With an estimated population in 2023 of 8,258,035 distributed over 300.46 square miles (778.2 km2), the city is the most densely populated major city in the United States. New York has more than double the population of Los Angeles, the nation's second-most populous city. New York is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the U.S. by both population and urban area. With more than 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York City is one of the world's most populous megacities. The city and its metropolitan area are the premier gateway for legal immigration to the United States. As many as 800 languages are spoken in New York City, making it the most linguistically diverse city in the world. In 2021, the city was home to nearly 3.1 million residents born outside the U.S., the largest foreign-born population of any city in the world. (Full article...)
The facade is clad in granite, applied in a two-tone pattern of white horizontal and red vertical bands. The building has three setbacks, as well as a penthouse at the top with arched windows. Equitable acquired an extensive collection of artwork to display in the building's public spaces. There is a public galleria from 51st to 52nd Street, which forms part of 6½ Avenue, as well as an arched entrance atrium from Seventh Avenue. The complex also includes an underground concourse, several restaurants, and a corporate auditorium.
The building was proposed in the early 1980s and, after the site was acquired, Equitable's board approved the plans for the tower in 1983. When the tower opened, the company's corporate offices occupied about a third of the space, and the ground story had commercial concerns such as the Le Bernardin restaurant and a branch of the Whitney Museum. Equitable only used the tower as its headquarters until the late 1990s, and the California Public Employees’ Retirement System (CalPERS) acquired Axa Equitable Center in 2016. (Full article...)
The system has operated 24/7 service every day of the year throughout most of its history, barring emergencies and disasters. By annual ridership, the New York City Subway is the busiest rapid transit system in both the Western Hemisphere and the Western world, as well as the eleventh-busiest rapid transit rail system in the world. The subway carried 2,027,286,000 riders in 2023.[1] On October 29, 2015, more than 6.2 million people rode the subway system, establishing the highest single-day ridership since ridership was regularly monitored in 1985.
The system is also one of the world's longest. Overall, the system contains 248 miles (399 km) of routes, translating into 665 miles (1,070 km) of revenue track and a total of 850 miles (1,370 km) including non-revenue trackage. Of the system's 28 routes or "services" (which usually share track or "lines" with other services), 25 pass through Manhattan, the exceptions being the G train, the Franklin Avenue Shuttle, and the Rockaway Park Shuttle. Large portions of the subway outside Manhattan are elevated, on embankments, or in open cuts, and a few stretches of track run at ground level; 40% of track is above ground. Many lines and stations have both express and local services. These lines have three or four tracks. Normally, the outer two are used by local trains, while the inner one or two are used by express trains. (Full article...)
The Fifth Avenue facade contains a base of rusticated limestone blocks on its lowest two stories. On the third through fifth stories, the facade is subdivided into five limestone bays, while at the sixth story is a mansard roof. Among the facade's details are vertical piers at the center of the facade. At ground level is a retail space that was originally used as Scribner's bookstore. The upper stories originally contained the offices of Charles Scribner's Sons and were subsequently converted into standard office space.
Charles Scribner's Sons was founded in 1846 as Baker & Scribner, which occupied several buildings before moving to 155 Fifth Avenue. The company used the Old Scribner Building until 1913, when the firm moved to 597 Fifth Avenue, a structure also designed by Flagg. The family continued to hold the building until 1951, leasing it as office space. The Old Scribner Building was used as the headquarters of the United Synagogue of America from 1973 to 2007. The building was designated a city landmark by the New York City Landmarks Preservation Commission (LPC) in 1976 and was added to the National Register of Historic Places (NRHP) in 1980. It is a contributing property to the Ladies' Mile Historic District, which was designated by the LPC in 1989. (Full article...)
Image 4
Upper floors of building (December 2009)
229 West 43rd Street (formerly The New York Times Building, The New York Times Annex, and the Times Square Building) is an 18-story office building in the Theater District of Midtown Manhattan in New York City. Opened in 1913 and expanded in three stages, it was the headquarters of The New York Times newspaper until 2007. The original building by Mortimer J. Fox of Buchman & Fox, as well as a 1920s addition by Ludlow & Peabody and a 1930s addition by Albert Kahn, are on 43rd Street. Shreve, Lamb & Harmon designed a wing on 44th Street in the 1940s. Columbia Property Trust owns most of the structure as an office building while Kushner Companies owns the lowest four floors as a retail and entertainment complex.
