A&P (short story): Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Cydebot (talk | contribs)
m Robot - Speedily moving category Literature originally published in The New Yorker to Works originally published in The New Yorker per CFDS.
Line 5: Line 5:
== Plot summary==
== Plot summary==


Although they are dressed for the beach, Sammy allows the girls to continue shopping while he appraises them sexually. He imagines for himself details of the girls from their appearance alone, undue impressions that, to his surprise, are shaken when the leader of the trio, a stunning girl he has dubbed "Queenie", speaks in a voice unlike that which he had created in his mind. Lengel, the old and prudish manager, feels that the girls are not clothed appropriately to come into a grocery store. He admonishes them, telling them that this isn't the beach and that they must have their shoulders covered next time, or have their business refused; which Sammy believes embarrassed them.
Although they are dressed for the beach, Sammy allows the girls to continue shopping while he shares them sexually. He imagines for himself details of the girls from their appearance alone, undue impressions that, to his surprise, are shaken when the leader of the trio, a stunning girl he has dubbed "Queenie", speaks in a voice unlike that which he had created in his mind. Lengel, the old and prudish manager, feels that the girls are not clothed appropriately to come into a grocery store. He admonishes them, telling them that this isn't the beach and that they must have their shoulders covered next time, or have their business refused; which Sammy believes embarrassed them.


Offended by this mistreatment of these customers' dignity, Sammy ceremoniously removes his store apron and bow tie and resigns on the spot, despite the mention by the manager of the pain this would cause his parents. Sammy then leaves the store, seemingly in expectation of some display of affection or appreciation from the young women involved, only to find that they've already left, apparently oblivious to his presence. Sammy's disappointment in this development strikes a very typical Updike theme.
Offended by this mistreatment of these customers' dignity, Sammy ceremoniously removes his store apron and bow tie and resigns on the spot, despite the mention by the manager of the pain this would cause his parents. Sammy then leaves the store, seemingly in expectation of some display of affection or appreciation from the young women involved, only to find that they've already left, apparently oblivious to his presence. Sammy's disappointment in this development strikes a very typical Updike theme.

Revision as of 03:37, 28 February 2011

"A & P" is a comic short story written by John Updike in 1961 in which the hero and first person narrator takes a stand for what is right and therefore has hope for a better future. M. Gilbert Porter referred to the titular "A & P" in Updike's story as "the common denominator of middle-class suburbia, an appropriate symbol for [the] mass ethic of a consumer-conditioned society." According to Porter, when the main character chooses to rebel against the A & P he also rebels against this consumer-conditioned society, and in so doing he "has chosen to live honestly and meaningfully."[1] William Peden, on the other hand, referred to the story as "deftly narrated nonsense...which contains nothing more significant than a checking clerk's interest in three girls in bathing suits."[2]

A & P, first introduced in The New Yorker on July 22, 1961, also later appeared in the collection Pigeon Feathers.

Plot summary

Although they are dressed for the beach, Sammy allows the girls to continue shopping while he shares them sexually. He imagines for himself details of the girls from their appearance alone, undue impressions that, to his surprise, are shaken when the leader of the trio, a stunning girl he has dubbed "Queenie", speaks in a voice unlike that which he had created in his mind. Lengel, the old and prudish manager, feels that the girls are not clothed appropriately to come into a grocery store. He admonishes them, telling them that this isn't the beach and that they must have their shoulders covered next time, or have their business refused; which Sammy believes embarrassed them.

Offended by this mistreatment of these customers' dignity, Sammy ceremoniously removes his store apron and bow tie and resigns on the spot, despite the mention by the manager of the pain this would cause his parents. Sammy then leaves the store, seemingly in expectation of some display of affection or appreciation from the young women involved, only to find that they've already left, apparently oblivious to his presence. Sammy's disappointment in this development strikes a very typical Updike theme.

Characters

Lengel

Manager of the local A & P, Lengel is a man who spends most of his days behind the door marked "Manager." Entering the story near the end, he represents the system: management, policy, decency, and the way things are. However, he is not a one-dimensional character. He has known Sammy's parents for a long time, and he tells Sammy that he should, at least for his parents’ sake, not quit his job in such a dramatic, knee-jerk way. He seems truly concerned even while he feels the need to enforce store policy.

Queenie

"Queenie" is the name Sammy gives to the pretty girl who leads her two friends through the grocery store in their bathing suits. He has never seen her before but immediately becomes infatuated with her. He comments on her regal and tantalizing appearance. She is somewhat objectified by nineteen-year-old Sammy, who notes the shape of her body and the seductiveness of the straps which have slipped off her shoulders. He also, however, clearly admires how her inappropriate clothing defies convention. When the girls are chastised for their attire by Lengel, Queenie, who Sammy imagines lives in an upper-middle-class world of backyard swimming pools and fancy hors d'œuvres, becomes "sore now that she remembers her place, a place from which the crowd that runs the A & P must look pretty crummy." Sammy becomes indignant at Lengel's treatment of the girls and tries to help them save face by quitting his job. Queenie, however, appears not to notice and leaves the store promptly, diminishing the impact of Sammy's gesture.

Plaid and Big Tall Goony Goony

These are the nicknames Sammy gives Queenie's friends, who are somewhat more uneasy about their inappropriate attire. Plaid is a plump, pretty girl in a plaid two piece bathing suit; Big Tall Goony Goony is cynically observed by Sammy to have the sort of striking features other girls pretend to admire because they know she's no real competition to them (although he concedes that she's not bad looking on the whole).

Sammy

Readers do not learn Sammy's name until the end of the story, even though he is the first-person narrator of the story. He is a checkout clerk at an A & P supermarket. His language indicates that, at age nineteen, he is both cynical and romantic. He notes, for instance, that there are "about twenty-seven old freeloaders" working on a sewer main up the street, and he wonders what the "bum" in "baggy gray pants" could possibly do with "four giant cans of pineapple juice." Yet, when Queenie approaches him at the checkout, Sammy notes that "with a prim look she lifts a folded dollar bill out of the hollow at the center of her nubbled pink top. . . . Really, I thought that was so cute." He vacillates back and forth between these extremes of opinion during the story, calling some of his customers "houseslaves in pin curlers", yet he is sensitive enough that when Lengel makes Queenie blush, he feels "scrunchy inside." At the end of the story, he quits his job in an effort to be a hero to the girls and as a way of rebelling against a strict society. In a sudden moment of insight — an epiphany — he realizes "how hard the world was going to be to me hereafter" if he refuses to follow acceptable paths.

Stokesie

Stokesie is twenty-two, married, and has two children. He works with Sammy at the A & P checkout. He has little to say or do in this story, though, like Sammy, he observes the girls in the store with interest. He is a glimpse of what Sammy's future might be like; Stokesie's family "is the only difference" between them, Sammy comments.

Film adaption

In 1996, a short film directed by Bruce Schwartz was made based on the short story. It starred Sean Hayes as Sammy, and Amy Smart as Queenie in their first official movie roles.[3]

Footnotes

  1. ^ M. Gilbert Porter (November 1972). "John Updike's 'A & P': The Establishment and an Emersonian Cashier". English Journal. 61 (8). The English Journal, Vol. 61, No. 8: pp.1155–1158. doi:10.2307/814187. ISSN 0013-8274. {{cite journal}}: |pages= has extra text (help)
  2. ^ William Harwood Peden (1964). The American Short Story. Boston: Houghton Mifflin. p. 70. OCLC 270220.
  3. ^ http://www.imdb.com/title/tt0156252/


External links