Entrance of the Gladiators
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"Entrance of the Gladiators" or "Entry of the Gladiators" (Czech: Vjezd gladiátorů, German: Einzug der Gladiatoren) is a military march composed in 1897 by the Czech composer Julius Fučík. He originally titled it "Grande Marche Chromatique," reflecting the use of chromatic scales throughout the piece, but changed the title based on his personal interest in the Roman Empire.
In 1910 Canadian composer Louis-Phillipe Laurendeau arranged "Entrance of the Gladiators" for a small band under the title "Thunder and Blazes," and sold this version throughout North America. It was during this period that the song gained lasting popularity as a screamer march for circuses, often used to introduce clowns. Today it is known mainly by this association, even though the title and composer are relatively obscure. Laurendeau's version was also transcribed for fairground organs.
Generally, the march is broken into three parts. The one people associate the piece with the most would be the first third. This part contains the melody that the trumpet keeps and the several supporting parts. The second third is the section were the low-brass (mainly the tubas) take over with the chromatic scale like role. Finally there is a trio, or a slow melodic section, were there is a strong balance between woodwinds and low-brass. The trio has a part similar to the second third with a chromatic scale like sound. Somewhat surprisingly, this is a rather short piece; it is not written in separate movements, and there is only one repeat. The song is written in 2-2 time and is very fast paced (even for the time it is in).
In 1974, writers Leo Sayer and David Alexander Courtney wove the introduction and melody into their Top 10 composition for Three Dog Night, "The Show Must Go On."
The Progressive Metal band Liquid Tension Experiment reprised the theme at the end of the song, 'Universal Mind'.
See also
External links
- "Thunder and Blazes" performed by a Stinson 165 organ (from wurlitzer-rolls.com)
- Entrance of the Gladiators MIDI
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