The 43rd Street sections of the building are designed in the French Gothic, French Renaissance, and Italian Renaissance styles and are a New York City designated landmark. The original building and its additions rise 11 stories from the street, except for a four-story wing on the eastern end of the site. The 43rd Street sections of the building are topped by a set back five-story attic, interrupted by a seven-story tower with a pyramidal hip roof. The facade is constructed of light-colored Indiana limestone, brick, and terracotta and is divided horizontally into a two-story base, a nine-story midsection, and the attic and tower stories. The elevations are divided into vertical bays with a mixture of single windows, double windows, and arches. The building contains 770,000 square feet (72,000 m2) of office space and 100,000 sq ft (9,300 m2) of retail space. Originally, each floor was devoted to a different division of the Times.
Due to overcrowding at the previous Times headquarters at One Times Square, the Times Annex was constructed to supplement the paper's printing plant and other mechanical divisions. The annex became the Times's headquarters shortly after opening. As the Times's circulation expanded and its issues grew longer, the building was expanded in 1922–1924, 1931–1932, and 1944–1947. The Times relocated its printing plant from the building in 1997 and announced plans for new headquarters two years later, relocating in June 2007. A partnership led by Tishman Speyer bought the building in 2004 and sold it three years later to AFI USA, which had trouble finding office tenants and sold the upper floors to The Blackstone Group in 2011. AFI USA operated the retail portion of the building until 2015, when Columbia acquired the offices and Kushner bought the retail. (Full article...)
Image 5
"The Pilot"—also known as "The One Where Monica Gets a Roommate", "The First One", and "The One Where It All Began"—is the pilot episode and series premiere of the American television sitcomFriends. The episode premiered on NBC on September 22, 1994. It was written by the show's creators, David Crane and Marta Kauffman, and directed by James Burrows. The pilot introduces six twenty-something friends who live and work in New York City: Monica Geller, a single sous chef in her mid 20s who is illegally subletting her grandmother's apartment; Ross Geller, Monica's older brother, a paleontologist whose marriage recently ended after he learned his wife, Carol, is a lesbian; Rachel Green, Monica's spoiled, self-centered, high-school best friend who has just left her fiancé at the altar and is financially cut off by her father; Chandler Bing, Ross's college roommate and best friend who lives across the hall from Monica; Joey Tribbiani, a struggling Italian-American actor and Chandler's roommate; and Phoebe Buffay, a laid-back, hippie-ish masseuse, singer and guitar player.
Crane and Kauffman pitched their original idea to network NBC in 1993. NBC liked it and commissioned a complete script, which was submitted in 1994. Before the script was finished, casting for the six main roles began; 75 actors were seen for each part. The Friends pilot episode was taped on May 4, at Warner Bros.' studios in Burbank, California. After making final edits to the episode, executive producer Kevin Bright submitted it on May 11, two days before NBC was due to announce the schedule. Satisfied with the completed pilot, NBC ordered 12 more episodes for the first season. The episode was watched by approximately 22 million viewers, making it the fifteenth-most-watched television show of the week. Critics compared the show unfavorably to Seinfeld and Ellen, noting the similarities all three series had in depicting friends conversing about their lives. The cast, particularly Schwimmer, were complimented, though there was some concern that the character roles were undeveloped and that the plot for the pilot would not go over well with audiences. (Full article...)
The Beaumont occupies the southern and western sides of its building's first and second floors, while the library wraps above and on top of it. The main facade faces Lincoln Center's plaza and is made of glass and steel, with a travertine attic above. The main auditorium has approximately 1,080 seats across two levels, arranged in a steeply sloped semicircular layout. The Beaumont differs from traditional Broadway theaters because of its use of a flexible stage, which could be extended with a thrust stage of varying length. The layout led to complaints about inferior sightlines and acoustics in the theater's early years. The 299-seat Mitzi E. Newhouse Theater is in the basement and the 112-seat Claire Tow Theater is on the roof.
