-Macedonian peasant and musician named Zorba. Basil explains to Zorba that he is traveling to a rural Cretan village where his father owns some land, with the intention of reopening a lignite mine and perhaps curing his writer's block. Zorba relates his experience with mining and persuades Basil to take him along.

When they arrive at Crete, they take a car to the village where they are greeted enthusiastically by the town's impoverished peasant community. They stay with an old French war widow and courtesan named Madame Hortense in her self-styled "Hotel Ritz". The audacious Zorba tries to persuade Basil into making a move on the much older Madame Hortense, but when he is understandably reluctant, Zorba seizes the opportunity, and they form a relationship.

Over the next few days, Basil and Zorba attempt to work the old lignite mine, but find it unsafe and shut it down. Zorba then has an idea to use the forest in the nearby mountains for logging, (his specific plan is left ambiguous, but it seems he thinks the timber can be used to shore up the tunnels). The land is owned by a powerful monastery, so Zorba visits and befriends the monks, getting them drunk. Afterwards, he comes home to Basil and begins to dance in a way that mesmerizes Basil.

Meanwhile, Basil and Zorba get their first introduction to "the Widow", a young and attractive widowed woman, who is incessantly teased by the townspeople for not remarrying, especially to a young, local boy who is madly in love with her, but whom she has spurned repeatedly. One rainy afternoon, Basil offers her his umbrella, which she reluctantly takes. Zorba suggests that she is attracted to him, but Basil, ever shy, denies this and refuses to pursue the widow.

Basil hands Zorba some money, and sends him off to the large town of Chania, where Zorba is to buy cable and other supplies for the implementation of his grand plan. Zorba says goodbye to Basil and Madame Hortense, who is by now madly in love with him. In Chania, Zorba entertains himself at a cabaret and strikes up a brief romance with a much younger dancer. In a letter to Basil, he details his exploits and indicates that he has found love. Angered by Zorba's apparent irresponsibility and the squandering of his money, Basil untruthfully tells Madame Hortense that Zorba has declared his love to her and intends to marry her upon his return, which makes her ecstatic to the point of tears. Meanwhile, the Widow returns Basil's umbrella by way of Mimithos, the village idiot.

When Zorba eventually returns with supplies and gifts, he is surprised and angered to hear of Basil's lie to Madame Hortense. He also asks Basil about his whereabouts the night before. That night, Basil had gone to the Widow's house, made love to her and spent the night. The brief encounter comes at great cost. A villager catches sight of them, and word spreads, and the young, local boy who is in love with the Widow is taunted mercilessly about it. The next morning, the villagers find his body by the sea, where he has drowned himself out of shame.

The boy's father, Mavrandoni, holds a funeral which the villagers attend. The widow attempts to come inconspicuously, but is blocked from entering the church. She is eventually trapped in the courtyard, then beaten and stoned by the villagers, who hold her responsible for the boy's suicide. Basil, meek and fearful of intervening, tells Mimithos to quickly fetch Zorba. Zorba arrives just as a villager, a friend of the boy, tries to pull a knife and kill the widow. Zorba overpowers the much younger man and disarms him. Thinking that the situation is under control, Zorba asks the Widow to follow him and turns his back. At that moment, the dead boy's father pulls his knife and cuts the widow's throat. She dies at once, as the villagers shuffle away apathetically, whisking the father away. Only Basil, Zorba and Mimithos show any emotion over her murder. Basil proclaims his inability to intervene whereupon Zorba laments the futility of death.

On a rainy day, Basil and Zorba come home and find Madame Hortense waiting. She expresses anger at Zorba for making no progress on the wedding. Zorba conjures up a story that he had ordered a white satin wedding dress, lined with pearls and adorned with real gold. Madame Hortense presents two golden rings she had made and proposes their immediate engagement. Zorba tries to stall, but eventually agrees with gusto, to Basil's surprise.

Some time later, Madame Hortense has contracted pneumonia, and is seen on her deathbed. Zorba stays by her side, along with Basil. Meanwhile, word has spread that "the foreigner" is dying, and since she has no heirs, the State will take her possessions and money. The desperately poor villagers crowd around her hotel, impatiently waiting for her demise so they can steal her belongings. As two old ladies enter her room and gaze expectantly at her, other women try to enter, but Zorba manages to fight them off. At the instant of her death, the women re-enter Madame Hortense's bedroom en masse to steal her valued possessions. Zorba leaves with a sigh, as the hotel is ransacked and stripped bare by the shrieking and excited villagers. When Zorba returns to Madame Hortense's bedroom, the room is barren apart from her bed (where she lies) and the parrot in her cage. Zorba takes the birdcage with him.

