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* ''Amateur Media: Social, Cultural, and Legal Perspectives'' (with Dan Hunter, Megan Richardson, and Julian Thomas, Routledge, 2013)<ref name=":9">{{Cite book|title=Amateur media : social, cultural, and legal perspectives / edited by Dan Hunter, Ramon Lobato, Megan Richardson, Julian Thomas|last=|first=|publisher=Routledge|year=2013|isbn=9781136280801|location=New York|pages=}}</ref>
* ''Amateur Media: Social, Cultural, and Legal Perspectives'' (with Dan Hunter, Megan Richardson, and Julian Thomas, Routledge, 2013)<ref name=":9">{{Cite book|title=Amateur media : social, cultural, and legal perspectives / edited by Dan Hunter, Ramon Lobato, Megan Richardson, Julian Thomas|last=|first=|publisher=Routledge|year=2013|isbn=9781136280801|location=New York|pages=}}</ref>
*''Geoblocking and Global Video Culture'' (with James Meese, Institute of Network Cultures, 2016)<ref name=":5">{{Cite book|url=http://networkcultures.org/wp-content/uploads/2016/01/TOD18-Geoblocking-Final1.pdf|title=Geoblocking and Global Video Culture|last=Lobato|first=Ramon|last2=Meese|first2=James|publisher=Institute of Network Cultures|year=2016|isbn=978-94-92302-03-8|location=Amsterdam|pages=10}}</ref>
*''Geoblocking and Global Video Culture'' (with James Meese, Institute of Network Cultures, 2016)<ref name=":5">{{Cite book|url=http://networkcultures.org/wp-content/uploads/2016/01/TOD18-Geoblocking-Final1.pdf|title=Geoblocking and Global Video Culture|last=Lobato|first=Ramon|last2=Meese|first2=James|publisher=Institute of Network Cultures|year=2016|isbn=978-94-92302-03-8|location=Amsterdam|pages=10}}</ref>

=== Select journal articles ===

⚫
* "Creative Industries and Informal Economies: Lessons from Nollywood" (''International Journal of Cultural Studies,'' 2010)<ref>{{Cite journal|last=Lobato|first=Ramon|date=2010|title=Creative industries and informal economies|url=https://doi.org/10.1177/1367877910369971|journal=International Journal of Cultural Studies|language=en-US|volume=13|issue=4|pages=337–354|doi=10.1177/1367877910369971|issn=1367-8779|via=}}</ref>
⚫
* "Histories of User-Generated Content: Between Formal and Informal Media Economies" (with Julian Thomas and Dan Hunter, ''[[International Journal of Communications, Network & System Sciences|International Journal of Communications]]'', 2015)<ref>{{Cite journal|last=Lobato|first=R.|last2=Thomas|first2=J.|last3=Hunter|first3=D.|date=2011|title=Histories of user-generated content: between formal and informal media economies|url=http://researchbank.rmit.edu.au/view/rmit:39515|journal=International Journal of Communications|language=en|volume=5|pages=899–914|issn=1932-8036}}</ref>
⚫
* "The Cultural Logic of Digital Intermediaries: YouTube Multichannel Networks (MCNs)" (''Convergence,'' 2016)<ref>{{Cite journal|last=Lobato|first=R.|date=2016|title=The cultural logic of digital intermediaries: YouTube multichannel networks|url=http://researchbank.rmit.edu.au/view/rmit:39547|journal=Convergence|language=en|volume=22|issue=4|pages=348–360|issn=1354-8565}}</ref>


