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[[File:Delaymus.jpg|thumb|200px|The Delay Museum, Poland 2011]]
[[File:Delaymus.jpg|thumb|200px|The Delay Museum, Poland 2011]]


'''Emergency Room''' is an art exhibition format devised by [[Thierry Geoffroy]] for artists with desire to engage quickly in the current debate. Artists are invited to contribute with art works that are produced daily in response to ongoing social issues, contributing to a constantly changing exhibition. The format avoids the need for an artist to wait months or years before being able to exhibit their art. Emergency Room exhibitions have been held in a number of locations globally.
'''Emergency Room''' is an art exhibition format devised by [[Thierry Geoffroy]] for artists with a desire to engage quickly in the current debate. Artists are invited to contribute with art works that are produced daily in response to ongoing social issues, contributing to a constantly changing exhibition. The format avoids the need for an artist to wait months or years before being able to exhibit their art. Emergency Room exhibitions have been held in a number of locations globally.


== Emergency Room format ==
== Emergency Room format ==
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=== Emergency Art ===
=== Emergency Art ===
Emergency Room produces Emergency Art.<ref name=":3" /> Emergency art centres on topical issues, pressing events that are happening in the world at the moment of its creation.<ref>{{Cite web|title=Emergency art is created and shown in no more than a day|url=https://www.designindaba.com/articles/creative-work/emergency-art-created-and-shown-no-more-day|access-date=2021-03-02|website=Design Indaba|language=en}}</ref> It is often concerned with political or controversial subjects.<ref name=":3" /> The structure of Emergency Room, with its strict time schedule, stimulates the ideal conditions for the creation of Emergency Art.<ref name=":4">{{Cite web|title=Geoffroy, Thierry / aka Colonel: Emergency Room Dictionary {{!}} Revolver Publishing|url=https://revolver-publishing.com/geoffroy-thierry-aka-colonel-emergency-room-dictionary.html|access-date=2021-03-02|website=revolver-publishing.com}}</ref> The format often changes returning artists’ praxis, the exhibition’s environment leading to more experimental, unpredictable artworks.<ref name=":1" /> Assessing the collection of artwork amassed from the format’s many activations can be reviewed to define the aesthetic of emergency.<ref>{{Cite web|title=Le Musée du RETARD / the DELAY MUSEUM {{!}} Independent Collectors|url=https://independent-collectors.com/collections/thierry-geoffroy-le-musee-du-retard-the-delay-museum/|access-date=2021-03-02|website=independent-collectors.com|language=en-US}}</ref>
Emergency Room produces Emergency Art.<ref name=":3" /> Emergency art centres on topical issues, pressing events that are happening in the world at the moment of its creation.<ref>{{Cite web|title=Emergency art is created and shown in no more than a day|url=https://www.designindaba.com/articles/creative-work/emergency-art-created-and-shown-no-more-day|access-date=2021-03-02|website=Design Indaba|language=en}}</ref> It is often concerned with political or controversial subjects.<ref name=":3" /> The structure of Emergency Room, with its strict time schedule, stimulates the ideal conditions for the creation of Emergency Art.<ref name=":4">{{Cite web|title=Geoffroy, Thierry / aka Colonel: Emergency Room Dictionary {{!}} Revolver Publishing|url=https://revolver-publishing.com/geoffroy-thierry-aka-colonel-emergency-room-dictionary.html|access-date=2021-03-02|website=revolver-publishing.com}}</ref> The format often changes returning artists’ praxis, the exhibition’s environment leading to more experimental, unpredictable artworks.<ref name=":1" /> Assessing the collection of artwork amassed from the format’s many activations can be reviewed to define the aesthetic of emergency.<ref name=":5">{{Cite web|title=Le Musée du RETARD / the DELAY MUSEUM {{!}} Independent Collectors|url=https://independent-collectors.com/collections/thierry-geoffroy-le-musee-du-retard-the-delay-museum/|access-date=2021-03-02|website=independent-collectors.com|language=en-US}}</ref>


