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G. P. Schafer Architect
IndustryArchitecture
FoundedNew York City, New York, United States (2002 (2002))
FounderGil Schafer III
HeadquartersNew York City
Area served
International
Key people
Gil Schafer III
ServicesArchitecture, Interior design
Number of employees
35
WebsiteG. P. Schafer Architect

G. P. Schafer Architect is a New York City-based architectural firm established in 2002 and led by founder and principal Gil Schafer III.[1][2] The practice is known for new houses and residential renovations that combine American classical and traditional styles, historical and regional precedence, and contemporary preferences.[3][4][5][6][7] Its work has been featured in publications such as Architectural Digest, Town & Country, Veranda and The New York Times, and in books on classical and residential architecture, restoration and interior design.[8][9][10][11][12][13] G. P. Schafer Architect has won Institute of Classical Architecture & Art (ICAA), Palladio and American Institute of Architects awards, as well as the Veranda "Art of Design" Award in Architecture.[14][15][16][17][18] Architectural Digest has named the firm to the AD100 since 2012 and describes its residences as contemporary tributes to traditional craftsmanship that are "appreciative of the vernacular expression of 18th- and 19-century design movements."[19][20][21][22] The architecture critic Martin Filler wrote that the firm's work is distinguished by its "sense of proportion and restraint, not only in measurement but also in terms of what is correct in a given setting."[23] Rizzoli International has published two books by Gil Schafer, The Great American House (2012) and A Place to Call Home (2017).[24][25][26][27]

G. P. Schafer Architect, Middlefield, Dutchess County, New York, 1999

Office and founding principal

Architect Gil Schafer III (born 1961 in Cleveland) founded G. P. Schafer Architect in 2002 in New York City.[28][29][30] The firm occupied space in a SoHo high-rise on Lafayette Street for several years, and by 2007, had executed 25 projects with a staff that had grown to fifteen.[5] By 2018, its staff numbered thirty-five, and the practice took over a fourth-floor aerie on Union Square West in Manhattan as raw space; the new office was designed with a library at the spine and decorated with classical details matching the firm's residential aesthetic.[31][32][20]

Founder and principal Gil Schafer is the grandson and great, great grandson of architects.[32] He spent his childhood in many places, including New Jersey and the Midwest, California, and the Bahamas; he attributes an awareness of place, context and vernacular tradition to the many houses he experienced, particularly, his grandmother's antebellum plantation in Thomasville, Georgia.[30][5][20] He studied Growth & Structure of Cities at Haverford College and Bryn Mawr (BA, 1984), before attending Yale School of Architecture (MA, 1988).[32][5] At Yale, he trained as a modernist under Thomas Beeby, Frank Gehry, Josef Paul Kleihues, Bernard Tschumi and Robert Venturi, and earned the school's H. I. Feldman Prize for studio work in his final semester.[32][33][5][34]

As a student, Schafer worked for Charles Moore and William Turnbull Jr., and upon graduating, for Bernard Tschumi, a leading Deconstructivist.[35][34][32][33] By 1990, however, he was drawn toward work in a more traditional rather than theoretical vein.[33] He joined Ferguson Shamamian & Rattner in 1991, working there until 1999, when he started his own practice.[1][30] Between 1999–2006, he was president, and then chairman, of the Institute of Classical Architecture & Art, helping to build the organization to a nine-chapter, 2,500-member nonprofit with training and educational programs.[32][36][35] Schafer writes and lectures on traditional residential architecture, and has served on nonprofit boards and advisory councils, including Yale School of Architecture’s Dean’s Council, the Dutchess Land Conservancy, and the Thomas Jefferson Foundation.[37][19][36][38]

Work and representative projects

G. P. Schafer Architect has realized a wide range of projects, but is best known for what writers call "new old houses"—contemporary adaptations of classical styles suggesting long histories and regional authenticity—and restorations of historic homes.[28][29][4][39] Architect and architectural historian Robert A. M. Stern places the practice among the "leaders in a new generation of Classical and traditional architects."[33] The firm's influences include 18th- and 19-century American design movements and figures such as Colonial Revival architects Charles A. Platt and William Lawrence Bottomley, Sir Edwin Lutyens, and David Adler and Frances Adler Elkins.[40][21][19][41]