== Accolades ==
== Accolades ==
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* Outstanding Young Scholar award from the International Communication Association Popular Communication Division<ref name=":0" />
* Outstanding Young Scholar award from the International Communication Association Popular Communication Division<ref name=":0" />
*Australian Research Council Linkage Project, "Music Usage Metrics and the Future of the Australian Music Industry" (with Wikstrom et al, 2016-2018)<ref name=":0" /><ref>{{Cite web|url=https://research.qut.edu.au/dmrc/projects/music-usage-metrics-and-the-future-of-the-australian-music-industry/|title=Music usage metrics and the future of the Australian music industry|last=Wikstrom|first=Patrik|last2=Bruns|first2=Axel|date=|website=Queensland University of Technology Digtial Media Research Centre|url-status=live|archive-url=|archive-date=|access-date=2019-11-17|last3=Hunter|first3=Daniel|last4=Lobato|first4=Ramon|last5=Watters|first5=Stuart|last6=Green|first6=Stephen|last7=Harris|first7=Andrew}}</ref>
*Australian Research Council Linkage Project, "Music Usage Metrics and the Future of the Australian Music Industry" (with Wikstrom et al, 2016-2018)<ref name=":0" /><ref>{{Cite web|url=https://research.qut.edu.au/dmrc/projects/music-usage-metrics-and-the-future-of-the-australian-music-industry/|title=Music usage metrics and the future of the Australian music industry|last=Wikstrom|first=Patrik|last2=Bruns|first2=Axel|date=|website=Queensland University of Technology Digtial Media Research Centre|url-status=live|archive-url=|archive-date=|access-date=2019-11-17|last3=Hunter|first3=Daniel|last4=Lobato|first4=Ramon|last5=Watters|first5=Stuart|last6=Green|first6=Stephen|last7=Harris|first7=Andrew}}</ref>

== Additional Publications ==
Lobato has also written numerous journal articles that analyze video streaming, distribution platforms, and other similar topics on a global scale.<ref name=":0" /><ref name=":11">{{Cite web|url=https://orcid.org/0000-0002-1689-7233|title=Ramon Lobato (0000-0002-1689-7233)|last=ORCID|website=orcid.org|language=en|access-date=2019-11-10}}</ref><ref name=":1">{{Cite web|url=http://researchbank.rmit.edu.au/list/author_id/1299641|title=Browse By Author ID - Lobato, Ramon - RMIT Research Repository|website=researchbank.rmit.edu.au|access-date=2019-11-03}}</ref><ref name=":12">{{Cite web|url=https://papers.ssrn.com/sol3/displayabstractsearch.cfm|title=Search eLibrary :: SSRN|website=papers.ssrn.com|access-date=2019-12-01}}</ref> These articles have been published in various journals, books, and edited collections.<ref name=":0" /><ref name=":11" /><ref name=":1" /><ref name=":12" />

=== '''Journal Articles'''<ref name=":0" /><ref name=":11" /><ref name=":1" /><ref name=":12" /> ===