Allen donated $3 million for the theater's construction in 1958 but died before its completion. The Beaumont opened on October 21, 1965, and was originally operated by Jules Irving and Herbert Blau of the Repertory Theater of Lincoln Center, generally presenting four shows a season. The Beaumont was managed by the New York Shakespeare Festival, under the direction of Joseph Papp, from 1973 to 1977. Richmond Crinkley took over the theater for the next eight years, with the Beaumont only operating for two seasons during that time. Controversies over the Beaumont's operation, a proposed renovation, and financial difficulties led to LCT being reorganized in 1985, with Gregory Mosher and Bernard Gersten taking over as the new Director and Executive Producer. The Beaumont became much more successful and was renovated in 1996. The theater has hosted several popular productions since the late 1980s, including Anything Goes, Contact, The Light in the Piazza, South Pacific, The King and I, and My Fair Lady. (Full article...)
The film began production in May 1926. Arthur Edeson served as cinematographer, shooting around Central Park in areas like casinos and nightclubs. Distributed by First National Pictures, the film premiered in New York on September 12, 1926. Many publications wrote positively of the film, praising its acting and Santell's direction. Today, it remains unknown if a print of Subway Sadie has survived. (Full article...)
The Morse Building uses polychrome brickwork and terracotta cladding to highlight its fenestration. Its interior structure consists of a steel frame placed upon a foundation that descends to an underlying layer of sand. The Morse Building was developed by G. Livingston and Sidney E. Morse, nephews of telegraph inventor Samuel F. B. Morse and sons of the site's previous owners. It was constructed from June 1878 to March 1880 and was one of the tallest buildings in New York City when completed, standing at 140 feet (43 m) with ten stories. As completed, the building had 175 offices and modern amenities such as steam heat and gas lighting.
Bannister & Schell altered the building significantly in 1901–1902 to an EdwardianNeo-Classical style, bringing the building to 14 stories and 180 feet (55 m). Around 1965, the base was modified again and the balcony and cornice were removed. After a failed redevelopment attempt in the 1970s, it became a residential building in 1980, with 39 apartments. The building was designated a landmark by the New York City Landmarks Preservation Commission in 2006. The Morse Building is also a contributing property to the Fulton–Nassau Historic District, a National Register of Historic Places district created in 2005. (Full article...)
The new LIRR terminal contains eight tracks and four platforms in a two-level station 100 feet (30.5 m) below street level. It was built in conjunction with several other LIRR expansion projects, including an additional track along parts of the Main Line. The project was intended to remove or reduce the need for subway transfers for a large number of riders with jobs on the east side of Manhattan. Previously, the only Manhattan stop for trains from Long Island was Penn Station, on the west side of the island.
East Side Access was based on transit plans from the 1950s, though an LIRR terminal on Manhattan's East Side was first proposed in 1963. The planned LIRR line was included in the 1968 Program for Action of transit improvements in the New York City area. Lack of funds prevented the construction of any part of the connection other than the 63rd Street Tunnel under the East River. Plans for the LIRR connection were revived in the late 1990s. The project received federal funding in 2006, and construction began the following year. The tunnels on the Manhattan side were dug from 2007 to 2011, and the connecting tunnels on the Queens side were completed in 2012. Afterward, work began on other facilities related to the line, such as new platforms at Grand Central, ventilation and ancillary buildings, communication and utility systems, and supporting rail infrastructure in Queens. The project's completion was delayed several times during construction. (Full article...)
Image 10
The side of an R1–9 fleet car, an original IND subway car purchased by the BOT, bearing the name "City of New York".
The GM Building was developed by London Merchant Securities and was half occupied by General Motors (GM) upon its opening. The building's facade is made of vertical piers of white Georgia marble, alternating with strips of glass. The building has about 1.7 million square feet (160,000 m2) of space, and the lobby originally contained a GM showroom, later an FAO Schwarz department store. The public plaza outside the building on Fifth Avenue was originally below grade but, after two renovations, contains the Apple Fifth Avenue entrance and a seating area above ground level. Architecture critics, including Paul Goldberger and Ada Louise Huxtable, widely disapproved of the building upon its completion.
All of the space in the building had been leased by January 1967, over a year prior to opening. General Motors relocated most of its employees and announced their intention to sell the building in 1981. Ultimately, Corporate Property Investors (CPI) bought an option on the building in 1982 and conducted a renovation in 1990. Conseco and Donald Trump purchased the General Motors Building from CPI in 1998. Five years later, it was sold to Macklowe Organization for $1.4 billion, then the highest price for a North American office building. Macklowe sold the building in 2008 to the joint venture of Boston Properties, Zhang Xin, and the Safra banking family for $2.8 billion. The joint venture continues to own the building . (Full article...)
