Generative literature: Difference between revisions
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Generative literature is poetry or fiction that is automatically generated, often using computers.
John Clark's Latin Verse Machine (1830-1843) is probably the first example of mechanised generative literature,[1][2] while Christopher Strachey's love letter generator (1952) is the first digital example.[3] With the large language models (LLMs) of the 2020s, generative literature is becoming increasingly common.
Definitions
Hannes Bajohr defines generative literature as literature involving "the automatic production of text according to predetermined parameters, usually following a combinatory, sometimes aleatory logic, and it emphasizes the production rather than the reception of the work (unlike, say, hypertext)."[4]
In his book Electronic Literature Scott Rettberg connects generative literature to avant-garde literary movements like Dada, Surrealism, Oulipo and Fluxus.[5] Bajohr argues that conceptual art is also an important reference.[4]
Paradigms of generative literature
Bajohr describes two main paradigms of generative literature: the sequential paradigm, where the text generation is "executed as a sequence of rule-steps" and employs linear algorithms, and the connectionist paradigm, which is based on neural nets.[4] The latter leads to what Bajohr calls a algorithmic empathy: "a non-anthropocentric empathy aimed not at the psychological states of the artists but at understanding the process of the work’s material production."[4]
Poetry generation
The first examples of automated generative literature are poetry: John Clark's mechanical Latin Verse Machine (1830-1843) produced lines of hexameter verse in Latin,[1][2] and Christopher Strachey's love letter generator (1952), programmed on the Manchester Mark 1 computer, generated short, satirical love letters.[3]
Examples of generative poetry using artificial neural networks include David Jhave Johnston's ReRites.
Narrative generation
Story generators have often followed specific narratological theories of how stories are constructed. An early example is Grimes' Fairy Tales, the "first to take a grammar-based approach and the first to operationalize Propp's famous model."[6] Mike Sharples and Rafael Peréz y Peréz's book Story Machines gives a detailed history of story generation.[7]
References
- ^ a b Sharples, Mike (2023-01-01). "John Clark's Latin Verse Machine: 19th Century Computational Creativity". IEEE Annals of the History of Computing. 45 (1): 31–42. doi:10.1109/MAHC.2023.3241258. ISSN 1058-6180.
- ^ a b Hall, Jason David (2007-09-01). "Popular Prosody: Spectacle and the Politics of Victorian Versification". Nineteenth-Century Literature. 62 (2): 222–249. doi:10.1525/ncl.2007.62.2.222. ISSN 0891-9356.
- ^ a b Rettberg, Scott (2019). Electronic literature. Cambridge, UK Medford, MA: Polity press. ISBN 978-1-5095-1677-3.
- ^ a b c d Bajohr, Hannes (2020). "Algorithmic Empathy: On Two Paradigms of Digital Generative Literature and the Need for a Critique of AI Works". Media Culture and Cultural Techniques Working Papers (4). doi:10.5451/UNIBAS-EP79106.
- ^ Rettberg, Scott (2019). Electronic literature. Cambridge, UK Medford, MA: Polity press. ISBN 978-1-5095-1677-3.
- ^ Ryan, James (2017), Nunes, Nuno; Oakley, Ian; Nisi, Valentina (eds.), "Grimes' Fairy Tales: A 1960s Story Generator", Interactive Storytelling, vol. 10690, Cham: Springer International Publishing, pp. 89–103, doi:10.1007/978-3-319-71027-3_8, ISBN 978-3-319-71026-6, retrieved 2023-08-01
- ^ Sharples, Mike; Pérez y Pérez, Rafael (2022). Story machines: how computers have become creative writers. London New York: Routledge. ISBN 978-1-003-16143-1.