Architecture critics distinguish G. P. Schafer Architect's approach by its concern for context, climate, and lifestyle; interplay between historical precedent, details, materials and craftsmanship; mix of classical order, proportion and contemporary function; and integration of architecture, landscape and decoration.[5][28][36][21] The latter aim often involves collaborations that serve as complements or foils to the firm's classicism, such as those with interior designers Rita Konig, David Netto, Miles Redd and Michael S. Smith, landscape designer Deborah Nevins, decorator Bunny Williams, and color consultant Eve Ashcraft.[42][43][44][13][45][29][46]

G. P. Schafer Architect, Longfield Farm, Dutchess County, New York, 2006

"New old houses"

Schafer's early project, Middlefield (Dutchess County, New York, 1999), demonstrates the holistic approach elaborated in his first book and set the mold for the firm's new-old aesthetic.[5][15][30] Following a long and unsuccessful attempt to find a suitable nineteenth-century Greek Revival house to renovate, he decided to design and build a new, modern rendition, carefully sited to integrate into a 45-acre land parcel.[4][29][47][26] The residence combines contemporary features and regional farmhouse vernacular, with classically proportioned details derived from 19-century builder pattern books by Asher Benjamin and Minard Lafever and a two-story, Greek Doric columned entry portico that Martin Filler wrote "would likely win the approval of Thomas Jefferson."[48][15][9][6][23] Other historical elements include re-salvaged elements (200-year-old pine-board flooring and restoration glass glazing), patinas, custom mercury glass hardware, and a multi-level design implying evolution over time.[4][30][47][48][49] Writers note the house's integration into the landscape through surrounding precincts of terraced stone walls and hornbeam-hedge garden rooms (created with Deborah Nevins) and its view upon approach.[50][51]

Several later projects demonstrate the firm's creation of organic, architectural mythologies in new constructions.[36][52] Architectural Digest described the amalgam of styles at Longfield Farm (Dutchess County, New York, 2006) as embodying "a picturesque historical narrative" of successive additions—Colonial Revival main house of rugged fieldstone, Federal-style wing, neo-Victorian carriage barn, and Greek Revival entry portico and back porch—blended into a "transcendent whole."[36] New Plantation Residence (South Georgia, 2016) combines an "original" mid-19th-century Greek Revival structure with what appears to be a 1930s Colonial Revival hunting lodge addition.[35][27]

The simple exterior shapes, ambience and details of the Colonial Revival Willow Grace Farm (Millbrook, New York, 2007) were modeled after a nearby dilapidated, loosely Federal-style dwelling its client had purchased; the 9,000-square-foot residence and outbuildings incorporate wide-plank floorboards, door hinges, beams and fixtures salvaged from the older structure alongside elements detailed to match.[53][54][55] New Classical House (Hudson Valley, 2007) blends Jeffersonian palladian classical precedents and regional Greek Revival elements in a five-part symmetrical design with a contemporary interior layout in a palette of teals, blues, and greens.[56][57]

G. P. Schafer Architect, William C. Gatewood House, Charleston, South Carolina, 2008

Restorations & renovations

Whereas G. P. Schafer Architect's new houses purposely suggest renovation and imperfect quirks, its restorations are intended to be seamless.[58] The firm executed a four-year restoration of the 1843 Greek Revival William C. Gatewood House (Charleston, 2008), a four-story residence whose Tuscan columns, arched colonnade and multistory piazza, and high second-floor parlor rooms typify the antebellum Charleston single house.[10][59][60][11] The commission stipulated the retention of all original walls, but entailed a literal disassembly and reconstruction (due to structural damage), as well as detection for traces of original features that had been altered.[11][59][58] The restoration integrated modern function and flow patterns into the original historic framework with Greek Revival and vernacular decoration, period furnishings and fixtures, Charlestonian pumpkin-hued walls, hand-painted scenic wallpaper, and restored nine-foot triple-hung windows, mantels and woodwork.[60][59][11][58][61]