Finally, Zorba's elaborate contraption to transport timber down the hill is complete. A festive ceremony, including lamb on a spit, is held, and all the villagers turn out. After a blessing from the priests, Zorba signals the start by firing a rifle in the air. A log comes hurtling down the zip line at a worrying pace, destroying the log itself and slightly damaging part of the contraption. Zorba remains unconcerned and gives orders for a second log. This one also speeds down and shoots straight into the sea. By now the villagers and priests have grown fearful and head for cover. Zorba remains unfazed and orders a third log, which accelerates downhill with such violence that it dislodges the entire contraption, destroying everything. The villagers flee, leaving Basil and Zorba behind.

Basil and Zorba sit by the shore to eat roasted lamb for lunch. Zorba pretends to tell the future from the lamb shank, saying that he foresees a great journey to a big city. He then asks Basil directly when he plans to leave, and Basil replies that he will leave in a few days. Zorba declares his sadness about Basil's imminent departure to England and tells Basil that he is missing madness. Basil asks Zorba to teach him to dance. Zorba teaches him the sirtaki and Basil begins to laugh hysterically at the catastrophic outcome. The story ends with both men enthusiastically dancing the sirtaki on the beach.



Simone Signoret began filming the role of Madame Hortense; Lila Kedrova replaced her early in the production.[6]

The film was shot on location on the Greek island of Crete. Specific locations featured include the town of Chania, the Apokoronas region and the Akrotiri peninsula. The famed scene in which Quinn's character dances the Sirtaki was filmed on the beach of the village of Stavros.


Box office[edit]

The film was a smash hit. Produced on a budget of only $783,000,[3] it grossed $9 million at the U.S. box office,[7] earning $4.4 million in U.S. theatrical rentals.[8] At the worldwide box office, the film earned $9.4 million in rentals,[3] placing the worldwide gross between $18.8 million to $23.5 million. It was the 17th highest-grossing film of 1964.

According to Fox records, the film needed to earn $3,000,000 in rentals to break even and made $9,400,000.[9] By September 1970 it earned the studio an estimated profit of $2,565,000.[4]


Contemporary reviews were generally positive, with Anthony Quinn and Lila Kedrova receiving numerous accolades for their performances, although a few critics found fault with the screenplay. Bosley Crowther of The New York Times lauded Quinn for a "brilliant performance" and Kedrova for her "brilliantly realized" character, citing the only real weakness of the film as a lack of "significant conflict to prove its dominant character. Zorba is powerful and provocative, but nobody gets in his way."[10] Margaret Harford of the Los Angeles Times declared that the film would "stand among the year's best motion pictures, an unusual, engrossing effort" with spots both "outrageously funny" and "painfully sad and tragic."[11]

Richard L. Coe of The Washington Post deemed it "a memorable picture" with a "bravura performance" from Quinn, adding that "Lila Kedrova as the dying Mme Hortense is spectacularly touching."[12] Variety found the film excessively long and overstuffed, writing that Cacoyannis's screenplay was "packed with incidents of varying moods, so packed, in fact, that some of the more important ones cannot be developed fully."[13] Brendan Gill of The New Yorker wrote that Cacoyannis had directed the film with "enormous verve" but had written a "not very tidy, not very plausible screenplay." Gill particularly praised Kedrova's performance and thought that she "comes within an ace of stealing the picture from Quinn."[14] The Monthly Film Bulletin wrote that the film began well, but by the time the characters went to Crete "the pace slows to a crawl, and the narrative line becomes blurred in a series of unrelated incidents of doubtful significance." The review concluded that for all its length, "the film never gets down to a clear statement of its theme, or comes within measuring distance of its vast pretensions."[15]

The film won three Academy Awards.

Award.[16] Result Winner
Best Picture Nominated Mihalis Kakogiannis
Winner was Jack L. WarnerMy Fair Lady
Best Director Nominated Mihalis Kakogiannis
Winner was George CukorMy Fair Lady
Best Actor Nominated Anthony Quinn
Winner was Rex HarrisonMy Fair Lady
Best Screenplay Based on Material from Another Medium Nominated Mihalis Kakogiannis
Winner was Edward AnhaltBecket
Best Supporting Actress Won Lila Kedrova
Best Art Direction (Black-and-White) Won Vassilis Photopoulos
Best Cinematography (Black-and-White) Won Walter Lassally

The film has an 86% rating at Rotten Tomatoes.[17] On both sides of the Atlantic, Zorba was applauded and Quinn came in for the best reviews. He was lauded as Zorba, along with the other stars, including Greek-born Papas, who worked with Quinn on The Guns of Navarone.