=== Vision ===
=== Vision ===
Thierry Geoffroy has expressed a vision for Emergency Room’s development, a future where live broadcasting from the exhibition would fill a daily segment of the national TV news.<ref name=":3" /> This segment should be placed before the weather forecast, and be treated seriously, as a fundamental section of the news.<ref>{{Cite web|title=The Academy of Emergency Art -|url=http://www.copenhagenbiennale.org/aea/ujjl7pwfunhg8brlykn37b60u79muu|access-date=2021-03-02|website=.|language=en-US}}</ref> On a longer timeline, this segment could be developed as a new genre of news reporting, becoming an integral fixture of daily broadcasting.<ref>{{Cite web|title=The Academy of Emergency Art -|url=http://www.copenhagenbiennale.org/aea/ujjl7pwfunhg8brlykn37b60u79muu|access-date=2021-03-02|website=.|language=en-US}}</ref>
Thierry Geoffroy has expressed a vision for Emergency Room’s development, a future where live broadcasting from the exhibition would fill a daily segment of the national TV news.<ref name=":3" /> This segment should be placed before the weather forecast, and be treated seriously, as a fundamental section of the news.<ref>{{Cite web|title=The Academy of Emergency Art -|url=http://www.copenhagenbiennale.org/aea/ujjl7pwfunhg8brlykn37b60u79muu|access-date=2021-03-02|website=.|language=en-US}}</ref> On a longer timeline, this segment could be developed as a new genre of news reporting, becoming an integral fixture of daily broadcasting.<ref>{{Cite web|title=The Academy of Emergency Art -|url=http://www.copenhagenbiennale.org/aea/ujjl7pwfunhg8brlykn37b60u79muu|access-date=2021-03-02|website=.|language=en-US}}</ref>


It is the artist’s objective that every city should have a permanent Emergency Room<ref name=":1" /> so the format can be ongoing and uninterrupted.<ref>{{Cite web|title=Thierry Geoffroy / European Culture Congress|url=http://www.culturecongress.eu/en/people/geoffroy_thierry|access-date=2021-03-02|website=www.culturecongress.eu}}</ref> Not only should this be open every day, but all night as well.<ref>{{Cite book|last=Geoffroy|first=Thierry|url=https://www.worldcat.org/oclc/724430158|title=Emergency room|date=2010|isbn=978-3-86895-093-9|location=Berlin|oclc=724430158}}</ref> This permanent exhibition would operate as a watchdog<ref>{{Cite web|title=Blackwood Gallery {{!}} Awareness Muscle: Thierry Geoffroy/le Colonel|url=http://archive.blackwoodgallery.ca/exhibitions/2007/awarenessmuscle.html#artist|access-date=2021-03-02|website=archive.blackwoodgallery.ca}}</ref> for people to be critically engaged and informed on the world’s emergencies. If the format can continue without interference, it can generate an impact that can be felt far outside of its reach.
It is the artist’s objective that every city should have a permanent Emergency Room<ref name=":1" /> so the format can be ongoing and uninterrupted.<ref>{{Cite web|title=Thierry Geoffroy / European Culture Congress|url=http://www.culturecongress.eu/en/people/geoffroy_thierry|access-date=2021-03-02|website=www.culturecongress.eu}}</ref> Not only should this be open every day, but all night as well.<ref name=":6">{{Cite book|last=Geoffroy|first=Thierry|url=https://www.worldcat.org/oclc/724430158|title=Emergency room|date=2010|isbn=978-3-86895-093-9|location=Berlin|oclc=724430158}}</ref> This permanent exhibition would operate as a watchdog<ref>{{Cite web|title=Blackwood Gallery {{!}} Awareness Muscle: Thierry Geoffroy/le Colonel|url=http://archive.blackwoodgallery.ca/exhibitions/2007/awarenessmuscle.html#artist|access-date=2021-03-02|website=archive.blackwoodgallery.ca}}</ref> for people to be critically engaged and informed on the world’s emergencies. If the format can continue without interference, it can generate an impact that can be felt far outside of its reach.