The Georgian farmhouse Boxwood (Nashville, 2010) involved working on a residence designed by one of Schafer's influences, American classicist Charles A. Platt.[26] The renovation sought to restore the understated classical formality that had been diluted by significant alterations, while contemporizing the home with modern living space, decoration and detail.[8][43] On the exterior, the firm created a more unified aesthetic by redesigning a 1950s portico to match Platt's vision and painting the re-clad brick white.[8][26][62] Inside, it restored the loggia's French doors and eliminated outmoded barriers between utilitarian, formal public and informal areas by opening the space and adding enfilades.[8][43][63]

G. P. Schafer Architect, House by the Sea, Brooklin, Maine, 2017

The renovation of Schafer's House by the Sea (Brooklin, Maine, 2017) represents a departure from the firm's historical houses that The New York Times describes as "breezily modern."[64][65] Initially an undistinguished, early-1990s chalet lacking an architectural back story, the barn-like near-A-frame (including a double-height, 30 x 30-foot great room) offered the opportunity for experimentation.[35][64] It was gutted to the timber frames and rebuilt inside and out, with large windows, tall glass sliding doors, and dormer windows installed to maximize light and views of Blue Hill Bay.[64][65] The interior—painted all white to enhance the light and views—bridges New England tradition and modernity with painted wood-plank walls and hardware reflecting rural history alongside eclectic, centuries-spanning furnishings.[65][66]

Additional residences

Schafer's second book, A Place to Call Home, explores the roles of geography, place and lifestyle in design, a theme visible in several projects that draw on regional vocabularies and context.[67][35][42] The new Waterfront House in the Adirondacks (Lake Placid, New York, 2013) is a modern adaptation of the Gilded-Age family compound that combines classical and vernacular elements and a client preference for formality with the region's relaxed camp aesthetic; the exterior of the asymmetrical structure employs a tailored, less-known Adirondack-style of brown clapboard siding, green-shingled roof and white trim.[67][6] Its formal front façade features a classical Serlian second floor window, fluted Greek Doric columns and rustic stone chimneys, tied together by a long porch with two entries; the more informal rear employs a Chippendale railing pattern drawn from a Native American textile.[27][67][40] The house's siting, thin plan, and light-filled rooms emphasize the lake and Whiteface Mountain vistas (including a view upon entering the front door) and allow circulation; sea-influenced details, such as blue cloth wall coverings and playroom bunk nooks that flank French doors opening to the shore, further aconnection to place.[27][67][35]

Mill Valley Hillside Residence (California, 2013) entailed the transformation of a derelict assemblage of structures on a small, sloped lot (originally an 1880s YWCA bunkhouse) into a larger, modern family cottage.[68][69] The design preserves the property's rustic, rambling character, history and connection to the natural California vernacular style with simple materials and finishes and elements such as reclaimed random-width floorboards, casement windows, restoration glass and historic hardware; a cramped floor plan and zoning that restricted the footprint were resolved by adding a floor of rooms beneath the structure, which stands on stilts.[42][68][70]

Two New York residences demonstrate the firm's approach to city life, which writers describe as seeking a balance between traditional and modern, sophistication and comfort.[71][72][73] The renovation, Greenwich Village Townhouse Apartment (2003), restored period style and craftsmanship to an 1850s residence covered over with modernist additions, while updating its layout.[41][14][12] The Greek Revival design balanced the apartment's 13-foot ceilings and 12-foot windows with a classical frieze above the door, a nine-foot mahogany bookcase, and Ionic columns and folding shutters based on 19th-century townhouse pattern books; other details, influenced by Adler/Elkins interiors, included a custom scagliola mantelpiece, a cross-hatched terracotta wall glaze, and hand-crafted, faux-grain mahogany doors.[74][75][14][41] Fifth Avenue Apartment (2016) combines formal architectural details—including a columned entry foyer right off the elevator framing a panoramic view of Central Park—with a relaxed, open plan and modern colors to create a residence amenable to formal entertaining, family life, and a contemporary art collection.[76][35][27]