The building is divided into two parts: the main section to the west and an annex on Pierrepont Street to the east. The three-story base of the main building, as well as the annex, are clad with rusticated stone blocks. There are double-height arches facing all three streets; the arches on Montague and Pierrepont Streets contain ornate entrances. The fourth and fifth stories are treated like a loggia, with windows separated by pilasters, while the roof is made of Spanish tile. Inside, entrances on Montague and Pierrepont Street lead to ornamental vestibules. The rectangular banking room next to Clinton Street has Cosmati marble floors, yellow-beige marble walls, and a colorful vaulted ceiling. The building originally had additional offices on the ground, fourth, and fifth stories, as well as two bank vaults in the basement. Although the banking hall still serves as a Chase Bank branch, the upper stories contain 12 condominium apartments.
The Brooklyn Trust Company had occupied the corner of Montague and Clinton Streets since 1873 and had grown significantly over the next half-century. The bank acquired the Brooklyn Club's adjacent clubhouse in 1913 and constructed a new headquarters in two phases, which were completed by September 1916. The upper floors were originally rented out as offices, while the bank occupied the ground floor. Through several mergers, the Brooklyn Trust Company became part of JPMorgan Chase, which sold the building in 2007. The structure has been owned since 2009 by the Stahl Organization, which converted the upper floors to condos between 2012 and 2015. (Full article...)
The mansion was designed in an eclectic French Renaissance style by C. P. H. Gilbert and built by foreman Harvey Murdock. The building largely retains its original design, except for a tankhouse on the roof. Gilbert and Murdock constructed the bulk of the house with brick, which was then faced with limestone ashlar. The northern facade on 79th Street, containing the main entrance, is characterized by multiple windows in square recesses or semi-elliptical and fully Gothic arches. The western facade on Fifth Avenue is symmetrical and dominated by a curved, projecting pavilion. The interior of the mansion comprises 27 rooms on six floors, for a total floor-space of 20,000 square feet (1,900 m2). Critical reviews of the house's architecture over its history have been largely positive. (Full article...)
Image 15
The curved stairway from Edgecombe Avenue and 150th Street, looking down toward the dance terrace
Jackie Robinson Park (formerly Colonial Park) is a public park in the Hamilton Heights and Harlem neighborhoods of Manhattan in New York City. The approximately 12.77-acre (5.17 ha) park is bounded by Bradhurst Avenue to the east, 155th Street to the north, Edgecombe Avenue to the west, and 145th Street to the south. The park has baseball fields, basketball courts, restrooms, and a bandshell, which are arranged around the park's steep terrain. It also includes the Jackie Robinson Play Center, which consists of a recreation center and a pool. Jackie Robinson Park is maintained by the New York City Department of Parks and Recreation (NYC Parks).
The land for the park was acquired from 1894 to 1899 and the first section opened in 1911 as Colonial Park. Aymar Embury II designed the pool, which was constructed from 1935 to 1936 as part of a Works Progress Administration project. During the mid-20th century, the park received most of its other recreational facilities. The park was renamed after baseball player Jackie Robinson in 1978. The pool was extensively refurbished from 1978 to 1980. The New York City Landmarks Preservation Commission designated the park, as well as the lobby of the Jackie Robinson Play Center, as city landmarks in 2007. (Full article...)
The church was founded in 1892 as a national parish to serve Italian-American immigrants who settled in Greenwich Village, eventually becoming the American counterpart to the Shrine of Our Lady of the Rosary of Pompei in Italy and a shrine in its own right. The church has resided at its present location since 1926, when construction on its current edifice began. While it has remained a largely Italian American parish, the church has come to incorporate many other immigrant groups. (Full article...)
Image 17
Seen in 2024
The Metropolitan Life Insurance Company Tower (colloquially known as the Met Life Tower and also as the South Building) is a skyscraper occupying a full block in the Flatiron District of Manhattan in New York City. The building is composed of two sections: a 700-foot-tall (210 m) tower at the northwest corner of the block, at Madison Avenue and 24th Street, and a shorter east wing occupying the remainder of the block bounded by Madison Avenue, Park Avenue South, 23rd Street, and 24th Street. The South Building, along with the North Building directly across 24th Street, comprises the Metropolitan Home Office Complex, which originally served as the headquarters of the Metropolitan Life Insurance Company (now publicly known as MetLife).
