User:Applejuicelover444/Digital poetry: Difference between revisions
Nominated page for deletion using Page Curation (speedy deletion-duplicate article) |
Ira Leviton (talk | contribs) m Fixed a pmc parameter in a citation. Please see Category:CS1 maint: PMC format. |
||
Line 3: | Line 3: | ||
The advent of hypertext poetry can be dated back to the mid-1980s <ref name=":1" />. However, the term "hypertext" has origins in the 18th century<ref name=":3">{{Cite journal |last=Ridi |first=Ricardo |date=2018 |title=Hypertext |url=http://dx.doi.org/10.5771/0943-7444-2018-5-393 |journal=KNOWLEDGE ORGANIZATION |volume=45 |issue=5 |pages=393–424 |doi=10.5771/0943-7444-2018-5-393 |issn=0943-7444}}</ref>. |
The advent of hypertext poetry can be dated back to the mid-1980s <ref name=":1" />. However, the term "hypertext" has origins in the 18th century<ref name=":3">{{Cite journal |last=Ridi |first=Ricardo |date=2018 |title=Hypertext |url=http://dx.doi.org/10.5771/0943-7444-2018-5-393 |journal=KNOWLEDGE ORGANIZATION |volume=45 |issue=5 |pages=393–424 |doi=10.5771/0943-7444-2018-5-393 |issn=0943-7444}}</ref>. |
||
Hypertext poetry refers to creative works that are interconnected through the mechanics of digitization<ref name=":1">{{Citation |title=A Companion to Digital Literary Studies |date=2007 |url=http://dx.doi.org/10.1111/b.9781405148641.2007.00010.x |work=A Companion to Digital Literary Studies |pages=161–182 |editor-last=Siemens |editor-first=Ray |access-date=2023-10-23 |place=Oxford, UK |publisher=Blackwell Publishing Ltd |editor2-last=Schreibman |editor2-first=Susan}}</ref> This form of cyberpoetry has a specific focus on visual arts that are connected across different mediums<ref name=":1" />. In other words, hypertext poetry is a classification of digital poetry that links the reader to different places in a document or to different documents on the Internet<ref name=":0">{{Cite journal |last=Selfa Sastre |first=Moisés |last2=Falguera Garcia |first2=Enric |date=2022-06-17 |title=From Text on Paper to Digital Poetry: Creativity and Digital Literary Reading Practices in Initial Teacher Education |url=https://www.frontiersin.org/articles/10.3389/fpsyg.2022.882898/full |journal=Frontiers in Psychology |volume=13 |doi=10.3389/fpsyg.2022.882898 |issn=1664-1078 |pmc= |
Hypertext poetry refers to creative works that are interconnected through the mechanics of digitization<ref name=":1">{{Citation |title=A Companion to Digital Literary Studies |date=2007 |url=http://dx.doi.org/10.1111/b.9781405148641.2007.00010.x |work=A Companion to Digital Literary Studies |pages=161–182 |editor-last=Siemens |editor-first=Ray |access-date=2023-10-23 |place=Oxford, UK |publisher=Blackwell Publishing Ltd |editor2-last=Schreibman |editor2-first=Susan}}</ref> This form of cyberpoetry has a specific focus on visual arts that are connected across different mediums<ref name=":1" />. In other words, hypertext poetry is a classification of digital poetry that links the reader to different places in a document or to different documents on the Internet<ref name=":0">{{Cite journal |last=Selfa Sastre |first=Moisés |last2=Falguera Garcia |first2=Enric |date=2022-06-17 |title=From Text on Paper to Digital Poetry: Creativity and Digital Literary Reading Practices in Initial Teacher Education |url=https://www.frontiersin.org/articles/10.3389/fpsyg.2022.882898/full |journal=Frontiers in Psychology |volume=13 |doi=10.3389/fpsyg.2022.882898 |issn=1664-1078 |pmc=9249014 |pmid=35783757}}</ref>. In general, hypertext poetry combines the elements of culture and intertextuality to marry poetry to various digital mediums such as images, videos, texts, and songs<ref name=":2">{{Cite journal |last=Abrosimova |first=Ekaterina |date=2021-05-27 |title=Hyperlink Phenomenon In The Modern Internet Poetry |url=https://www.europeanproceedings.com/article/10.15405/epsbs.2021.05.02.66 |pages=549–555 |doi=10.15405/epsbs.2021.05.02.66}}</ref>. |
||
Hypertext usually falls into two categories: exploratory and constructive. Exploratory hypertext poetry allows users to navigate through a text by interest, engagement, and reflection<ref name=":1" />. This means readers can explore and think creatively about a poem that is digitized on a computer<ref name=":1" />. Constructive hypertext poetry takes a different approach. This poetry is built by an audience over time to create a fully fleshed-out final draft<ref name=":1" />. Along with this, audiences have the ability to look at previous versions of the text<ref name=":1" />. In all, the focus of constructive hypertext poetry is how computer software and machinery can enhance the creation of poetry<ref name=":1" />. As such, users can see first-hand the amalgamation of an author's inspiration, writing process, and cultural influences.<ref name=":2" /> |
Hypertext usually falls into two categories: exploratory and constructive. Exploratory hypertext poetry allows users to navigate through a text by interest, engagement, and reflection<ref name=":1" />. This means readers can explore and think creatively about a poem that is digitized on a computer<ref name=":1" />. Constructive hypertext poetry takes a different approach. This poetry is built by an audience over time to create a fully fleshed-out final draft<ref name=":1" />. Along with this, audiences have the ability to look at previous versions of the text<ref name=":1" />. In all, the focus of constructive hypertext poetry is how computer software and machinery can enhance the creation of poetry<ref name=":1" />. As such, users can see first-hand the amalgamation of an author's inspiration, writing process, and cultural influences.<ref name=":2" /> |
Revision as of 18:40, 31 October 2023
This user page may meet Wikipedia's criteria for speedy deletion as a recently created article with no relevant page history that does not expand upon, detail, or improve information within the existing article(s) on the subject, Digital poetry (compare pages). Note that splits of large articles are not eligible under this criterion. If the title of the page is a plausible redirect to an existing page, it is not eligible for speedy deletion, and should be redirected instead. See CSD A10.