== Convergence with other formats ==
Emergency Room often converges on or operates in parallel with other formats by Thierry Geoffroy, for example Biennalist or Critical Run.<ref>{{Cite book|last=Danko|first=Dagmar|url=https://books.google.dk/books?id=HwNYBAAAQBAJ&pg=PA132&lpg=PA132&dq=thierry+geoffroy+emergency+debate&source=bl&ots=UnwDSWEl11&sig=ACfU3U0ST_fQ32bJYBx2DWdEYhZH8P69Ow&hl=en&sa=X&ved=2ahUKEwibyKn_54rvAhVRs4sKHXGaAh84UBDoATAGegQIBRAD#v=onepage&q=thierry%20geoffroy%20emergency%20debate&f=false|title=Kunst und Öffentlichkeit|last2=Moeschler|first2=Olivier|last3=Schumacher|first3=Florian|date=2014-08-22|publisher=Springer-Verlag|isbn=978-3-658-01834-4|language=de}}</ref><ref>{{Cite web|title=Emergency Room Napoli by Thierry Geoffroy/Colonel|url=https://www.comune.napoli.it/flex/cm/pages/ServeBLOB.php/L/EN/IDPagina/9193|url-status=live|access-date=2021-03-02|website=commune.napoli.it}}</ref> Emergency Room is a way to train the Awareness Muscle, a metaphorical muscle in Geoffroy’s artistic oeuvre that compares building awareness to training a human muscle.<ref>{{Cite web|title=Museum Villa Stuck: Thierry Geoffroy. THE AWARENESS MUSCLE TRAINING CENTER|url=https://www.villastuck.de/ausstellungen/2020/geoffroy_english/index.htm|access-date=2021-03-03|website=www.villastuck.de}}</ref> The Awareness Muscle can be trained through “Discussing politics with others on a daily basis”, which is done in Emergency Room.<ref name=":6" /> The Delay Museum, which started as an extension of Emergency Room and has evolved independently of it, is the primary co-occurring piece and has been activated together with almost every rendition of the format.<ref name=":5" /> The Delay Museum is a selection of Emergency Art made during the exhibition that is exhibited in adjacence to the Emergency Room space.<ref>{{Cite web|title=EMERGENCY ROOM WROCŁAW – ArtTransparent|url=http://arttransparent.org/emergency-room-wroclaw-5/|access-date=2021-03-03|website=arttransparent.org}}</ref>

=== Apathy Lab/ Academy of Emergency Art ===
Geoffroy has established facilitating formats that work to strengthen the aims of Emergency Room, namely “The Academy of Emergency Art” and “Apathy Lab”. The Academy of Emergency Art was co-orchestrated between Geoffroy and curator Tijana Miskovic.<ref>{{Cite web|last=Miskovic|first=Tijana|title=THE ACADEMY OF EMERGENCY ART in collaboration with Thierry Geoffroy/ COLONEL|url=https://www.tijanamiskovic.com/academy-emergency-art|access-date=2021-03-03|website=TIJANA MIŠKOVIĆ - Curating, Art Consultancy and Selling of Artworks|language=en-US}}</ref> It is an educational format, seeking to transfer the logic of Emergency Room in an academic setting.<ref>{{Cite web|last=Miskovic|first=Tijana|title=THE ACADEMY OF EMERGENCY ART in collaboration with Thierry Geoffroy/ COLONEL|url=https://www.tijanamiskovic.com/academy-emergency-art|access-date=2021-03-03|website=TIJANA MIŠKOVIĆ - Curating, Art Consultancy and Selling of Artworks|language=en-US}}</ref> It has taken place in the form of a 5 week course at the Kunst Højskole in Holbaek, Denmark.<ref name=":7">{{Cite web|title=Academy of Emergency Art|url=https://www.kunsthojskolen.dk/courses/academy-of-emergency-art/|access-date=2021-03-03|website=Kunsthøjskolen i Holbæk – Plads Til Kunst|language=da-DK}}</ref> The format trains artists to work “in time” and to train their awareness muscle; this is to say that they can work with criticality and with the intention of creating art that can have an impact on emergencies.<ref>{{Cite web|title=THE ACADEMY OF EMERGENCY ART: The awareness muscle has to be trained every day!|url=https://us11.campaign-archive.com/?e=%5BUNIQID%5D&u=22fa5c727ad97382f987f60c8&id=e337e00524|access-date=2021-03-03|website=us11.campaign-archive.com}}</ref> The format teaches courses on developing the ability to debate, examples of artists who have worked “in time” in art history, presentations and debate sessions on the function of the artist in society, as well as practical workshops, group presentations and individual studio visits.<ref name=":7" /> The Apathy Lab is a “research initiative” formed of an amalgamation of projects that centre around the topic of apathy; where it comes from, why it is so widespread and how to “treat” it.<ref>{{Cite web|last=Hansen|first=Elena|date=2021-02-02|title=The Apathy Lab Method|url=http://emergencyrooms.org/apathy_lab.pdf|url-status=live|website=emergency rooms.org}}</ref><ref>{{Cite web|title=The APATHY LAB|url=https://us11.campaign-archive.com/?u=22fa5c727ad97382f987f60c8&id=7060f92bc5|access-date=2021-03-03|website=us11.campaign-archive.com}}</ref>


