User:Aibarr

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Aibarr used to be a structural forensics associate with a major failure analysis firm's branch office in Los Angeles, but she has recently decided that she's not paid enough to deal with intellectual abuse and decided to take a higher-paying, more rewarding job in her home state of Texas, designing hospitals and stadiums and other really awesome structures with a really fantastic firm at their Houston headquarters. She was formerly a civil engineering graduate student at the University of Illinois, her primary function there having been bemoaning the endless expanse of corn fields she'd managed to move to. Yes, she is — rather shockingly — a female engineer, but sorry guys, she's taken. In fact, she's got a ring and she's getting hitched.

Professionally and academically, Aibarr is a structural engineering associate with research interests in structural failure and seismic retrofit, being the only known expert in the very narrow field of consequence-based retrofit prioritization of Southern Illinois bridge networks. She has additionally written a fairly extensive and comprehensive field guide to weld discontinuities, though nobody actually uses it. Her interests include music in a wide range of genres, insulting thousands of college sports fans at a go, and helping drunken Brits find their lost chickens. You can hear her read the spoken version of macular degeneration.

Legal disclaimer: This user page primarily reflects the opinions, tastes, and misinformation of Laura Scudder. Not for use by children under age 5. Includes small parts and choking hazards.

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Jeremiah Gurney (1812–1895) was an American daguerreotype photographer. Initially working in the jewelry trade in Saratoga, New York, he took up photography after learning of daguerreotype from Samuel Morse, moving to New York City where he began selling photographs alongside jewelry. He was one of the earliest photographers in the city, and may have been the owner of the first photographic gallery in the United States. Gurney took this self-portrait photograph around 1869; it is now in the collection of the Minneapolis Institute of Art.Photograph credit: Jeremiah Gurney; restored by Adam Cuerden

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