The South Building's tower was designed by the architectural firm of Napoleon LeBrun & Sons and erected between 1905 and 1909. Inspired by St Mark's Campanile, the tower features four clock faces, four bells, and lighted beacons at its top, and was the tallest building in the world until 1913. The tower originally included Metropolitan Life's offices, and since 2015, it has contained a 273-room luxury hotel known as the New York Edition Hotel. The tower was designated as a city landmark by the New York City Landmarks Preservation Commission in 1989, and was listed on the National Register of Historic Places in 1972. It was also made a National Historic Landmark in 1978.
The east wing was designed by Lloyd Morgan and Eugene Meroni and constructed in two stages between 1953 and 1960. The east wing is also referred to as One Madison Avenue. It replaced another building on the site, which was built in phases from 1893 to 1905, and which was also designed by LeBrun's firm. When the current east wing was built, the 700-foot tower was extensively renovated as well. In 2020, work started on an addition to the east wing, which will be designed by Kohn Pedersen Fox and be completed in 2023 or 2024. (Full article...)
The hotel building was variously cited as having between 23 and 26 stories. The hotel had a facade of granite, limestone, brick, and terracotta. Most of its floor plan was U-shaped, with a light court facing west toward Madison Avenue. In the basement was a reception room that led directly from Grand Central Terminal. The public dining rooms, including the Palm Court and main dining room, were at ground level. There was a roof garden above the sixth story, facing east toward Vanderbilt Avenue. There were additional ballrooms and meeting spaces on the upper stories. In total, the Biltmore had 1,000 rooms and suites; the fourth floor included a private entertainment suite called the Presidential Suite.
Following the construction of Grand Central Terminal, the New York Central started planning a hotel on the city block in the early 1910s, and it officially opened on December 31, 1913. The hotel was originally operated by Gustav Baumann, who died in October 1914. The hotel's manager, John McEntee Bowman, then operated it until his own death in 1931, affiliating the Biltmore with the Bowman-Biltmore Hotels chain. Realty Hotels Inc., a subsidiary of the New York Central, took over the hotel in 1934 and operated it for four decades. Paul Milstein acquired the hotel in 1978 and began demolishing the interiors immediately after the hotel closed on August 15, 1981. Despite protests from preservationists, Milstein gutted the Biltmore and converted it into an office building called Bank of America Plaza, which reopened in May 1984. Bank of America relocated in 2010 and the building became 335 Madison Avenue. Following another renovation in 2019, the structure became The Company Building, which in turn was renamed 22 Vanderbilt in late 2022. (Full article...)
Image 20
Platform level, with two specially designed R160 Q trains. On the beam above the stairs is the word "Excelsior", the New York state motto, meaning "ever upward".
The station was part of the original Second Avenue Subway as outlined in the Program for Action in 1968. Construction on that project started in 1972, but stalled in 1975 due to lack of funding. In 2007, a separate measure authorized a first phase of the Second Avenue Line to be built between 65th and 105th Streets, with stations at 72nd, 86th, and 96th Streets. The station opened on January 1, 2017, as an intermediate station along Phase 1. Since opening, the presence of the Second Avenue Subway's three Phase 1 stations has improved real estate prices along the corridor. The 86th Street station was used by approximately 8.4 million passengers in 2019.
The station, along with the other Phase 1 stations along the Second Avenue Subway, contains features not found in most New York City Subway stations. It is fully compliant with the Americans with Disabilities Act of 1990, containing two elevators for disabled access. Additionally, the station contains air conditioning and is waterproofed, a feature only found in newer stations. The artwork at 86th Street is Subway Portraits, a selection of twelve face portraits by painter Chuck Close. (Full article...)
Sanford Koufax (/ˈkoʊfæks/; né Braun; born December 30, 1935), nicknamed "the Left Arm of God", is an American former baseball pitcher who played 12 seasons in Major League Baseball for the Brooklyn/Los Angeles Dodgers from 1955 to 1966. Widely regarded as one of the greatest pitchers in baseball history, Koufax was the first three-time winner of the Cy Young Award, each time winning unanimously and the only pitcher to do so when a single award was given for both the leagues; he was also named the National League Most Valuable Player in 1963. Retiring at the age of 30 due to chronic pain in his pitching elbow, Koufax was elected to the Baseball Hall of Fame in his first year of eligibility in 1972 at the age of 36, the youngest player ever elected.