==== A-E ====

* "A Sideways View of the Film Economy in an Age of Digital Piracy" (in ''NECSUS: European Journal of Media Studies,'' 2012)<ref>Lobato, R 2012, 'A sideways view of the film economy in an age of digital piracy', ''NECSUS: European Journal of Media Studies'', vol. 1, no. 1, pp. 85-97.</ref>
* "An Introduction to Informal Media Economies" (with Julian Thomas, ''[[Television & New Media]]'', 2012)<ref>{{Cite journal|last=Lobato|first=Ramon|last2=Thomas|first2=Julian|date=2012-04-25|title=An Introduction to Informal Media Economies|url=https://doi.org/10.1177/1527476412443565|journal=Television & New Media|language=en-US|volume=13|issue=5|pages=379–382|doi=10.1177/1527476412443565|issn=1527-4764}}</ref>
* "Australia: Circumvention Goes Mainstream" ''(''with James Meese, ''Institute of Network Cultures'', 2016)<ref>Lobato, R and Meese, J 2016, 'Australia: Circumvention goes mainstream' in Ramon Lobato and James Meese (ed.) ''Geoblocking and Global Video Culture'', Institute of Network Cultures, Amsterdam, pp. 120-128.</ref>
*"Chinese Video Streaming Services in the Context of Global Platform Studies" (with Wilfred Yang Wang, ''Chinese Journal of Communication,'' 2019)<ref>{{Cite journal|last=Wang|first=Wilfred Yang|last2=Lobato|first2=Ramon|date=2019-07-03|title=Chinese video streaming services in the context of global platform studies|url=https://doi.org/10.1080/17544750.2019.1584119|journal=Chinese Journal of Communication|volume=12|issue=3|pages=356–371|doi=10.1080/17544750.2019.1584119|issn=1754-4750}}</ref>
*"Crimes Against Urbanity: The Concrete Soul of Michael Mann" (''[[Continuum: Journal of Media & Cultural Studies|Continuum: Journal of Media & Cultural Studies,]]'' 2008)<ref>{{Cite journal|last=Lobato|first=Ramon|date=2008-06-01|title=Crimes against urbanity: The concrete soul of Michael Mann|url=https://doi.org/10.1080/10304310801919437|journal=Continuum|volume=22|issue=3|pages=341–352|doi=10.1080/10304310801919437|issn=1030-4312}}</ref>
* "Communication Networks, Cities, and the Informal Economies" (''Cities, Cultural Policy and Governance'', 2012)<ref>Lobato, R 2012, 'Communication networks, cities and the informal economies' in Helmut Anheier and Yudhishthir Raj Isar (ed.) ''Cities, Cultural Policy and Governance'', Sage Publications, United Kingdom, pp. 32-43.</ref>
* "Constructing the Pirate Audience: On Popular Copyright Critique, Free Culture and Cyber-Libertarianism" (''Media International Australia,'' 2011)<ref>{{Cite journal|last=Lobato|first=Ramon|date=2011|title=Constructing the Pirate Audience: On Popular Copyright Critique, Free Culture and Cyber-Libertarianism|url=http://dx.doi.org/10.1177/1329878x1113900115|journal=Media International Australia|volume=139|issue=1|pages=113–123|doi=10.1177/1329878x1113900115|issn=1329-878X|via=}}</ref>
⚫
*"Creative Industries and Informal Economies: Lessons from Nollywood" (''International Journal of Cultural Studies,'' 2010)<ref>{{Cite journal|last=Lobato|first=Ramon|date=2010|title=Creative industries and informal economies|url=https://doi.org/10.1177/1367877910369971|journal=International Journal of Cultural Studies|language=en-US|volume=13|issue=4|pages=337–354|doi=10.1177/1367877910369971|issn=1367-8779|via=}}</ref>
* "Cultures of Sharing in 3D Printing: What Can We Learn from the License Choices of Thingiverse Users?" (with Allen et al, ''Journal of Peer Production'', 2011)<ref>{{Cite journal|last=Moilanen|first=Jarkko|last2=Daly|first2=Angela|last3=Lobato|first3=Ramon|last4=Allen|first4=Darcy W. E.|date=2014-11-28|title=Cultures of Sharing in 3D Printing: What Can We Learn from the Licence Choices of Thingiverse Users?|url=https://papers.ssrn.com/abstract=2440027|language=en|location=Rochester, NY}}</ref>

