Hall Overton

Hall Franklin Overton (February 23, 1920 – November 24, 1972) was an American composer, jazz pianist and music teacher. He was born in Bangor, Michigan, the first of the three sons of Stanford and Ruth (Barnes) Overton. He grew up in Grand Rapids, Michigan.

Life

After taking piano lessons as a youngster, Overton realized he'd have to travel beyond his small Midwestern town to find the kind of music instruction he wanted. His high school music teacher recognized Overton's gift and recommended he attend The Chicago Musical College after graduation. Overton studied theory and composition there from 1940 to 1942. He then entered the armed services and served in overseas combat duty with the U.S. 3rd Armored Division until 1945. It was during his time in the service that he learned to play jazz.

On discharge from the army, Overton continued his musical studies at The Juilliard School of Music, studying composition with Vincent Persichetti. He graduated in 1951 with an M.S. degree, then became a member of the faculty there.

In 1954 Overton moved into a New York City loft at 821 Sixth Avenue, known as the Jazz Loft, where he lived alongside legendary photographer W. Eugene Smith, musicians Dick Cary and Jimmy Stevenson, painter David X. Young and other established and rising musicians and artists. This provided the perfect setting for the musicians to jam and learn together. Smith recorded many of these sessions, which were released in October 2000 as part of the Jazz Loft Project, a large ongoing project involving Smith's photos and tapes from that period.

While Overton was writing classical compositions, he was also deeply immersed in jazz, and recorded with such jazz notables as Stan Getz, Duke Jordan, Jimmy Raney and Teddy Charles. Thelonious Monk selected him to score his piano works for orchestra; a performance of these compositions in New York City was recorded live on February 28, 1959 and released on the album The Thelonious Monk Orchestra at Town Hall. In 1963, Monk recorded a second live album with orchestral arrangements by Overton at the New York Philharmonic Hall, released as Big Band and Quartet in Concert.

In later years, Overton taught at the Yale School of Music and the New School of Social Research. See: List of music students by teacher: N to Q#Hall Overton. He received awards from The Koussevitzky Foundation and the John Simon Guggenheim Memorial Foundation.

Death

Overton died on November 24, 1972, aged 52, from cirrhosis of the liver. A little more than a year earlier, on May 20, 1971, his opera Huckleberry Finn, commissioned by the Barney Jaffin Foundation, was presented by The Juilliard Opera Company.

Family

Overton married Nancy Swain (1926–2009) in 1949, with whom he had two sons, Richard Adair (Rick) Overton and Steven Swain Overton.

Comments

About his music, Hall Overton said,

Since I am both a composer and active jazz musician, my work reflects both of these sources of musical experience. As a composer, my main interest has been in the exploration of non-systematic, intuitive harmony, both tonal and dissonant from which other elements—melody, counterpoint and form—can be derived. I am not particularly concerned whether this places me in the middle of the road, left or right. Or even if there is such a thing as a road to be on or off. There are only individual expressions for which we must find the right language. Some are good, some are bad. My attitude towards jazz is one of deep respect. Having attempted to master this difficult and exacting art for several years, with some small degree of success, I feel that I have come to know it in a way that is possible only through actually performing and creating in this idiom. Jazz has had a strong influence on my compositional style, but purely on a subconscious level. For I am opposed to the practice of trying to make jazz respectable through the unnatural imposition of classical forms or materials. (Article information provided by his widow, Nancy.)

Compositions

at least 2 symphonies, the 2nd (composed in 1962) is a contemporary work c.15 minutes long.

• also, at least 2 string quartets.
• Three Elizabethan Songs (1953).
• "Pulsations" for mixed ensemble.
• sonata for Viola & Piano (1960).
• sonata for 'Cello & Piano (1960).
• and many more

Discography

As leader

• Jazz Laboratory Series Vol. 2 (Signal, 1955)
• Second String Quartet/String Quartet with Ezra Laderman (CRI, 1959)
• Dual Piano Jazz with Dave McKenna (Bethlehem, 1960)
• Pulsations/In Praise of Diplomacy and Common Sense with Lester Trimble (CRI, 1972)

As sideman

With Teddy Charles

• New Directions (Prestige, 1954)
• The Teddy Charles Tentet (Atlantic, 1956)
• 3 for Duke (Jubilee, 1957)
• Word from Bird (Atlantic, 1957)

With Jimmy Raney

• Jimmy Raney Plays (Prestige, 1953)
• Jimmy Raney Quartet Featuring Hal Overton (New Jazz, 1954)
• Jimmy Raney Quartet Hifi Vol. 2 (New Jazz, 1954)
• Jimmy Raney 1955 (Prestige, 1955)
• Jimmy Raney in Three Attitudes (ABC-Paramount, 1957)
• The Fourmost Guitars with Chuck Wayne, Joe Puma, Dick Garcia (ABC-Paramount, 1957)
• A (Prestige, 1958)

With others

• Stan Getz, Early Stan (Prestige, 1963)
• Duke Jordan & Hall Overton, Jazz Laboratory Series (Arista, 1981)
• Aaron Sachs, Clarinet and Co. (Fresh Sound, 1957)
• Phil Woods, Bird Calls Vol. 1 (Savoy, 1987)

External links

• "Hall Overton, Composer" by Ethan Iverson
• Huckleberry Finn article
• Jack Reilly on Hall Overton as a teacher
• The Jazz Loft Project