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Kia Mau Festival

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Kia Mau
GenreMāori, Pasifika and indigenous performing arts
Frequencyannual until 2018, now biennial
Location(s)Wellington region
CountryNew Zealand
Established2015
Websitehttps://kiamaufestival.org/

The Kia Mau Festival, previously called Ahi Kaa Festival, is a biennial performing arts festival in Wellington, New Zealand. In te reo Māori, kia mau is "a call to stay - an invitation to join us".[1]

The festival covers Māori, Pasifika and indigenous performing arts, including comedy, music, dance and theatre, across a variety of venues around the Wellington area.

image of building with red, black and white brick work, windows and details
Circa Theatre, Wellington

Background

The Kia Mau Festival was founded by playwright Hone Kouka. The inaugural festival was in 2015, and it was held annually until 2019.[2] Background to the Kia Mau festival was the production company Tawata with Kouka and another playwright Mīria George at the helm creating the Matariki Development Festival in 2010 at Circa Theatre. This was a festival for 'new writing for the stage by Māori'.[3] Tawata had also organised a meeting about 'Māori Theatre' at Downstage Theatre in 2006, at this was a panel discussion chaired by Alice Te Punga-Somerville who asked, "Describe the last play your wrote and how it fits into Māori theatre?"[4][5] In 2008 the Māori theatre discussions continued, now called Matariki Playwrights and included an address by Rore Hapipi / Rowley Habib that was published in the Playmarket Annual where he talks about forming the theatre company Te Ika a Maui Players in 1976 because of his experiences in the protest land march of 1975.[6] The Kia Mau Festival programmed a tribute to Hapipi after he died in 2016.

The Matariki festival developed over time to include presentations of plays as well as workshops with playwrights and hūi / meetings about Māori theatre. In 2010 and 2011 the Matariki Development Festival hosted First Nation writer, director and dramaturg Yvette Nolan from Canada.[7] In 2014 the festival included productions of plays and included Hīkoi by Nancy Brunning and 2080 by Aroha White being staged alongside rehearsed performances of Bless the Child by Hone Kouka and Ships by Moana Ete. The Matariki Development Season in 2014 was two weeks in duration.[8][9] Tanea Heke and Mitch Tawhi Thomas summarising their thoughts about the Kia Mau Festival in 2019 articulated that the struggles and environment is the same through the work in the festival but it is different in the various works and how this creates a collective voice that was apparent from an indigenous artists' perspective.[10]

glowing sign that says vertically BATS and wooden floors inside the foyer looking down a corridor
BATS Theatre

2015 Festival

The first Ahi Kaa Festival featured six productions over three weeks, by six Māori companies: White Face Crew, Tawata Productions, Hāpai Productions, Modern Māori Quartet, Taki Rua Productions and Tikapa Productions.[2] Circa Theatre was again a venue alongside BATS Theatre, the Hannah Playhouse and Soundings Theatre in Te Papa. Productions included Manny Pacquiao of Timberlea by Natano Keni and The Beautiful Ones by Hone Kouka.[3]

2016 Festival

The 2016 Kia Mau Festival ran from 7–25 June and included eight productions across three weeks.[11][1] Performances included Versions of Allah by Ohokomo, The Vultures by Tawata Productions, Shot Bro by Mookalucky Productions, Tiki Tour by Hāpai Productions, Solothello by Te Rehia Theatre Company, La Vie dans une Marionette by Whiteface Crew, Whakaahuatia Mai by Taki Rua Productions, and Mana Wahine by Okareka Dance Company. Venues included BATS Theatre, Circa Theatre, and Te Papa.[1]

close up head shot of a smiling young man with dark curly hair and a moustache
Rore Hapipi / Rowley Habib 1969

2017 Festival

The 2017 Kia Mau Festival ran from 2–24 June, and included a tribute to playwright Rore Hapipi, who died in 2016, called Portrait of an Artist Mongrel produced by Hāpai Productions (Nancy Brunning and Tanea Heke) that included theatre artists old, Jim Moriarty, Mitch Tawhi Thomas and young, Trae Te Wiki and Moana Ete.[12][13][14]

two stry concrete builign with metal angled roof. feels squat and is a brutalist style of architecture. bus trolley wires in the foreground over the street
The Hannah Playhouse / Downstage Theatre

2018 Festival

The 2018 Kia Mau festival was held 1–16 June.[15] It included an all-female production of Hone Kouka's play Waiora – The Homeland by Wahine Works at the Hannah Playhouse.[16]