==== F-L ====

* "Gentrification, Cultural Policy and Live Music in Melbourne" (''[[Sage Journals]]'', 2006)<ref>{{Cite journal|last=Lobato|first=Ramon|date=2006|title=Gentrification, Cultural Policy and Live Music in Melbourne|url=https://doi.org/10.1177/1329878X0612000110|journal=Media International Australia incorporating Culture and Policy|language=en-US|volume=120|issue=1|pages=63–75|doi=10.1177/1329878x0612000110|issn=1329-878X|via=}}</ref>
⚫
*"Histories of User-Generated Content: Between Formal and Informal Media Economies" (with Julian Thomas and Dan Hunter, ''[[International Journal of Communications, Network & System Sciences|International Journal of Communications]]'', 2015)<ref>{{Cite journal|last=Lobato|first=R.|last2=Thomas|first2=J.|last3=Hunter|first3=D.|date=2011|title=Histories of user-generated content: between formal and informal media economies|url=http://researchbank.rmit.edu.au/view/rmit:39515|journal=International Journal of Communications|language=en|volume=5|pages=899–914|issn=1932-8036}}</ref>
* "Informal Mobile Economies" (with Julian Thomas, ''The Routledge Companion to Mobile Media,'' 2014)<ref>Lobato, R and Thomas, J 2014, 'Informal mobile economies' in Gerard Goggin and Larissa Hjorth (ed.) ''The Routledge Companion to Mobile Media'', Routledge, United Kingdom, pp. 114-122.</ref>
* "Informal Translation, Post-Cinema and Global Media Flows" (with Tessa Dwyer, ''The State of Post-Cinema: Tracing the Moving Image in the Age of Digital Dissemination,'' 2016)<ref>Dwyer, T and Lobato, R 2016, 'Informal translation, post-cinema and global media flows' in Malte Hagener, Vinzenz Hediger and Alena Strohmaier (ed.) ''The State of Post-Cinema: Tracing the Moving Image in the Age of Digital Dissemination'', Palgrave, United Kingdom, pp. 127-145.</ref>
* "Internet-Distributed Television Research: A Provocation" (with Amanda Lotz and Julian Thomas, ''Media Industries,'' 2018)<ref>{{Cite journal|last=Lotz|first=Amanda D. ; Lobato|date=2018|title=Internet-Distributed Television Research: A Provocation|url=http://hdl.handle.net/2027/spo.15031809.0005.203|journal=Media Industries Journal|volume=5|issue=2|pages=|doi=10.3998/mij.15031809.0005.203|issn=2373-9037|via=}}</ref>
* "Introduction: The New Video Geography" (in ''Geoblocking and Global Video Culture'', 2016)<ref>Lobato, R 2016, 'Introduction: The new video geography' in Ramon Lobato and James Meese (ed.) ''Geoblocking and Global Video Culture'', Institute of Network Cultures, Amsterdam, pp. 10-22.</ref>
*"Invisible Audiences for Australian Films? Cinema and Its Many Publics" (''[[Australian Teachers of Media]]'', 2009)<ref>Lobato, Ramon. Invisible Audiences for Australian Films?: Cinema and Its Many Publics [online]. Metro Magazine: Media & Education Magazine, No. 160, 2009: 162-165. Availability: <<nowiki>https://search.informit.com.au/documentSummary;dn=880196649823479;res=IELLCC</nowiki>> ISSN: 0312-2654. [cited 02 Dec 19].</ref>
* "Living and Labouring as a Music Writer" (with Lawson Fletcher, ''Cultural Studies Review'', 2013)<ref>{{Cite journal|last=Fletcher|first=L.|last2=Lobato|first2=R.|date=2013|title=Living and labouring as a music writer|url=http://researchbank.rmit.edu.au/view/rmit:39544|journal=Cultural Studies Review|language=en|volume=19|issue=1|pages=155–176|issn=1837-8692}}</ref>

==== M-S ====

* "Piracy and Promotion: Understanding the Double-Edged Power of Crowds" (''Film Marketing into the Twenty-First Century'', 2015)<ref>Lobato, R 2015, 'Piracy and promotion: Understanding the double-edged power of crowds' in Nolwenn Mingant, Cecilia Tirtaine and Joël Augros (ed.) ''Film Marketing into the Twenty-First Century'', Palgrave, United Kingdom, pp. 122-131.</ref>
* "Prestige and Professionalisation at the Margins of the Journalistic Field: The Case of Music Writers" (with Lawson Fletcher, ''Amateur Media,'' 2013)<ref>Lobato, R and Fletcher, L 2013, 'Prestige and professionalisation at the margins of the journalistic field: the case of music writers' in Dan Hunter, Ramon Lobato, Megan Richardson and Julian Thomas (ed.) ''Amateur Media'', Routledge, United Kingdom, pp. 111-124.</ref>
* "Rescaling" (''Routledge Handbook of Interdisciplinary Research Methods'', 2018)<ref>Lobato, R 2018, 'Rescaling' in Celia Lury, Rachel Fensham, Alexandra Heller-Nicholas, Sybille Lammes, Angela Last, Mike Michael, Emma Uprichard (ed.) ''Routledge Handbook of Interdisciplinary Research Methods'', Routledge, Oxon, United Kingdom, pp. 68-70</ref>
*"Rethinking Genre Studies Through Distribution Analysis: Issues in International Horror Movie Circuits" (with Mark Ryan, ''[[New Review of Film and Television Studies]]'', 2011)<ref>{{Cite journal|last=Lobato|first=R.|last2=Ryan|first2=M.|date=2011|title=Rethinking genre studies through distribution analysis: Issues in international horror movie circuits|url=http://researchbank.rmit.edu.au/view/rmit:39516|journal=New Review of Film and Television Studies|language=en|volume=9|issue=2|pages=188–203|issn=1740-0309}}</ref>
*"Rethinking International TV Flows Research in the Age of Netflix" (''[[Television & New Media]],'' 2018)<ref>{{Cite journal|last=Lobato|first=R.|date=2018|title=Rethinking international TV flows research in the age of Netflix|url=http://researchbank.rmit.edu.au/view/rmit:47083|journal=Television and New Media|language=en|volume=19|issue=3|pages=241–256|issn=1527-4764}}</ref>
* "Streaming Services and the Changing Global Geography of Television" (''Handbook on Geographies of Technology'', 2017)<ref>{{Cite journal|last=Lobato|first=Ramon|date=2017-02-24|title=Streaming services and the changing global geography of television|url=https://www.elgaronline.com/view/edcoll/9781785361159/9781785361159.00020.xml|journal=Handbook on Geographies of Technology|language=en-US}}</ref>

