Portal:Indonesia

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Selamat Datang / Welcome to the Indonesian Portal

Map of Indonesia

Indonesia, officially the Republic of Indonesia, is a country in Southeast Asia and Oceania between the Indian and Pacific oceans. It consists of over 17,000 islands, including Sumatra, Java, Sulawesi, and parts of Borneo and New Guinea. Indonesia is the world's largest archipelagic state and the 14th-largest country by area, at 1,904,569 square kilometres (735,358 square miles). With over 279 million people, Indonesia is the world's fourth-most-populous country and the most populous Muslim-majority country. Java, the world's most populous island, is home to more than half of the country's population.

Indonesia is a presidential republic with an elected legislature. It has 38 provinces, of which nine have special autonomous status. The country's capital, Jakarta, is the world's second-most-populous urban area. Indonesia shares land borders with Papua New Guinea, East Timor, and the eastern part of Malaysia, as well as maritime borders with Singapore, Vietnam, Thailand, the Philippines, Australia, Palau, and India. Despite its large population and densely populated regions, Indonesia has vast areas of wilderness that support one of the world's highest levels of biodiversity.

Indonesia consists of thousands of distinct native ethnic and hundreds of linguistic groups, with Javanese being the largest. A shared identity has developed with the motto "Bhinneka Tunggal Ika" ("Unity in Diversity" literally, "many, yet one"), defined by a national language, cultural diversity, religious pluralism within a Muslim-majority population, and a history of colonialism and rebellion against it. The economy of Indonesia is the world's 16th-largest by nominal GDP and the 7th-largest by PPP. It is the world's third-largest democracy, a regional power, and is considered a middle power in global affairs. The country is a member of several multilateral organisations, including the United Nations, World Trade Organization, G20, and a founding member of the Non-Aligned Movement, Association of Southeast Asian Nations, East Asia Summit, D-8, APEC, and the Organisation of Islamic Cooperation. (Full article...)

The Mirror Never Lies (also known by the Indonesian name Laut Bercermin, meaning The Ocean Reflects) is a 2011 Indonesian film directed by Kamila Andini and co-produced by Andini's father, Garin Nugroho, and former Puteri Indonesia Nadine Chandrawinata. Starring Gita Novalista, Atiqah Hasiholan, and Reza Rahadian, it follows a young Bajau girl named Pakis who has lost her father at sea and uses mirrors to unsuccessfully search for him. It has several interpretations, including as a coming-of-age story and as an environmentalist piece.

Filmed over a period of two months after nearly three years of research, The Mirror Never Lies was sponsored in part by the Indonesian branch of the World Wide Fund for Nature and the Wakatobi regency government. The first feature film to star the Bajau, it used their language extensively. Although a commercial failure domestically, it has been screened at many international film festivals and won several awards both inside and outside of Indonesia. Critical reviews have generally been positive, mostly emphasising the film's visuals. (Full article...)
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Aminah Cendrakasih
Photograph credit: Tati Studio; restored by Chris Woodrich
Aminah Cendrakasih (born 29 January 1938) is an Indonesian actress. She started in films in her teens, her first starring role being in 1955. She continued acting into her seventies, appearing in almost 120 feature films during her career, as well as in several television roles. In 2012, she received a Lifetime Achievement Award from the Bandung Film Festival, and received another at the 2013 Indonesian Movie Awards.

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Bubur ayam, Indonesian chicken congee
Bubur ayam (Indonesian for "chicken congee") is an Indonesian chicken congee. It is rice congee with shredded chicken meat served with some condiments, such as chopped scallion, crispy fried shallot, celery, tongcay or chai poh (preserved vegetables), fried soybean, crullers (youtiao, known as cakwe in Indonesia), both salty and sweet soy sauce, and sometimes topped with yellow chicken broth and kerupuk (Indonesian-style crackers). Unlike many other Indonesian dishes, the dish is not spicy as the sambal or chili paste is often served separately. It is a favourite breakfast food, served by humble travelling vendors, warung (small local shops), fast food establishments, and five-star hotel restaurants. Travelling bubur ayam vendors frequently pass through residential streets in the morning selling the dish. (Full article...)

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Religions in Indonesia


Southeast Asia


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Andjar, 1930

Abisin Abbas (Indonesian: [aˈbisɪn aˈbas]; 26 February 1902 – 20 October 1961), better known by his pseudonym Andjar Asmara ([anˈdʒar asˈmara]), was a dramatist and filmmaker active in the cinema of the Dutch East Indies. Born in Alahan Panjang, West Sumatra, he first worked as a reporter in Batavia (modern-day Jakarta). He became a writer for the Padangsche Opera in Padang, where he developed a new, dialogue-centric style, which later spread throughout the region. After returning to Batavia in 1929, he spent over a year as a theatre and film critic. In 1930 he joined the Dardanella touring troupe as a writer. He went to India in an unsuccessful bid to film his stage play Dr Samsi.

After leaving Dardanella in 1936, Andjar established his own troupe. He also worked at a publishers, writing serials based on successful films. In 1940 he was asked to join The Teng Chun's company, Java Industrial Film, helping with marketing and working as a director for two productions. After the Japanese occupation, during which time he stayed in theatre, Andjar made a brief return to cinema. He directed three films in the late 1940s and wrote four screenplays, which were produced as films in the early 1950s. He published a novel, Noesa Penida (1950). Afterward he worked for the remainder of his life writing serials based on local films and publishing film criticism. Historians recognise him as a pioneer of theatre and one of the first native Indonesian film directors, although he had little creative control of his productions. (Full article...)

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First hoisting of Bendera Pusaka

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