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Miroslava Stern

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Miroslava Stern
Stern in April 1951
Born
Miroslava Stanclová

(1926-02-26)26 February 1926
Prague, Czechoslovakia
Died9 March 1955(1955-03-09) (aged 29)
Mexico City, Mexico
Resting placePanteón Francés de San Joaquín
Mexico City, Mexico
NationalityCzechoslovakia
Other namesMiroslava Šternová
SpouseJesús Jaime Obregón

Miroslava Šternová (née Stanclová; 26 February 1926 – 9 March 1955), known professionally as Miroslava Stern, was a Czechoslovak-Mexican actress.[1]

Biography

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Born in interwar Prague as Miroslava Stanclová, her father died and she was adopted by a Jewish doctor, the psychoanalyst Dr. Oskar Leo Stern (1900–1972) who married her mother, Miroslava (née Becka; 1898–1945), and became known as Miroslava Šternová. Dr Stern and his wife had a son, Ivo (1931–2011), the actress's half-brother.[2] The family was, at one point, interned in a concentration camp after they fled their native Czechoslovakia in 1939. They sought refuge in various Scandinavian countries before emigrating to Mexico in 1941. Her mother died of cancer four years later.[3]

After winning a national beauty contest, Miroslava began to study acting. She worked steadily in films produced in Mexico, from 1946 to 1955, as well as three Hollywood films during that period. She filmed her last Mexican film, Ensayo de un crimen (The Criminal Life of Archibaldo de la Cruz), in 1955, directed by Luis Buñuel. Stranger on Horseback with Joel McCrea marked her last Hollywood film appearance.

Death

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Miroslava died by suicide in March 1955 by overdosing on sleeping pills, her body found lying outstretched over her bed.[4] According to Miroslava's friends, she had a portrait of bullfighter Luis Miguel Dominguín in one hand, and they stated that her suicide was due to unrequited love for Dominguín, who had recently married Italian actress Lucia Bosè.[4] Others, such as actress Katy Jurado, claimed that the picture that Miroslava had between her hands was of Mexican comedian Cantinflas and that her unrequited love was for Cantinflas, but her artistic manager Fanny Schatz exchanged the photo for that of the Dominguín.[5][6] Jurado based this claiming she was the first to find the body;[5] another source states that her body was found by actress Ninón Sevilla.[7] Despite a lack of evidence to support it, a rumor persisted that she actually died in a plane crash when traveling with Mexican businessman Jorge Pasquel, and her body was moved to her bedroom and made to look like a suicide.[8]

In his 1983 autobiography, Mon dernier soupir (My Last Breath), Buñuel called Miroslava's cremation following her suicide ironic, as in a scene in Ensayo de un crimen, her last film, the protagonist cremates a wax reproduction of her character. Her life is the subject of a short story by Guadalupe Loaeza,[9] which was adapted by Alejandro Pelayo for his 1992 Mexican film called Miroslava, starring Arielle Dombasle.[10]

Filmography

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Mexico

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Documentaries

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  • El charro inmortal (1955)
  • Torero (1956)

Feature films

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United States

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See also

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References

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  1. ^ Our word is our weapon: selected writings. By Subcomandante Insurgente Marcos, Juana Ponce de León, José Saramago. Seven Stories Press. p. 244.
  2. ^ Biography, imdb.com. Accessed 28 August 2023.
  3. ^ Bednář, Václav. "Osudy hranických židů po II. světové válce". vaclavbednar.wz.cz. Václav Bednář. Archived from the original on 4 March 2016. Retrieved 7 October 2015.
  4. ^ a b "Hundreds at Rites for Actress Who Killed Self". Los Angeles Times. March 12, 1955. Archived from the original on December 3, 2012.
  5. ^ a b "Katy Jurado: Estrella de Hollywood orgullosamente mexicana". Revista Somos. Editorial Televisa S.A de C.V. 1999. p. 100.
  6. ^ Lenero, Vicente (December 6, 2015). "El suicidio de Miroslava". Proceso. Retrieved February 26, 2018.
  7. ^ Gutierrez, Estephanie (February 26, 2018). "Miroslava, la bella actriz que se suicidó por amor". De10.mx. Retrieved February 26, 2018.
  8. ^ "La otra muerte de Miroslava" (in Spanish). Retrieved 27 September 2020.
  9. ^ Relocating identities in Latin American cultures. By Elizabeth Montes Garcés. p. 33.
  10. ^ Mexican cinema: reflections of a society, 1896-2004. By Carl J. Mora. McFarland & Comanpy. p. 210.

Sources

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  • Agrasánchez Jr., Rogelio (2001). Bellezas del cine mexicano/Beauties of Mexican Cinema. Archivo Fílmico Agrasánchez. ISBN 968-5077-11-8.
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