==== T-Z ====

* "Television Device Ecologies, Prominence and Datafication: The Neglected Importance of the Set-Top Box" (with David Hesmondhalgh, ''[[Media, Culture & Society|Media Culture and Society]]'', 2019)<ref>{{Cite journal|last=Hesmondhalgh|first=David|last2=Lobato|first2=Ramon|date=2019-08-20|title=Television device ecologies, prominence and datafication: the neglected importance of the set-top box|url=https://doi.org/10.1177/0163443719857615|journal=Media, Culture & Society|language=en-US|volume=41|issue=7|pages=958–974|doi=10.1177/0163443719857615|issn=0163-4437}}</ref>
*"The Business of Anti-Piracy: New Zones of Enterprise in the Copyright Wars" (with Julian Thomas, ''[[International Journal of Communications, Network & System Sciences|International Journal of Communications,]]'' 2012)<ref>{{Cite journal|last=Lobato|first=R.|last2=Thomas|first2=J.|date=2012|title=The business of anti-piracy: New zones of enterprise in the copyright wars|url=http://researchbank.rmit.edu.au/view/rmit:39518|journal=International Journal of Communications|language=en|volume=6|pages=606–625|issn=1932-8036}}</ref>
⚫
* "The Cultural Logic of Digital Intermediaries: YouTube Multichannel Networks (MCNs)" (''Convergence,'' 2016)<ref>{{Cite journal|last=Lobato|first=R.|date=2016|title=The cultural logic of digital intermediaries: YouTube multichannel networks|url=http://researchbank.rmit.edu.au/view/rmit:39547|journal=Convergence|language=en|volume=22|issue=4|pages=348–360|issn=1354-8565}}</ref>
* "The Cyberlocker Gold Rush: Tracking the Rise of File-Hosting Sites as Media Distribution Platforms" (with Leah Tang, ''[[International Journal of Cultural Studies]]'', 2014)<ref>{{Cite journal|last=Lobato|first=R.|last2=Tang|first2=L.|date=2014|title=The cyberlocker gold rush: tracking the rise of file-hosting sites as media distribution platforms|url=http://researchbank.rmit.edu.au/view/rmit:39509|journal=International Journal of Cultural Studies|language=en|volume=17|issue=5|pages=423–435|issn=1367-8779}}</ref>
*"The Middle-Aged Mobile" (''Australian Policy Online,'' 2013)<ref>{{Cite journal|last=Lobato|first=Ramon|date=2013-05-18|title=The middle-aged mobile|url=https://apo.org.au/node/34167|language=en}}</ref>
* "The Paradoxes of Piracy" (''Postcolonial Piracy: Media Distribution and Cultural Production in the Global South,'' 2014)<ref>Lobato, R 2014, 'The paradoxes of piracy' in Lars Eckstein and Anja Schwarz (ed.) ''Postcolonial Piracy: Media Distribution and Cultural Production in the Global South'', Bloomsbury, United Kingdom, pp. 121-134.</ref>
*"The Politics of Digital Distribution: Exclusionary Structures in Online Cinema" (''Studies in Australasian Cinema'', 2010)<ref>Lobato, Ramon, The Politics of Digital Distribution: Exclusionary Structures in Online Cinema (February 2010). Studies in Australasian Cinema, Vol. 3, No. 2, pp. 167-178, 2010. Available at SSRN: <nowiki>https://ssrn.com/abstract=1752574</nowiki></ref>
*"The Streaming Wars" (with James Meese, ''Australian Policy Online'', 2016)<ref>{{Cite journal|last=Lobato|first=Ramon|last2=Meese|first2=James|date=2016-02-12|title=The streaming wars|url=https://apo.org.au/node/61598|language=en}}</ref>
* "Writing about Streaming Portals: The Drama of Distribution" (''Writing About Screen Media'', 2019)<ref>Lobato, R 2019, 'Writing about streaming portals: The drama of distribution' in Lisa Patti (ed.) ''Writing about screen media'', Routledge, London, United Kingdom, pp. 159-162.</ref>