Awards and recognition

G. P. Schafer Architect has been recognized with awards for residential and public projects. The firm won the Institute of Classical Architecture & Art's (ICAA) Arthur Ross Award in 2019 and ICAA Stanford White Awards for two residences (Longfield Farm and Fifth Avenue Apartment, both 2013), the New York Historical Society Library project (Interior Design and Decoration Award, 2014), and a collaboration with Voith & Mactavish Architects on Thorndale Farm Corporate Offices (Commercial, Civic and Institutional Architecture Award, 2016).[77][78][16] In 2009, G. P. Schafer Architect received two American Institute of Architects awards: a New York State Award of Merit for the William C. Gatewood House and a Westchester/Hudson Valley Citation Award for Willow Grace Farm.[17] It has also received Palladio Awards for Thorndale Farm Corporate Offices (2018), Willow Grace Farm (2009), Greenwich Village Townhouse Apartment (2004), and Middlefield (2002).[16][14][15] The firm has been recognized with Veranda magazine's "Art of Design" Award in Architecture (2010) and been regularly named to the Architectural Digest annual AD100 since 2012.[20][21][40][7][22] 

Publications

Gil Schafer has written two books, The Great American House (2012) and A Place to Call Home (2017).[26][27] He has also contributed forewords to The New Old House by Marc Kristal (2016) and Thomasville: History, Home and Southern Hospitality by William R. Mitchell (2014), a chapter to Bunny Williams's A House by the Sea (2016), and a section to the Institute of Classical Architecture & Art book, A Decade of Art & Architecture 1992–2002 (2002).[79][80][81][28]