== Contributing artists 2006 - present ==
== Contributing artists 2006 - present ==

Revision as of 11:52, 3 March 2021

Emergency Room Entrance
Emergency Room in Athens, 2007
Participants debate after "The Passage"
Emergency Room in Paris, 2008. "The Passage""
Emergency Room in Hanoi, 2009 - Debate after "The Passage"
The Delay Museum, Poland 2011

Emergency Room is an art exhibition format devised by Thierry Geoffroy for artists with a desire to engage quickly in the current debate. Artists are invited to contribute with art works that are produced daily in response to ongoing social issues, contributing to a constantly changing exhibition. The format avoids the need for an artist to wait months or years before being able to exhibit their art. Emergency Room exhibitions have been held in a number of locations globally.

Emergency Room format

"Artists, audience and media have been fighting for weeks in order to get to see and participate in the new and innovating exhibition that with its "art of the news" puts the art institution itself to debate. Reuters, The New Yorker and the TV-channel ABC News are some of the leading media that have brought the story about the original exhibition, and at P.S.1 more than a thousand visitors per day have been seeing it…" said Danish newspaper Weekendavisen in March 2007.[1]

Emergency Rooms are "carefully prepared environment[s] for hectic bursts of creation".[2] Emergency Rooms can take place in several places across the world at the same time. When art institutions wish to host the Emergency Room format they are given a license to produce a version of the format.[3]

The Emergency Room format involves a system which is taught to the participating artists by the Emergency Room team. The system requires the artwork of the previous day to be removed daily (normally around 12.30 p.m.) and replaced by fresh artworks. Geoffroy calls this central element of the process "The Passage".[3] The number of artists turning up for the Passage will vary, sometimes with nobody showing up. Other days the news of the day will stimulate responses from the artists and participation in the Passage increases.

Emergency Room can be combined with the 'Delay Museum', a nearby exhibition space where yesterday's artwork is archived and shown.[3] This museum is no longer contemporary in the sense of the word used by Emergency Room. This delay of opinions and reactions are preserved. Geoffroy describes this as a critical way of thinking about contemporary art, with The Delay Museum becoming a place for studying the aesthetics of the fast moving 'emergency'.[2] It is recorded externally by media coverage and internally using blogs, webcasting and artist interviews by the Emergency Room team.[2]

Geoffroy describes the Emergency Room as a format where artists can "train their awareness muscle", encouraging experimentation and artistic daring.[4]

Punctuality, Time, Precision

The importance of time is intrinsic to the Emergency Room format.[5] In order for the format to function well, punctuality must be kept by the artists and Geoffroy.[6]The exhibition works on a 24-hour schedule, new artworks are presented each day at 12pm.[7] Punctuality is integral to keep the flow of the exhibition moving and to ensure this tight schedule is kept to.[8]

The strict time schedule of the exhibition is in place to stay as close to the present moment as possible.[5] The exhibition aims to coincide with life itself, time is unstoppable, the exhibition must keep up with it. If the exhibition can keep up with time itself, there is the possibility of art being able to provoke action.[9]Geoffroy sees the artworld as lacking the ability as only able to comment on “yesterday’s world” and Emergency Room’s time based structure is an attempt to subvert this effect.[10] In this is the idea of the artist being “in time”.[11] There is a text on the outer walls of the Emergency Room structure that specifies the relationship to time and reinforces the time structure of the exhibition.[12] An analog clock hangs on this wall as well, to help artists keep to the schedule and as a reference point for museum visitors to know when the exhibition is changing or the artists will arrive.[13] Every day when the exhibition changes at 12pm, the artists will meet at the clock and wait for the exhibition changeover to begin (this process is called the passage), through this the clock becomes a rendezvous point for the artists and Geoffroy.[14]

Precision is a primary concern of Emergency Room as well as the Awareness Muscle format.[15] To operate on a strict schedule, the artists must be sharp and convey their ideas with precision.[16]

