Michael Jackson's Thriller
|Michael Jackson's Thriller|
Title card used in the video.
|Directed by||John Landis|
|Produced by||George Folsey, Jr.
|Written by||John Landis
|Distributed by||Epic Records
Vestron Music Video
|Release dates||December 2, 1983|
|"Thriller" on YouTube|
Michael Jackson's Thriller is an American 13-minute music video for the song of the same name released on December 2, 1983. It was directed by John Landis, who also co-wrote the screenplay with Michael Jackson.
It was MTV's first world premiere video. Voted as the most influential pop music video of all time, Thriller proved to have a profound effect on popular culture, and was named "a watershed moment for the [music] industry" for its unprecedented merging of filmmaking and music. Guinness World Records listed it in 2006 as the "most successful music video", selling over nine million copies. In 2009, the video was inducted into the National Film Registry by the Library of Congress, the first music video to ever receive this honor, for being “culturally, historically or aesthetically” significant. The track was also listed at number one on "The Top 10 Halloween Songs" by Billboard.
Costarring with Jackson was former Playboy centerfold Ola Ray. The video was choreographed by Michael Peters (who had worked with the singer on his prior hit "Beat It"), and Michael Jackson. The video also contains incidental music by film music composer Elmer Bernstein, who had previously worked with Landis on An American Werewolf in London. The video (like the song) contains a spoken word performance by horror film veteran Vincent Price. Rick Baker assisted in prosthetics and makeup for the production. "Thriller" was the third and final video for the Thriller album. The red jacket that Jackson wore was designed by John Landis' wife Deborah Landis to make him appear more "virile".
Since Michael Jackson was a Jehovah's Witness at that time, the first scene includes a disclaimer by Jackson stating that, "Due to my strong personal convictions, I wish to stress that this film in no way endorses a belief in the occult."
On a night set in the 1950s, while riding in the convertible, the teenaged Michael Jackson is driving, along with his unnamed girlfriend (Ola Ray), runs out of gas in a dark, wooded area. They leave the car behind, and walk off into the forest. When Michael asks her to "be his girl," she accepts, and he places a ring on the middle finger of her left hand. He warns her, however, that he is "not like other guys". A full moon appears, and Michael begins convulsing in agony—transforming into a horrifying werecat, growling at her to "GO AWAY!" in the process. The girl screams and runs away, but the werecat catches up, knocking her down, lunging at her with his claws and killing her (offscreen).
The scene then cuts to a movie theater where Michael and his unnamed date, along with an excitable audience, are actually watching the previous 50s scene unfold in a fictional Vincent Price movie titled "Thriller". Upset, Michael's girlfriend leaves the theater. Michael hands his popcorn to another moviegoer, catches up to her, and tells her that, "it's only a movie." Some debate follows as to whether or not she was scared by the movie; she denies it, but Michael disagrees. They then walk down a foggy road as Michael teases her by singing the verses of "Thriller". They pass a nearby graveyard, in which the undead begin to rise out of their graves as Vincent Price performs his sprechgesang.
The zombies corner the two main characters threateningly, and suddenly, Michael becomes a zombie himself. The zombies then break into an elaborate song and dance number, followed by the main chorus of "Thriller" (during which Michael reverts to human form), frightening his date to the point where she runs for cover.
Michael (who has turned back into a zombie) and his fellow corpses chase the frightened girl into the corner of a nearby abandoned house. Michael then reaches for the girl's throat as she lets out a bloodcurdling scream, only to awake and realize it was all a nightmare. Michael then offers to take her home, and she happily accepts. As they walk out of the house, Michael turns to the camera with a sinister grin, revealing his yellow werecat eyes from the opening scene, as Vincent Price offers one last haunting laugh.
During the closing credits, a reprised scene of the zombies dancing is shown. At the end of the closing credits, a disclaimer appears, saying that "Any similarity to actual events or characters living, dead, (or undead) is purely coincidental." The same disclaimer appeared in An American Werewolf in London, also directed by Landis. After this, the zombies then dance back into their graves, ending with one of them (an uncredited Vincent Price, in full prosthetic makeup) giving the audience a terrifying grimace as the scene fades to black.
- Directed by: John Landis
- Produced by: George Folsey, Jr., Michael Jackson & John Landis
- Written by: John Landis & Michael Jackson
- Starring: Michael Jackson
- Co-starring: Ola Ray
- Director of Photography: Robert Paynter, B.S.C.
- Special Make-up Effects Designed & Created by: Rick Baker & EFX, Inc.
- Choreography: Michael Peters & Michael Jackson
- Edited by: Malcolm Campbell & George Folsey, Jr.