References

  1. ^ a b Hadley Keller, "G.P. Schafer Architect Overhauls a Bare-Bones Space for a Residential-Feeling Office," Architectural Digest, February 4, 2019. Accessed November 15, 2019.
  2. ^ The Classicist, "G.P. Schafer Architect, PLLC," The Classicist, No. 9, 2011, pp. 36–7.
  3. ^ Tim McKeough, "5 Top Designers Pick Their Favorite Door Handles." Architectural Digest, February 28, 2015. Accessed November 15, 2019.
  4. ^ a b c d Russell Versaci, Creating a New Old House, Taunton Press, 2007. Accessed November 15, 2019.
  5. ^ a b c d e f g Will Holloway, "Charm, Character and Warmth,'" Period Homes, March 2008, pp. 6–9.
  6. ^ a b c Brad Goldfarb, "Architect Gil Schafer Crafts a Family Oasis on Lake Placid," Architectural Digest, August 2015. Accessed November 15, 2019.
  7. ^ a b Architectural Digest, "G.P. Schafer Architect," 2019 AD 100, Architectural Digest, December 12, 2018. Accessed November 15, 2019.
  8. ^ a b c d Philip James Dodd, An Ideal Collaboration: The Art of Classical Details, Images Publishing, 2016. Accessed November 18, 2019.
  9. ^ a b Peter Watkin, The Classical Country House, Aurum Press, 2010. Accessed November 15, 2019.
  10. ^ a b N. Jane Iseley, Harlan Greene and William P. Baldwin, The Preservation of Charleston, North Carolina: Legacy Publications, 2016. Accessed November 15, 2019.
  11. ^ a b c d Ingrid Abramovitch, Restoring a House in the City, 2009. Accessed November 15, 2019.
  12. ^ a b Barbara & René Stoeltie, New York Interiors, 2012, pp. 190–9. Accessed November 19, 2019.
  13. ^ a b Michael S. Smith and Christine Pittel, Michael S. Smith Houses, Rizzoli, 2008. Accessed November 15, 2019.
  14. ^ a b c d Angus Wilkie, "Classic Twist," House & Garden, January 2004, pp. 62–9.
  15. ^ a b c d Clem Labine, "A New Greek Revival,'" Period Homes, Summer 2002, pp. 12–3.
  16. ^ a b c Gordon H. Bock, "Traditional Corporate Offices," Traditional Building, June 2018, pp. 14–7.
  17. ^ a b Stacey Bewkes "Gil Schafer – Part Deux," Quintessence, September 29, 2010. Accessed November 15, 2019.
  18. ^ Veranda, "Veranda's Art of Design Award Winners,'" Veranda, October 2010, pp. 67–72.
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  21. ^ a b c d Sam Cochran, "The 2014 AD100: G.P. Schafer Architect," Architectural Digest, January 2014. Accessed May 10, 2019.
  22. ^ a b Architectural Digest, "Introducing the 2020 AD100," Architectural Digest, December 6, 2019. Accessed January 15, 2020.
  23. ^ a b Martin Filler, "The Master Builders," Departures, May/June 2004.
  24. ^ Elizabeth Stamp, "New Books from AD100 Designers and Architects with Decorating Tips," Architectural Digest, October 1, 2012. Accessed November 15, 2019.
  25. ^ Elle Decor, "Best Design Books of Winter 2012," Elle Decor, September 20, 2012. Accessed November 15, 2019.
  26. ^ a b c d e Gil Schafer III, The Great American House: Tradition for the Way We Live Now, New York: Rizzoli, 2012. Accessed November 15, 2019.
  27. ^ a b c d e f Gil Schafer III, A Place to Call Home: Tradition, Style, and Memory in the New American House, New York: Rizzoli, 2017. Accessed November 15, 2019.
  28. ^ a b c d Robert A. Stern, et al. A Decade of Art and Architecture 1992-2002, New York: The Institute of Classical Architecture & Art, 2002. Accessed November 18, 2019.
  29. ^ a b c d Kathryn Matthews, "A Brand-New Year Old House," The New York Times, January 30, 2009, pp. D1, D5.
  30. ^ a b c d e Angus Wilkie, "Instant Classic," Architectural Digest, May 2001.
  31. ^ Domino, "Renovator's Notebook: We've Got the Goods," Domino, May 2006, p. 106–8.
  32. ^ a b c d e f Eve Kahn, "ICA & CA Profile: Gil Schafer," The Forum, Spring/Summer 2007, pp. 4.
  33. ^ a b c d Robert A. Stern and Jimmy Stamp, Pedagogy and Place: 100 Years of Architecture Education at Yale, Yale University Press, 2016. Accessed November 15, 2019.
  34. ^ a b Joseph Montebello, "Keeping up a family tradition," Main Street, October 2018, pp. 41–2.
  35. ^ a b c d e f g Pilar Viladas, "Gil Schafer Designs Homes That Look Traditional but Live Contemporary," Introspective Magazine, January 8, 2018. Accessed November 15, 2019.