2019 Festival

At the 2019 Kia Mau Festival was Pakarū written by Mitch Tawhi Thomas about a solo mum raising teenagers in New Zealand produced by Hāpai Productions.[17][18]

2021 Festival

The 2021 festival, from 4–19 June, features more than 100 events across three weekends.[19] Highlights include the world premieres of All I See by Cian Parker, and Daughter by Teremoana Rapley. There will also be a production of The Mourning After, written and directed by Ahi Karunaharan. Nancy Brunning who died in 2019 has her last work presented which is her play Witi’s Wāhine, a tribute to the women in the writing of well-know Māori author Witi Ihimaera.[19][20]

References

  1. ^ a b c "Kia Mau Festival 2016". The Big Idea. 5 May 2016. Archived from the original on 2 June 2021. Retrieved 1 June 2021.
  2. ^ a b "Kia Mau Festival 2021 | Kaupapa". Kia Mau Festival. Archived from the original on 2 June 2021. Retrieved 1 June 2021.
  3. ^ a b Circa, 1996-2016 : and a celebration of forty years. Wellington. 2016. ISBN 978-0-9941302-3-5. OCLC 951440720. Archived from the original on 18 October 2021. Retrieved 5 June 2021.{{cite book}}: CS1 maint: location missing publisher (link)
  4. ^ Atkinson, Laurie; O'Donnell, David (2013). Playmarket 40 : 40 years of playwriting in New Zealand. [Wellington] New Zealand. ISBN 978-0-908607-45-7. OCLC 864712401. Archived from the original on 12 June 2020. Retrieved 5 June 2021.{{cite book}}: CS1 maint: location missing publisher (link)
  5. ^ Hereaka, Whiti (2007). "I am a Genetic Mutation". Playmarket News. 39: 15. ISSN 2463-7343.
  6. ^ Hapipi, Rore (2008). "As It Was". Playmarket News. 42: 11.
  7. ^ Karunharan, Ahi (2011). "A Flight of New Writing". Playmarket News. 46: 20. ISSN 2463-7343.
  8. ^ "Matariki Development Festival 2014 23 June – 5 July Celebrating Matariki". Theatre View. Archived from the original on 5 June 2021. Retrieved 5 June 2021.
  9. ^ "Hīkoi: driving change and challenging perceptions". Circa Theatre. Archived from the original on 5 June 2021. Retrieved 5 June 2021.
  10. ^ Tawhai Thomas, Mitch; Heke, Tanea (2019). "Our Stories! Our Way! Our Lens!". Playmarket Annual. 54: 12–16. ISSN 1179-9676.
  11. ^ "Bold Theatre. Fresh Dance. Mana Māori. Kia Mau". Archived from the original on 2 June 2021. Retrieved 1 June 2021.
  12. ^ "Diverse collection of local artists join line-up for Kia Mau Festival". www.creativenz.govt.nz. Archived from the original on 2 June 2021. Retrieved 1 June 2021.
  13. ^ "Complete Lineup for Kia Mau Festival Revealed". www.scoop.co.nz. 6 June 2017. Archived from the original on 2 June 2021. Retrieved 1 June 2021.
  14. ^ Adam, Goodall (20 December 2017). "Reasons To Leave The House: Ten Moments In Wellington Theatre 2017". Pantograph Punch. Retrieved 5 June 2021.{{cite web}}: CS1 maint: url-status (link)
  15. ^ "Kia Mau Festival 2018". www.scoop.co.nz. 5 May 2018. Archived from the original on 2 June 2021. Retrieved 1 June 2021.
  16. ^ "Kia Mau Festival 2018". www.scoop.co.nz. 17 May 2018. Archived from the original on 2 June 2021. Retrieved 1 June 2021.
  17. ^ Parsnip, Josephine. "Everyday Aroha: A Review of Pakaru". Pantograph Punch. Retrieved 5 June 2021.
  18. ^ Smythe, John (5 June 2019). "PAKARU - A riveting, powerful and intensely moving experience". TheatreView. Archived from the original on 5 June 2021. Retrieved 5 June 2021.
  19. ^ a b "Indigenous artistry spotlighted in Kia Mau festival". Stuff. 28 May 2021. Archived from the original on 31 May 2021. Retrieved 1 June 2021.
  20. ^ "Witi's Wāhine – A theatrical taonga that deserves long life". Theatre View. Archived from the original on 2 June 2021. Retrieved 2 June 2021.
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