Debate

Part of the format includes debate; the artwork acts as a stimulant for debate on important themes.[17] The debate spreads awareness[18] and creates a sense of community in the format between participants.[8] Everyone, artists and visitors are involved in the debate.[19] Debating facilitates the ability for the artworks to reach people and have an impact on current issues.[11] The debate is described as “running/ streaming”, in reference to its ongoing nature.[20] Where the format has taken place in countries where censorship is state sponsored, Emergency Room can act as a way of opening up a dialogue, due to critique being more readily accepted through art.[21]

Emergency Art

Emergency Room produces Emergency Art.[11] Emergency art centres on topical issues, pressing events that are happening in the world at the moment of its creation.[22] It is often concerned with political or controversial subjects.[11] The structure of Emergency Room, with its strict time schedule, stimulates the ideal conditions for the creation of Emergency Art.[23] The format often changes returning artists’ praxis, the exhibition’s environment leading to more experimental, unpredictable artworks.[4] Assessing the collection of artwork amassed from the format’s many activations can be reviewed to define the aesthetic of emergency.[24]

Vision

Thierry Geoffroy has expressed a vision for Emergency Room’s development, a future where live broadcasting from the exhibition would fill a daily segment of the national TV news.[11] This segment should be placed before the weather forecast, and be treated seriously, as a fundamental section of the news.[25] On a longer timeline, this segment could be developed as a new genre of news reporting, becoming an integral fixture of daily broadcasting.[26]

It is the artist’s objective that every city should have a permanent Emergency Room[4] so the format can be ongoing and uninterrupted.[27] Not only should this be open every day, but all night as well.[28] This permanent exhibition would operate as a watchdog[29] for people to be critically engaged and informed on the world’s emergencies. If the format can continue without interference, it can generate an impact that can be felt far outside of its reach.

Convergence with other formats

Emergency Room often converges on or operates in parallel with other formats by Thierry Geoffroy, for example Biennalist or Critical Run.[30][31] Emergency Room is a way to train the Awareness Muscle, a metaphorical muscle in Geoffroy’s artistic oeuvre that compares building awareness to training a human muscle.[32] The Awareness Muscle can be trained through “Discussing politics with others on a daily basis”, which is done in Emergency Room.[28] The Delay Museum, which started as an extension of Emergency Room and has evolved independently of it, is the primary co-occurring piece and has been activated together with almost every rendition of the format.[24] The Delay Museum is a selection of Emergency Art made during the exhibition that is exhibited in adjacence to the Emergency Room space.[33]

Apathy Lab/ Academy of Emergency Art

Geoffroy has established facilitating formats that work to strengthen the aims of Emergency Room, namely “The Academy of Emergency Art” and “Apathy Lab”. The Academy of Emergency Art was co-orchestrated between Geoffroy and curator Tijana Miskovic.[34] It is an educational format, seeking to transfer the logic of Emergency Room in an academic setting.[35] It has taken place in the form of a 5 week course at the Kunst Højskole in Holbaek, Denmark.[36] The format trains artists to work “in time” and to train their awareness muscle; this is to say that they can work with criticality and with the intention of creating art that can have an impact on emergencies.[37] The format teaches courses on developing the ability to debate, examples of artists who have worked “in time” in art history, presentations and debate sessions on the function of the artist in society, as well as practical workshops, group presentations and individual studio visits.[36] The Apathy Lab is a “research initiative” formed of an amalgamation of projects that centre around the topic of apathy; where it comes from, why it is so widespread and how to “treat” it.[38][39]

Contributing artists 2006 - present

The Emergency Room events involve large numbers of local and overseas artists. By November 2008 over 150 artists had been involved in the format in a number of locations internationally.[40]

The format has been activated in:

  • MoMA PS1, New York City (2007) involving 30 artists, changing the entire display at 12.30pm each day.[41][42]
  • University of Fine Arts, Hanoi, Vietnam (2009) involving 25 local and overseas artists.[43] The event coincided with a Danish State visit to Hanoi in November 2009.[44]
  • European Culture Congress, Wroclav (2011), involving 18 artists.[45]
  • Naples : PAN - Palazzo delle Arti Napoli (2009)[46]
  • Athens : Ileana Tounta Contemporary Art Center (2007)[47]
  • Paris : Galerie Taiss (2008).[40]
  • Berlin : Galerie Olaf Stueber (2006) .
  • Copenhagen : Kunsthallen Nikolaj ( 2006).

