Superparticular number
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Superparticular numbers, also called epimoric ratios, are ratios of the form
Thus:
A superparticular number is when a great number contains a lesser number, to which it is compared, and at the same time one part of it. For example, when 3 and 2 are compared, they contain 2, plus the 3 has another 1, which is half of two. When 3 and 4 are compared, they each contain a 3, and the 4 has another 1, which is a third apart of 3. Again, when 5, and 4 are compared, they contain the number 4, and the 5 has another 1, which is the fourth part of the number 4, etc.—Throop (2006), [1]
Superparticular numbers were written about by Nicomachus in his treatise "Introduction to Arithmetic". They are useful in the study of harmony: many musical intervals can be expressed as a superparticular ratio. In this application, Størmer's theorem can be used to list all possible superparticular numbers for a given limit; that is, all ratios of this type in which both the numerator and denominator are smooth numbers.
In graph theory, superparticular numbers (or rather, their reciprocals, 1/2, 2/3, 3/4, etc.) arise as the possible values of the upper density of an infinite graph.
These ratios are also important in visual harmony. Most flags of the world's countries have a ratio of 3:2 between their length and height. Aspect ratios of 4:3 and 3:2 are common in digital photography. Aspect ratios of 7:6 and 5:4 are used in medium format and large format photography respectively.
| Ratio | Name | Related musical interval | Audio |
|---|---|---|---|
| 2:1 | duplex | octave | |
| 3:2 | sesquialterum | perfect fifth | |
| 4:3 | sesquitertium | perfect fourth | |
| 5:4 | sesquiquartum | major third | |
| 6:5 | sesquiquintum | minor third | |
| 9:8 | sesquioctavum | major second | |
| 10:9 | sesquinona | minor tone | |
| 16:15 | just diatonic semitone | ||
| 25:24 | just chromatic semitone | ||
| 81:80 | syntonic comma | ||
| 4375:4374 | ragisma |
The root of some of these terms comes from Latin sesqui- "one and a half" (from semis "a half" + -que "and") describing the ratio 3:2.
[edit] See also
[edit] Sources
- ^ Throop, Priscilla (2006). Isidore of Seville's Etymologies: Complete English Translation, Volume 1, p.III.6.12,n.7. ISBN 9781411665231.
[edit] Further reading
- Halsey, G. D.; Hewitt, Edwin (1972). "More on the superparticular ratios in music". American Mathematical Monthly (Mathematical Association of America) 79 (10): 1096–1100. doi:10.2307/2317424. JSTOR 2317424. MR0313189.
[edit] External links
- An Arithmetical Rubric by Siemen Terpstra, about the application of superparticular numbers to harmony.[dead link]
- Superparticular numbers applied to construct pentatonic scales by David Canright.
- De Institutione Arithmetica, liber II by Anicius Manlius Severinus Boethius