Born in Brooklyn, New York, Koufax was primarily a basketball player in his youth and had only pitched a handful of games before signing with the Brooklyn Dodgers at age 19. Due to the bonus rule under which he was signed, Koufax never pitched a game in the minor leagues. As a result, the first half of his career was marred with inconsistency and control problems with flashes of brilliance in between. He set a modern record by striking out 18 batters in a game in 1959 and pitched brilliantly in the 1959 World Series. However, the lack of playing time frustrated Koufax and he almost quit after 1960. After making adjustments prior to the 1961 season to improve his control, Koufax quickly rose to become the most dominant pitcher in the major leagues. He was an All-Star in each of his last six seasons, leading the National League (NL) in earned run average each of his last five years, in strikeouts four times, and in wins and shutouts three times each. He was the first NL pitcher in 20 years to post an earned run average below 2.00, doing so three times, and the first to record a 300-strikeout season three times, including a then-major league record of 382 in 1965. Koufax tied his own record of 18 strikeouts in a game in 1962, and later became the first pitcher to record three immaculate innings. (Full article...)
With a population of 2,405,464 as of the 2020 census, Queens is the second-most populous county in New York state, behind Kings County (Brooklyn), and is therefore also the second-most populous of the five New York City boroughs. If Queens were its own city, it would be the fourth most-populous in the U.S. after New York City itself, Los Angeles, and Chicago. Queens is the fourth-most densely populated borough in New York City and the fourth-most densely populated U.S. county. It is highly diverse as about 47% of its residents are foreign-born. (Full article...)
The Bronx is divided by the Bronx River into a hillier section in the west, and a flatter eastern section. East and west street names are divided by Jerome Avenue. The West Bronx was annexed to New York City in 1874, and the areas east of the Bronx River in 1895. Bronx County was separated from New York County (modern-day Manhattan) in 1914. About a quarter of the Bronx's area is open space, including Woodlawn Cemetery, Van Cortlandt Park, Pelham Bay Park, the New York Botanical Garden, and the Bronx Zoo in the borough's north and center. The Thain Family Forest at the New York Botanical Garden is thousands of years old and is New York City's largest remaining tract of the original forest that once covered the city. These open spaces are primarily on land reserved in the late 19th century as urban development progressed north and east from Manhattan. (Full article...)
Named after the Dutch town of Breukelen in the Netherlands, Brooklyn shares a border with the borough of Queens. It has several bridge and tunnel connections to the borough of Manhattan, across the East River, and is connected to Staten Island by way of the Verrazzano-Narrows Bridge. With a land area of 69.38 square miles (179.7 km2) and a water area of 27.48 square miles (71.2 km2), Kings County is the state of New York's fourth-smallest county by land area and third smallest by total area. (Full article...)
Staten Island (/ˈstætən/STAT-ən) is the southernmost borough of New York City, coextensive with Richmond County and situated at the southern most point of New York. The borough is separated from the adjacent state of New Jersey by the Arthur Kill and the Kill Van Kull and from the rest of New York by New York Bay. With a population of 495,747 in the 2020 Census, Staten Island is the least populated New York City borough but the third largest in land area at 58.5 sq mi (152 km2); it is also the least densely populated and most suburban borough in the city.
A home to the Lenape indigenous people, the island was settled by Dutch colonists in the 17th century. It was one of the 12 original counties of New York state. Staten Island was consolidated with New York City in 1898. It was formerly known as the Borough of Richmond until 1975, when its name was changed to Borough of Staten Island. Staten Island has sometimes been called "the forgotten borough" by inhabitants who feel neglected by the city government. It has also been referred to as the "borough of parks" due to its 12,300 acres of protected parkland and over 170 parks. (Full article...)
Image 15Anderson Avenue garbage strike. A common scene throughout New York City in 1968 during a sanitation workers strike (from History of New York City (1946–1977))
Image 32The Sunday magazine of the New York World appealed to immigrants with this April 29, 1906 cover page celebrating their arrival at Ellis Island. (from History of New York City (1898–1945))
... that Lucy Feagin founded the Feagin School of Dramatic Art in New York City, where talent scouts for radio, screen, and stage were always present to watch her senior students' plays?
For editor resources and to collaborate with other editors on improving Wikipedia's New York City-related articles, see the following related WikiProjects:
This is a list of recognized content, updated weekly by JL-Bot (talk·contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged (e.g. {{WikiProject New York City}}) or categorized correctly and wait for the next update. See WP:RECOG for configuration options.