== References ==
== References ==

Revision as of 23:36, 7 January 2020

Ramon Lobato is an author, researcher, and professor of media and communication at RMIT University in Melbourne, Australia.[1] He serves as a Senior Research Fellow with the Technology, Communication, and Policy Lab at the Digital Ethnography Research Centre at RMIT University.[2] Lobato's research includes media markets, accessibility to streaming services, distribution of digital content, piracy, and media infrastructures.[1][3]

Education

Lobato earned his Bachelor of Arts degree in Film/Cinema/Video Studies from the University of Melbourne.[1][3] After graduating from the Honors program in 2006, Lobato received his Doctor of Philosophy in Communication and Media Studies from the University of Melbourne in 2010.[1][3] His PhD thesis "Subcinema: Mapping Informal Film Distribution" researched the distribution of movies on an international scale.[4]

In 2013, he obtained his Graduate Certificate in Learning and Teaching from Swinburne University.[1]

Career

Before his career in research Lobato worked for Beat Magazine as a music reporter and Sensis as an associate editor. After receiving his PhD in 2010 Lobato began working at the Swinburne University of Technology as a senior research fellow in the Institute for Social Research, where he was involved in several projects pertaining to media policies and technologies. During this time he also taught in the university's cinema and screen studies program, where he developed classes for both the program and the School of Arts, Social Science and Humanities. In 2017, Lobato became a Senior Research Fellow at RMIT University.[1][3]

Alongside Amanda Lotz Lobato co-founded the Global Internet TV Consortium, which focuses on gathering and analyzing studies from various media scholars based on the effects of television and movie streaming services, such as Netflix, on a global scale.[5][1] In addition, Lobato works as an editor for the Media Industries Journal and serves on the editorial board for the International Journal of Cultural Studies.[6][7]

Bibliography

Books

  • Shadow Economies of Cinema: Mapping Informal Film Distribution (British Film Institute, 2012)[8][9]
  • The Informal Media Economy (with Julian Thomas, Polity, 2015)[10][11]
  • Netflix Nations (New York University Press, 2019)[12][13][14]

Edited collections

  • Amateur Media: Social, Cultural, and Legal Perspectives (with Dan Hunter, Megan Richardson, and Julian Thomas, Routledge, 2013)[15]
  • Geoblocking and Global Video Culture (with James Meese, Institute of Network Cultures, 2016)[16]

Select journal articles

  • "Creative Industries and Informal Economies: Lessons from Nollywood" (International Journal of Cultural Studies, 2010)[17]
  • "Histories of User-Generated Content: Between Formal and Informal Media Economies" (with Julian Thomas and Dan Hunter, International Journal of Communications, 2015)[18]
  • "The Cultural Logic of Digital Intermediaries: YouTube Multichannel Networks (MCNs)" (Convergence, 2016)[19]

Accolades

Lobato has earned several awards and grants for his work throughout the years. He has also received two fellowships through the Australian Research Council from 2011-2014 and 2015-2017.[1]

2011

  • Australian Research Council Discovery Project and Australian Postdoctoral Fellowship, "Informal Economies and Audiovisual Industries" (2011-2014, with Thomas, Cunningham, Hunter)[1][20]

2013

  • Best International Film Studies from the Udine Film Forum for Shadow Economies of Cinema: Mapping Informal Film Distribution[1][21]

2014

2015

  • Faculty ECR Award for Research Excellence from Swinburne University[1]
  • Australian Research Council Discovery Early Career Researcher Award Fellowship, "Geoblocking, circumvention, and the organisation of digital media markets"[1]

2016

  • Outstanding Young Scholar award from the International Communication Association Popular Communication Division[1]
  • Australian Research Council Linkage Project, "Music Usage Metrics and the Future of the Australian Music Industry" (with Wikstrom et al, 2016-2018)[1][22]