  36. ^ a b c d e Angus Wilkie, "A Picturesque New York Farmhouse Embodies Historical Elegance," Architectural Digest, June 2012. Accessed November 15, 2019.
  37. ^ Taylor Barker, "Why you have to attend Gil Schafer’s upcoming lecture," Business of Home, January 9, 2018. Accessed November 15, 2019.
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  41. ^ a b c Martha McDonald, "Renovating a Townhouse Apartment," Period Homes, Summer 2004, pp. 28–30.
  42. ^ a b c Kerstin Czarra, "High Camp," C Home, Fall 2017.
  43. ^ a b c David Netto, "Team of Rivals," Veranda, March 2011.
  44. ^ Cynthia Kling, "Gil Schafer & Miles Redd," Bridge for Design, Summer 2015, pp. 178–85.
  45. ^ Logan Ward, "Urban Oasis," Garden & Gun ("Southern Gardens" special issue), January 2018, pp. 6, 80–1.
  46. ^ Eve Ashcraft, The Right Color, Artisan, 2011. Accessed November 15, 2019.
  47. ^ a b Phil Mansfield, "A New Greek Revival in the Hudson Valley," The New York Times, January 28, 2009. Accessed November 15, 2019.
  48. ^ a b Mary Miers, "New England's New Homes of the Brave," Country Life, October 11, 2001, pp. 76–81.
  49. ^ Peter Lyden, "America’s Garden of Eden: The Hudson River Valley," Institute of Classical Architecture & Art, March 17, 2015. Accessed November 15, 2019.
  50. ^ David Netto, "Modern Pastoral," WSJ Magazine, July/August 2012, pp. 56–60.
  51. ^ Jane Garmey, Private Gardens of the Hudson Valley, New York: The Monacelli Press, 2013.
  52. ^ New Old House, "Longwood," New Old House, Spring/Summer 2013, pp. 54–61.
  53. ^ Christopher Mason, "Scene Stealer," Elle Decor, November 2008, pp. 182–191.
  54. ^ Lynne Lavelle, "Eastern Heritage," Period Homes, July 2009, pp. 22–4.
  55. ^ Victoria Maw, "Old style in the new world," Financial Times, February 18, 2012, pp. 6–7.
  56. ^ Cynthia Kling, "A Look to the Past," Elle Decor, November 2010, pp. 204–211.
  57. ^ Philip James Dodd, The Art of Classical Details: Theory, Design, and Craftsmanship, Images Publishing, 2013. Accessed November 18, 2019.
  58. ^ a b c Ted Loos, "Back to the Future," Town & Country, May 2010, pp. 116–125, 144.
  59. ^ a b c Johanna McBrien, "A Rare Opportunity for a Residence," Art & Antiques, January 20101 pp. 222–235.
  60. ^ a b Mark Alan Hewitt and Gordon Bock, The Vintage House, W. W. Norton & Company, 2011. Accessed November 18, 2019.
  61. ^ Stacey Bewkes, "48 Hours in Charleston," Quintessence, May 17, 2017. Accessed November 15, 2019.
  62. ^ Stacey Bewkes "Boxwood Beauty," Quintessence, February 6, 2011. Accessed November 15, 2019.
  63. ^ Dickson Wong, "Rooms We Love: Sunroooms," Introspective Magazine, September 4, 2017. Accessed November 15, 2019.
  64. ^ a b c Tim McKeough, "A Traditionalist Architect Takes a Modern Turn," The New York Times, September 3, 2017.
  65. ^ a b c Eva Contreras, "Modern Explorations," Café Design, September 5, 2017. Accessed November 18, 2019.
  66. ^ Gil Schafer III, "Total Recall," 'House & Garden, October 2017.
  67. ^ a b c d Kiley Jacques, "With the Lake in View," Period Homes, March 2018, pp. 30–7.
  68. ^ a b Celia Barbour, "HOUSE TOUR: An Abandoned Summer Camp Becomes an Eclectic Family Home," Elle Decor, March 9, 2016. Accessed November 15, 2019.
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  74. ^ Nancy E. Berry, "A Classic interior," New Old House, Spring 2005, pp. 70–3.
  75. ^ Lesley Riva, Paint Style, Firefly Books, 2008. Accessed November 19, 2019.
  76. ^ Kathleen Hackett, "Gil Schafer Infuses a Classic Manhattan Residence with Contemporary Art," Galerie, Fall 2017. Accessed November 18, 2019.
  77. ^ Peter Lyden, "The 2019 Arthur Ross Awards," Institute of Classical Architecture & Art, February 26, 2019. Accessed January 15, 2019.
  78. ^ Traditional Building, "Traditional Architecture Awards," December 1, 2016. Accessed January 19, 2019.
  79. ^ Marc Kristal, The New Old House, New York: Harry N. Abrams, 2016. Accessed November 18, 2019.
  80. ^ William R. Mitchell, Thomasville: History, Home and Southern Hospitality, Golden Coast Publishing, 2014. Accessed November 18, 2019.
  81. ^ Bunny Williams, A House by the Sea, New York: Harry N. Abrams, 2016. Accessed November 18, 2019.
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