- Art Director: Charles Hughes
- Costume Designed by: Kelly Kimball & Deborah Nadoolman Landis
- Production Manager: Dan Allingham
- First Assistant Director: David Sosna
- Scary Music by: Elmer Bernstein
- Performed by: Michael Jackson
- Featuring 'Rap' by: Vincent Price
- Produced by: Quincy Jones & Michael Jackson
- Written by: Rod Temperton
- Recorded & Mixed by: Bruce Swedien
- Available on Epic Records & Cassettes
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In December 2009, it was selected for the National Film Registry by the Library of Congress along with 24 other films. It was the first ever music video to be selected. The Registry titled Thriller as “the most famous music video of all time”. The coordinator of the National Film Preservation Board, who decides upon candidates for inclusion in the National Film Registry, Steve Legett, said “The time is right” for Thriller to be included, because of the death of Jackson that year.
|1985||Best Video, Long Form||Won||"Thriller"|
|1984||Best Video Album||Won||Making Michael Jackson's Thriller|
|1999||100 Greatest Music Videos of all Time ||Won|
|1984||Best Overall Performance in a Video||Won|
|1984||Best Choreography (Michael Peters)||Won|
In the summer of 1983, Thriller had begun to decline in sales. Walter Yetnikoff and Larry Stessel answered calls throughout the night from Jackson. "Walter, the record isn’t No. 1 anymore," Yetnikoff recalls Jackson saying. "What are we going to do about it?" 'We’re going to go to sleep and deal with it tomorrow,'" Yetnikoff remembered answering. Jackson manager Frank DiLeo first mentioned the idea of making a third video, and pressed Jackson to consider the album’s title track. "It’s simple—all you’ve got to do is dance, sing, and make it scary," DiLeo recalls telling Jackson.
In early August, John Landis was contacted by Jackson to direct. At the time, commercial motion-picture directors did not direct music videos, but Landis was intrigued.
The music video was filmed at the Palace Theatre in downtown Los Angeles, the zombie dance sequence at the junction of Union Pacific Avenue and South Calzona Street in East Los Angeles and the final house scene in the Angeleno Heights neighborhood at 1345 Carroll Avenue. All principal photography was done in mid-October 1983.
Behind the scenes
In an interview that aired December 11, 1999, for MTV's 100 Greatest Videos Ever Made, Jackson spoke about the making of the video:
My idea was to make this short film with conversation ... in the beginning - I like having a beginning and a middle and an ending, which would follow a story. I'm very much involved in complete making and creating of the piece. It has to be, you know, my soul. Usually, you know, it's an interpretation of the music. It was a delicate thing to work on because I remember my original approach was, 'How do you make zombies and monsters dance without it being comical?' So I said, 'We have to do just the right kind of movement so it doesn't become something that you laugh at.' But it just has to take it to another level. So I got in a room with [choreographer] Michael Peters, and he and I together kind of imagined how these zombies move by making faces in the mirror. I used to come to rehearsal sometimes with monster makeup on, and I loved doing that. So he and I collaborated and we both choreographed the piece and I thought it should start like that kind of thing and go into this jazzy kind of step, you know. Kind of gruesome things like that, not too much ballet or whatever.
According to Kobena Mercer, "the video is strewn with allusions to horror films".  The opening scene is a parody of 1950s B movie horror films, with the characters dressed in the fashions of 1950s teenagers. The metamorphosis of the polite 'boy next door' into a werewolf can be seen as a depiction of male sexuality. A sexuality that is depicted as naturally bestial, predatory, aggressive, violent and therefore monstrous.  Mercer perceived similarities with the werewolf depiction in The Company of Wolves (1984). 
The second metamorphosis of the video has Michael becoming a zombie. It serves as an introduction to a dance sequence which features dancing ghouls, corresponding to a song lyric mentioning a masquerade ball of the dead.  The scene calls attention to the macabre make-up of the ghouls. Jackson's own make-up casts "a ghostly pallor" over his skin and emphasizes the outline of his skull. The image itself serves as an allusion to the mask from The Phantom of the Opera (1925).
According to Peter Dendle the zombie invasion sequence of the film is inspired by Night of the Living Dead (1968). The film manages to treat the sequence with enough seriousness to capture the feelings of claustrophobia and helplessness which are essential to the sub-genre of zombie films. 
Making Michael Jackson's Thriller
Released in tandem with the video was an hour-long documentary providing candid glimpses behind the scenes of the production. Called Making Michael Jackson's Thriller, it, too, was shown heavily on MTV for a time and was the top-selling home-video release of all time at one point, with over 9 million copies sold. The VHS also included video clips from the songs "Can You Feel It", "Beat It", and the Motown 25 performance of "Billie Jean" as well as audio clips from Jackson's songs "Off the Wall" and "Workin' Day and Night".