Background/History

The basis of the Emergency Room format can be found in the Emergency Room Manifesto, published in email formatting, three years prior to the first exhibition in 2006.[48] In this work, he states the need for ‘Emergency Rooms’ where artists can exhibit their works on current issues every day, immediately.[49] Geoffroy had already been working in a similar discipline to Emergency Room in his artistic ventures of the 1990’s, particularly in an exhibition at the Copenhagen MM Museum, where he collected daily newspaper articles and photographs detailing the crises transpiring in the world at that point in time, evidences of propaganda and satirical collages playing with brand logos.[50] The aspect of immediate exhibition can also be seen in Geoffroy’s 1996 exhibition with artist Jeff Guess at the Moderna Museet Stockholm, where they shot, produced and presented 10,000 city photographs in the space of a 10 day exhibiting period, aiming to detect social themes and identify issues through their photographs.[51]

Dictionary

A dictionary that acts as a sort of manifesto and guide to understanding the function and theory of Emergency Room was published as a supporting document to the 2007 MoMA PS1 Emergency Room in New York City.[23][52] The dictionary is formatted in the style of a real dictionary but contains word by word, often poetic, lyrical definitions of the words that are most integral to the understanding of the format. Geoffroy has used the form of a dictionary previously in his art career, as part of an exhibition out of his suitcase in 1993, which later was produced as a techno music sound piece and digitised in 1998.[53]

