Portal:Indonesia

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Selamat Datang / Welcome to the Indonesian Portal

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Indonesia, officially the Republic of Indonesia, is a country in Southeast Asia and Oceania between the Indian and Pacific oceans. It consists of over 17,000 islands, including Sumatra, Java, Sulawesi, and parts of Borneo and New Guinea. Indonesia is the world's largest archipelagic state and the 14th-largest country by area, at 1,904,569 square kilometres (735,358 square miles). With over 279 million people, Indonesia is the world's fourth-most-populous country and the most populous Muslim-majority country. Java, the world's most populous island, is home to more than half of the country's population.

Indonesia is a presidential republic with an elected legislature. It has 38 provinces, of which nine have special autonomous status. The country's capital, Jakarta, is the world's second-most-populous urban area. Indonesia shares land borders with Papua New Guinea, East Timor, and the eastern part of Malaysia, as well as maritime borders with Singapore, Vietnam, Thailand, the Philippines, Australia, Palau, and India. Despite its large population and densely populated regions, Indonesia has vast areas of wilderness that support one of the world's highest levels of biodiversity.

Indonesia consists of thousands of distinct native ethnic and hundreds of linguistic groups, with Javanese being the largest. A shared identity has developed with the motto "Bhinneka Tunggal Ika" ("Unity in Diversity" literally, "many, yet one"), defined by a national language, cultural diversity, religious pluralism within a Muslim-majority population, and a history of colonialism and rebellion against it. The economy of Indonesia is the world's 16th-largest by nominal GDP and the 7th-largest by PPP. It is the world's third-largest democracy, a regional power, and is considered a middle power in global affairs. The country is a member of several multilateral organisations, including the United Nations, World Trade Organization, G20, and a founding member of the Non-Aligned Movement, Association of Southeast Asian Nations, East Asia Summit, D-8, APEC, and the Organisation of Islamic Cooperation. (Full article...)

The Makassar kingdom of Gowa emerged around 1300 CE as one of many agrarian chiefdoms in the Indonesian peninsula of South Sulawesi. From the sixteenth century onward, Gowa and its coastal ally Talloq became the first powers to dominate most of the peninsula, following wide-ranging administrative and military reforms, including the creation of the first bureaucracy in South Sulawesi. The early history of the kingdom has been analyzed as an example of state formation.

Genealogies and archaeological evidence suggest that the Gowa dynasty was founded around 1300 in a marriage between a local woman and a chieftain of the Bajau, a nomadic maritime people. Early Gowa was a largely agrarian polity with no direct access to the coastline, whose growth was supported by a rapid increase in wet Asian rice cultivation. Talloq was founded two centuries later when a prince from Gowa fled to the coast after his defeat in a succession dispute. The coastal location of the new polity allowed it to exploit maritime trade to a greater degree than Gowa. (Full article...)
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Lies Noor
Photograph credit: Djakartawood Studio; restored by Chris Woodrich
Lies Noor (c. 1938 – 1961) was an Indonesian actress. She first appeared on film in Pulang (Homecoming) in 1952, while she was still at school. She rose in popularity with a string of successful films, and was able to command high fees for her roles. In the mid-1950s, having married and had a child, she took a break from her career to care full-time for her son. After returning to acting in 1960, however, she developed encephalitis the next year and died in hospital two days later. This photograph of Noor was taken around 1956.

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Siomay bicycle street hawker in Glodok area, Jakarta's Chinatown.
Chinese Indonesian cuisine (Indonesian: Masakan Tionghoa-Indonesia, simplified Chinese: 印尼中华料理; traditional Chinese: 印尼中華料理; pinyin: yìnní zhōnghuá liàolǐ; Pe̍h-ōe-jī: Ìn-nî Tiong-hôa Liāu-lí) is characterized by the mixture of Chinese with local Indonesian style. Chinese Indonesians, mostly descendant of Han ethnic Hokkien and Hakka speakers, brought their legacy of Chinese cuisine, and modified some of the dishes with the addition of Indonesian ingredients, such as kecap manis (sweet soy sauce), palm sugar, peanut sauce, chili, santan (coconut milk) and local spices to form a hybrid Chinese-Indonesian cuisine. Some of the dishes and cakes share the same style as in Malaysia and Singapore, known as Nyonya cuisine by the Peranakan. (Full article...)

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Andjar, 1930

Abisin Abbas (Indonesian: [aˈbisɪn aˈbas]; 26 February 1902 – 20 October 1961), better known by his pseudonym Andjar Asmara ([anˈdʒar asˈmara]), was a dramatist and filmmaker active in the cinema of the Dutch East Indies. Born in Alahan Panjang, West Sumatra, he first worked as a reporter in Batavia (modern-day Jakarta). He became a writer for the Padangsche Opera in Padang, where he developed a new, dialogue-centric style, which later spread throughout the region. After returning to Batavia in 1929, he spent over a year as a theatre and film critic. In 1930 he joined the Dardanella touring troupe as a writer. He went to India in an unsuccessful bid to film his stage play Dr Samsi.

After leaving Dardanella in 1936, Andjar established his own troupe. He also worked at a publishers, writing serials based on successful films. In 1940 he was asked to join The Teng Chun's company, Java Industrial Film, helping with marketing and working as a director for two productions. After the Japanese occupation, during which time he stayed in theatre, Andjar made a brief return to cinema. He directed three films in the late 1940s and wrote four screenplays, which were produced as films in the early 1950s. He published a novel, Noesa Penida (1950). Afterward he worked for the remainder of his life writing serials based on local films and publishing film criticism. Historians recognise him as a pioneer of theatre and one of the first native Indonesian film directors, although he had little creative control of his productions. (Full article...)

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