Sant'Antonio dei Portoghesi

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Church of St. Anthony in Campo Marzio
S. Antonio in Campo Marzio (Italian)
Santo António no Campo de Marte (Portuguese)
S. Antonii in Campo Martio (Latin)
S antonio dei portoghesi 1000034.JPG
Façade of the church of the National Church in Rome of Portugal.
Basic information
Location Rome
Geographic coordinates 41°54′7.1″N 12°28′28.1″E / 41.901972°N 12.474472°E / 41.901972; 12.474472Coordinates: 41°54′7.1″N 12°28′28.1″E / 41.901972°N 12.474472°E / 41.901972; 12.474472
Affiliation Roman Catholic
Ecclesiastical or organizational status National Church in Rome of Portugal, titulus
Leadership vacant
Website Official website
Architectural description
Architect(s) Martino Longhi the Younger, Carlo Rainaldi, Cristoforo Schor
Architectural type Church
Architectural style Baroque
Completed 17th century
Specifications
Length 30 metres (98 ft)
Width 20 metres (66 ft)

The church of Saint Anthony in Campo Marzio, known as Saint Anthony of the Portuguese (Italian: Sant'Antonio dei Portoghesi, Portuguese: Santo António dos Portugueses), is a Baroque Roman Catholic titular church in Rome, dedicated to Saint Anthony of Lisbon.

Established as titulus S. Antonii in Campo Martio in 2001, the most recent Cardinal-Priest of the church was José Policarpo.

History[edit]

The national church of the Portuguese people was designed by Martino Longhi the Younger (1638), Carlo Rainaldi (1657), and finally by Cristoforo Schor (1697), replacing a 15th-century church built under the initial patronage of Cardinal António Martins de Chaves. The ribbed dome (1674–76) was designed by Rainaldi.

The roof is stuccoed by Pompeo Gentile and frescoed by Salvatore Nobili. In the first chapel, the neoclassic monument to Alexandre de Sousa Holstein was sculpted by Antonio Canova in 1806; the second chapel has a Baptism of Christ by Giacinto Calandrucci, and a Circumcision of John the Baptist by Nicolas Lorrain. A second monument in the chapel is also by Calandrucci.

The main altar has an Apparition of the Virgin. Another chapel includes a funerary monument to ambassador Manuel Pereira de Sampaio by Pietro Bracci from 1750. The second chapel has three artworks by Lorrain: a Nativity, Adoration by the Magi, and Repose in Egypt. The first chapel on the left has an altarpiece of Madonna with child and Saints Antonio of Padua and Francis by Antoniazzo Romano.