MTV paid $250,000 for the exclusive rights to show the documentary; Showtime paid $300,000 for pay-cable rights; and Vestron Music Video reportedly put down an additional $500,000 to market the cassette, in "a profit participation."
Rick Baker expected to have a few weeks to do the special effects make up for the zombies (which usually requires impressions to be taken of the actors face to base the prosthetics on) only to find out the dancers would not be cast until a few days before shooting began. It was decided to do generic make up for the dancers (using a combination of precast prosthetics) while members of Bakers crew in the more elaborate make up for shots that featured more closeups (like the zombie coming out of the manhole)
Broadway and litigation
In 2009, Jackson sold the rights of "Thriller" to the Nederlander Organization, to stage a Broadway musical based on the video.
Ola Ray has also complained about difficulties collecting royalties. At first, Ray blamed Jackson, but then she apologized to him in 1997. However, Ray did sue Jackson on May 6, 2009 in a dispute to obtain uncollected royalties. less than two months before Jackson's death on June 25.
Following the success of the "Thriller" video, a Hollywood production company reportedly began serious work on trying to turn Jackson's song "Billie Jean", which is also featured on Jackson's Thriller album, into a feature film; to date no plans have ever been completed. Vinny Marino of ABC News commented that "Thriller"'s music video was being selected as the 'Greatest Video of All Time" was a "no-brainer" and remarked that, "Michael Jackson's "Thriller" continues to be considered the greatest video ever by just about everyone." Gil Kaufman of MTV described the "Thriller" video as being "iconic" and felt that it was one of Jackson's "most enduring legacies". Kaufman also noted that the music video was the "mini-movie that revolutionized music videos" and "cemented Jackson's status as one of the most ambitious, innovative pop stars of all time". Steve Peake, of About.com, listed "Thriller" as being Jackson's eighth best song of the 1980s. Patrick Kevin Day and Todd Martens, of The Los Angeles Times commented that,
"Thriller's" phenomenal success led to a breaking down of traditional racial barriers on FM radio at the time. New York's WPLJ, a "white" station, played Jackson's "Beat It" because of Eddie Van Halen's appearance on it. The song caused a wave of protests from some listeners who didn't want "black" music on their station. MTV also had a reputation for favoring white performers at the time, and its heavy rotation of Jackson videos helped alleviate the criticism.
Leaders in Michael Jackson's religion were not so pleased, by contrast. In spite of his disclaimer at the beginning of the video, Jackson made a public "apology" in the pages of the Awake! magazine by the Watch Tower Bible and Tract Society of Pennsylvania. " 'I would never do it again!” says Jackson. “I just intended to do a good, fun short film, not to purposely bring to the screen something to scare people or to do anything bad. I want to do what’s right. I would never do anything like that again.” Why not? “Because a lot of people were offended by it,” explains Jackson. “That makes me feel bad. I don’t want them to feel that way. I realize now that it wasn’t a good idea. I’ll never do a video like that again!” He continues: “In fact, I have blocked further distribution of the film over which I have control, including its release in some other countries. There’s all kinds of promotional stuff being proposed on Thriller. But I tell them, ‘No, no, no. I don’t want to do anything on Thriller. No more Thriller.’ ”
In December 2009, the music video for "Thriller" was selected for the National Film Registry by the Library of Congress, "Thriller" is the first music video to ever be inducted. The Registry explained, "because of the way the recording industry is evolving and changing, we thought it would be good to go back to the development of an earlier seismic shift, which was the development of the music video" and described the music video as being "the most famous music video of all time". The coordinator of the National Film Preservation Board, who decides upon candidates for inclusion in the National Film Registry, Steve Legett, noted that the music video was considered for induction for years, but was chosen mainly due to Jackson's death that year. In a poll conducted by Myspace in 2010, which asked over one thousand users on their site to name the most influential music video of all time from a list of twenty videos selected by music and entertainment critics, Michael Jackson's Thriller was voted the most influential video.
In 2002 Lexington, Kentucky, became the first city to launch a "Thriller" reenactment as a Halloween festivity. The video’s storyline and dance sequences were faithfully recreated, beginning outside the historic Kentucky Theater and featuring hundreds of zombies who attend rehearsals at nearby Mecca Live Studio in the weeks leading up to the parade. Lexington’s 10th annual Thriller Parade was sponsored by Lexington Parks and Recreation, Mecca, and WRFL FM 88.1, and took place on October 30, 2011 for an audience of thousands, with Albert Ignacio playing the role of Michael Jackson. Lexington’s March Madness Marching Band also performed in zombie attire.
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- Thriller viral video featuring the CPDRC Dancing Inmates of Cebu Provincial Detention and Rehabilitation Center, Cebu, in the Cebu Province of the Philippines
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- Thrill the World
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