If this user page does not meet the criteria for speedy deletion, or you intend to fix it, please remove this notice, but do not remove this notice from pages that you have created yourself. If you created this page and you disagree with the given reason for deletion, you can click the button below and leave a message explaining why you believe it should not be deleted. You can also visit the talk page to check if you have received a response to your message. Note that this user page may be deleted at any time if it unquestionably meets the speedy deletion criteria, or if an explanation posted to the talk page is found to be insufficient.
Note to administrators: this page has content on its talk page which should be checked before deletion. Administrators: check links, talk, history (last), and logs before deletion. Consider checking Google.This page was last edited by Ira Leviton (contribs | logs) at 18:40, 31 October 2023 (UTC) (12 months ago) |
Hypertext poetry
The advent of hypertext poetry can be dated back to the mid-1980s [1]. However, the term "hypertext" has origins in the 18th century[2].
Hypertext poetry refers to creative works that are interconnected through the mechanics of digitization[1] This form of cyberpoetry has a specific focus on visual arts that are connected across different mediums[1]. In other words, hypertext poetry is a classification of digital poetry that links the reader to different places in a document or to different documents on the Internet[3]. In general, hypertext poetry combines the elements of culture and intertextuality to marry poetry to various digital mediums such as images, videos, texts, and songs[4].
Hypertext usually falls into two categories: exploratory and constructive. Exploratory hypertext poetry allows users to navigate through a text by interest, engagement, and reflection[1]. This means readers can explore and think creatively about a poem that is digitized on a computer[1]. Constructive hypertext poetry takes a different approach. This poetry is built by an audience over time to create a fully fleshed-out final draft[1]. Along with this, audiences have the ability to look at previous versions of the text[1]. In all, the focus of constructive hypertext poetry is how computer software and machinery can enhance the creation of poetry[1]. As such, users can see first-hand the amalgamation of an author's inspiration, writing process, and cultural influences.[4]
This is the sandbox page where you will draft your initial Wikipedia contribution.
If you're starting a new article, you can develop it here until it's ready to go live. If you're working on improvements to an existing article, copy only one section at a time of the article to this sandbox to work on, and be sure to use an edit summary linking to the article you copied from. Do not copy over the entire article. You can find additional instructions here. Remember to save your work regularly using the "Publish page" button. (It just means 'save'; it will still be in the sandbox.) You can add bold formatting to your additions to differentiate them from existing content. |
Article Draft
Lead
Article body
Hypertext poetry
The advent of hypertext poetry can be dated back to the mid-1980s [1]. However, the term "hypertext" has origins in the 18th century[2].
Hypertext poetry refers to creative works that are interconnected through the mechanics of digitization[1] This form of cyberpoetry has a specific focus on visual arts that are connected across different mediums[1]. In other words, hypertext poetry is a classification of digital poetry that links the reader to different places in a document or to different documents on the Internet[3]. In general, hypertext poetry combines the elements of culture and intertextuality to marry poetry to various digital mediums such as images, videos, texts, and songs[4].
Hypertext usually falls into two categories: exploratory and constructive. Exploratory hypertext poetry allows users to navigate through a text by interest, engagement, and reflection[1]. This means readers can explore and think creatively about a poem that is digitized on a computer[1]. Constructive hypertext poetry takes a different approach. This poetry is built by an audience over time to create a fully fleshed-out final draft[1]. Along with this, audiences have the ability to look at previous versions of the text[1]. In all, the focus of constructive hypertext poetry is how computer software and machinery can enhance the creation of poetry[1]. As such, users can see first-hand the amalgamation of an author's inspiration, writing process, and cultural influences.[4]
References
- ^ a b c d e f g h i j k l m n o p Siemens, Ray; Schreibman, Susan, eds. (2007), "A Companion to Digital Literary Studies", A Companion to Digital Literary Studies, Oxford, UK: Blackwell Publishing Ltd, pp. 161–182, retrieved 2023-10-23
- ^ a b Ridi, Ricardo (2018). "Hypertext". KNOWLEDGE ORGANIZATION. 45 (5): 393–424. doi:10.5771/0943-7444-2018-5-393. ISSN 0943-7444.
- ^ a b Selfa Sastre, Moisés; Falguera Garcia, Enric (2022-06-17). "From Text on Paper to Digital Poetry: Creativity and Digital Literary Reading Practices in Initial Teacher Education". Frontiers in Psychology. 13. doi:10.3389/fpsyg.2022.882898. ISSN 1664-1078. PMC 9249014. PMID 35783757.
{{cite journal}}
: CS1 maint: unflagged free DOI (link) - ^ a b c d Abrosimova, Ekaterina (2021-05-27). "Hyperlink Phenomenon In The Modern Internet Poetry": 549–555. doi:10.15405/epsbs.2021.05.02.66.
{{cite journal}}
: Cite journal requires|journal=
(help)