Also, the film is recognized by American Film Institute in these lists:

Cultural influence[edit]

  • The dance at the end of the film, choreographed by Giorgos Provias, known as "Zorba's dance" is a simplified version of Sirtaki and has become a popular cliché of Greek dance.
  • Zara Store's owner Amancio Ortega previously named Zara as Zorba after "Zorba the Greek" but later changed it to Zara.[citation needed]
  • Zorba the Greek was adapted into a 1968 Broadway musical named Zorba. The play starred Herschel Bernardi: then, the show was revived in 1983, with Anthony Quinn and Lila Kedrova reprising their film roles. It opened to big box office receipts and good reviews, plus 362 performances, more than the original stage production.
  • The film's music by Mikis Theodorakis, especially the main song, "Zorbas", is well known in popular culture. For example, the song has been used at Yankee Stadium for years to incite crowd participation during a potential rally by the home team, iconically played by Eddie Layton.[19]
  • A remake of "Zorbas" by John Murphy and David Hughes was used during the climax shootout-scene in the 1998 Guy Richie film, Lock Stock and Two Smoking Barrels.[20]
  • The film has been referenced in two of actress Nia Vardalos' films. In My Big Fat Greek Wedding, the family-owned restaurant her character works at is called Dancing Zorba's; this is also seen in the short-lived 2003 show My Big Fat Greek Life. In My Life In Ruins, Vardalos' character Georgia expresses contempt for the film because of the Greek's love of dancing and Anthony Quinn.
  • The British sitcom Catastrophe is named after a quote from the film: "I'm a man, so I married. Wife, children, house, everything. The full catastrophe."[21] The title of Jon Kabat-Zinn's influential book on mindfulness Full Catastrophe Living is derived from the same quotation.[22]


The Academy Film Archive preserved Zorba the Greek in 2004.[23]

See also[edit]


  1. ^ "Zorba the Greek - Details". AFI Catalog of Feature Films. Retrieved 3 August 2018.
  2. ^ "Zorba the Greek (X)". British Board of Film Classification. 12 January 1965. Retrieved 2 December 2016.
  3. ^ a b c Box Office Information for Zorba the Greek. IMDb. Retrieved 19 May 2013.
  4. ^ a b Silverman p 259
  5. ^ Thomas R. Lindlof, Hollywood under siege
  6. ^ Osborne, Robert (1994). 65 Years of the Oscar: The Official History of the Academy Awards. London: Abbeville Press. p. 180. ISBN 1-55859-715-8.
  7. ^ Box Office Information for Zorba the Greek. The Numbers. Retrieved 19 May 2013.
  8. ^ Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p. 229. See also "Big Rental Pictures of 1965", Variety, 5 January 1966 p. 6
  9. ^ Silverman, Stephen M (1988). The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century-Fox. L. Stuart. p. 324.
  10. ^ Crowther, Bosley (18 December 1964). "Screen: 'Zorba, the Greek' Is at Sutton". The New York Times: 25.
  11. ^ Harford, Margaret (December 18, 1964). "'Zorba' Fascinating Tragicomedy". Los Angeles Times. Part V, p. 17.
  12. ^ Coe, Richard L. (11 February 1965). "Tony Quinn As Life Force". The Washington Post: C10.
  13. ^ "Film Reviews: Zorba the Greek". Variety: 6. 16 December 1964.
  14. ^ Gill, Brendan (19 December 1964). "The Current Cinema". The New Yorker: 151.
  15. ^ "Zorba The Greek". The Monthly Film Bulletin. 32 (375): 54. April 1965.
  16. ^ "NY Times: Zorba the Greek". NY Times. Retrieved 25 December 2008.
  17. ^ "Zorba the Greek", Rotten Tomatoes, retrieved 3 August 2018
  18. ^ "AFI's 100 Years...100 Cheers Nominees" (PDF). Retrieved 14 August 2016.
  19. ^ "Greek song played by Eddie Layton". My Yes Network. Retrieved 31 October 2016.
  20. ^ https://www.youtube.com/watch?v=u6-NHK-GzwU
  21. ^ Radio, Southern California Public (12 April 2016). "'Catastrophe' embraces bad language, but nudity's too distracting". Southern California Public Radio. Retrieved 15 May 2017.
  22. ^ Kabat-Zinn, Jon (2013). Full Catastrophe Living (Revised Edition): Using the Wisdom of Your Body and Mind to Face Stress, Pain, and Illness. Random House Publishing Group. pp. liii. ISBN 978-0-345-53972-4.
  23. ^ "Preserved Projects". Academy Film Archive.

External links[edit]