References

  1. ^ a b c d e f g h i j k l m n o "Dr Ramon Lobato". RMIT University. Retrieved September 19, 2019.{{cite web}}: CS1 maint: url-status (link)
  2. ^ "Ramon Lobato". Digital Ethnography Research Centre. Retrieved 2019-10-15.
  3. ^ a b c d "Ramon Lobato". LinkedIn. Retrieved October 14, 2019.{{cite web}}: CS1 maint: url-status (link)
  4. ^ Lobato, Ramon (2009). "Subcinema: mapping informal film distribution". {{cite journal}}: Cite journal requires |journal= (help)
  5. ^ "Global Internet TV Consortium – Academic research network on Netflix and other television streaming services". Global Internet TV Consortium. Retrieved 2019-11-10.
  6. ^ "Dr Ramon Lobato". RMIT University. Retrieved September 19, 2019.{{cite web}}: CS1 maint: url-status (link)
  7. ^ "Media Industries Journal". www.mediaindustriesjournal.org. Retrieved 2019-11-17.
  8. ^ Trowbridge, Hayley (2013-06-01). "Contemporary film distribution and exhibition: a review of recent studies". New Review of Film and Television Studies. 11 (2): 224–234. doi:10.1080/17400309.2013.766835. ISSN 1740-0309.
  9. ^ Garavelli, Clara (2012). "Shadow Economies of Cinema: Mapping Informal Film Distribution. Ramón Lobato". Sequences/Secuencias. 36: 148–150.
  10. ^ Evens, Tom (2015). "The Informal Media Economy". European Journal of Communication. 30 (5): 613–615. doi:10.1177/0267323115600603b. ISSN 0267-3231.
  11. ^ Sigismondi, Paolo (2018). "Ramon Lobato and Julian Thomas, The Informal Media Economy, Cambridge, UK: Polity Press, 2015, 224 pp., $69.95 (hardcover), $24.95 (paperback)". International Journal of Communication. 12: 253–255.
  12. ^ Li, Luzhou (2019). "Book review: Netflix Nation: The Geography of Digital Distribution". Global Media and Communication. 15 (2): 271–272. doi:10.1177/1742766519838165. ISSN 1742-7665.
  13. ^ Fragua, Alonso Pérez (2019-12-06). "Netflix Nations. The Geography of digital distribution: by Ramon Lobato, New York, New York University Press, 2019,235 p.,$25.00 (Paperback), $89 (Hardcover), ISBN: 978-1-479-84151-6". Information, Communication & Society: 1–3. doi:10.1080/1369118X.2019.1697342. ISSN 1369-118X.
  14. ^ Ash, James (2019-10-16). "book review: Netflix Nations: The Geography of Digital Distribution". cultural geographies: 147447401988199. doi:10.1177/1474474019881998. ISSN 1474-4740.
  15. ^ Amateur media : social, cultural, and legal perspectives / edited by Dan Hunter, Ramon Lobato, Megan Richardson, Julian Thomas. New York: Routledge. 2013. ISBN 9781136280801.
  16. ^ Lobato, Ramon; Meese, James (2016). Geoblocking and Global Video Culture (PDF). Amsterdam: Institute of Network Cultures. p. 10. ISBN 978-94-92302-03-8.
  17. ^ Lobato, Ramon (2010). "Creative industries and informal economies". International Journal of Cultural Studies. 13 (4): 337–354. doi:10.1177/1367877910369971. ISSN 1367-8779.
  18. ^ Lobato, R.; Thomas, J.; Hunter, D. (2011). "Histories of user-generated content: between formal and informal media economies". International Journal of Communications. 5: 899–914. ISSN 1932-8036.
  19. ^ Lobato, R. (2016). "The cultural logic of digital intermediaries: YouTube multichannel networks". Convergence. 22 (4): 348–360. ISSN 1354-8565.
  20. ^ "Australian Postdoctoral Fellowship (APD), Australian Research Council (ARC) - The University of Melbourne". findanexpert.unimelb.edu.au. Retrieved 2019-11-17.
  21. ^ "Ramon Lobato". Media and Communications at Swinburne. Retrieved 2019-10-15.
  22. ^ Wikstrom, Patrik; Bruns, Axel; Hunter, Daniel; Lobato, Ramon; Watters, Stuart; Green, Stephen; Harris, Andrew. "Music usage metrics and the future of the Australian music industry". Queensland University of Technology Digtial Media Research Centre. Retrieved 2019-11-17.{{cite web}}: CS1 maint: url-status (link)
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