References

  1. ^ Nikolaj M. Lassen, "Art = Retard" (in Danish), Weekendavisen, 30 March 2007.
  2. ^ a b c The Emergency Room Format, Emergencyrooms.org. Retrieved 2013-04-30.
  3. ^ a b c Emergency Room Hanoi, artinasia.com, October 2009.
  4. ^ a b c "Q&A: Alternatives – Thierry Geoffroy". Cultural Development Consultation. Retrieved 12 October 2015.
  5. ^ a b "Thierry Geoffroy | Widewalls". www.widewalls.ch. Retrieved 2021-03-02.
  6. ^ "EMERGENCY ROOM ATHENS". emergencyroom-athens.blogspot.com. Retrieved 2021-03-02.
  7. ^ "At Vietnam University of Fine Arts". www.e-flux.com. Retrieved 2021-03-02.
  8. ^ a b "Emergency Room | MoMA". The Museum of Modern Art. Retrieved 2021-03-02.
  9. ^ "#NOWBEFOREITISTOOLATE an exhibition by Thierry Geoffroy/ COLONEL". '. Retrieved 2021-03-02.
  10. ^ "Emergency Room PS1 MoMa | NIELS BONDE". Retrieved 2021-03-02.
  11. ^ a b c d e "Emergency Art". visibleproject. Retrieved 2021-03-02.
  12. ^ Thierry Geoffroy (2020-06-16). "Towards a Definition of Format Art. On the social, political and crit…". {{cite journal}}: Cite journal requires |journal= (help)
  13. ^ Thierry Geoffroy (2020-06-16). "Towards a Definition of Format Art. On the social, political and crit…". {{cite journal}}: Cite journal requires |journal= (help)
  14. ^ Thierry Geoffroy (2020-06-16). "Towards a Definition of Format Art. On the social, political and crit…". {{cite journal}}: Cite journal requires |journal= (help)
  15. ^ "In Conversation with Thierry Geoffroy (AKA Colonel)". Artwrit. 2012-06-05. Retrieved 2021-03-02.
  16. ^ "ARTIBUNE, 23. January 2015". '. Retrieved 2021-03-02.
  17. ^ "Jacquelyn Davis » Interview with Thierry Geoffroy" (in Swedish). Retrieved 2021-03-02.
  18. ^ https://plus.google.com/+UNESCO (2019-08-08). "Colonel: We must act quickly!". UNESCO. Retrieved 2021-03-02. {{cite web}}: |last= has generic name (help); External link in |last= (help)
  19. ^ says, Валок Мураши (2013-03-16). "Q&A: Alternatives – Thierry Geoffroy (part 1)". Cultural Development Consulting. Retrieved 2021-03-02.
  20. ^ "Kunstnernes TV-avis". kunsten.nu - Online magasin og kalender for billedkunst (in Danish). 2009-11-26. Retrieved 2021-03-02.
  21. ^ "Kunstnernes TV-avis". kunsten.nu - Online magasin og kalender for billedkunst (in Danish). 2009-11-26. Retrieved 2021-03-02.
  22. ^ "Emergency art is created and shown in no more than a day". Design Indaba. Retrieved 2021-03-02.
  23. ^ a b "Geoffroy, Thierry / aka Colonel: Emergency Room Dictionary | Revolver Publishing". revolver-publishing.com. Retrieved 2021-03-02.
  24. ^ a b "Le Musée du RETARD / the DELAY MUSEUM | Independent Collectors". independent-collectors.com. Retrieved 2021-03-02.
  25. ^ "The Academy of Emergency Art -". '. Retrieved 2021-03-02.
  26. ^ "The Academy of Emergency Art -". '. Retrieved 2021-03-02.
  27. ^ "Thierry Geoffroy / European Culture Congress". www.culturecongress.eu. Retrieved 2021-03-02.
  28. ^ a b Geoffroy, Thierry (2010). Emergency room. Berlin. ISBN 978-3-86895-093-9. OCLC 724430158.{{cite book}}: CS1 maint: location missing publisher (link)
  29. ^ "Blackwood Gallery | Awareness Muscle: Thierry Geoffroy/le Colonel". archive.blackwoodgallery.ca. Retrieved 2021-03-02.
  30. ^ Danko, Dagmar; Moeschler, Olivier; Schumacher, Florian (2014-08-22). Kunst und Öffentlichkeit (in German). Springer-Verlag. ISBN 978-3-658-01834-4.
  31. ^ "Emergency Room Napoli by Thierry Geoffroy/Colonel". commune.napoli.it. Retrieved 2021-03-02.{{cite web}}: CS1 maint: url-status (link)
  32. ^ "Museum Villa Stuck: Thierry Geoffroy. THE AWARENESS MUSCLE TRAINING CENTER". www.villastuck.de. Retrieved 2021-03-03.
  33. ^ "EMERGENCY ROOM WROCŁAW – ArtTransparent". arttransparent.org. Retrieved 2021-03-03.
  34. ^ Miskovic, Tijana. "THE ACADEMY OF EMERGENCY ART in collaboration with Thierry Geoffroy/ COLONEL". TIJANA MIŠKOVIĆ - Curating, Art Consultancy and Selling of Artworks. Retrieved 2021-03-03.
  35. ^ Miskovic, Tijana. "THE ACADEMY OF EMERGENCY ART in collaboration with Thierry Geoffroy/ COLONEL". TIJANA MIŠKOVIĆ - Curating, Art Consultancy and Selling of Artworks. Retrieved 2021-03-03.
  36. ^ a b "Academy of Emergency Art". Kunsthøjskolen i Holbæk – Plads Til Kunst (in Danish). Retrieved 2021-03-03.
  37. ^ "THE ACADEMY OF EMERGENCY ART: The awareness muscle has to be trained every day!". us11.campaign-archive.com. Retrieved 2021-03-03.
  38. ^ Hansen, Elena (2021-02-02). "The Apathy Lab Method" (PDF). emergency rooms.org.{{cite web}}: CS1 maint: url-status (link)
  39. ^ "The APATHY LAB". us11.campaign-archive.com. Retrieved 2021-03-03.
  40. ^ a b Thomas, Cyril (13 November 2008). "Le remède à la morosité : EMERGENCY ROOM (in French)". ArtNet.fr. Retrieved 2013-04-25.
  41. ^ Dewille, James (21 February 2007). "Live From N.Y., It's Yesterday's News". Columbia Daily Spectator. Retrieved 2013-04-25.
  42. ^ "Emergency Room at MOMA / PS1 New York (2007)". ABC7 News.
  43. ^ "Experimental exhibition opens in Hanoi". Hanoi Times. 3 November 2009. Archived from the original on 2011-10-04. Retrieved 2013-04-25.
  44. ^ "At Vietnam University of Fine Arts" Archived 2010-03-15 at the Wayback Machine, E-flux, 1 November 2009.
  45. ^ Emergency Room, European Culture Congress 2011.
  46. ^ Emergency Room Napoli di Thierry Geoffroy/Colonel (in Italian), Comune di Napoli.
  47. ^ Emergency Room (press briefing) Archived 2011-07-21 at the Wayback Machine, Ileana Tounta Centre for Contemporary Art.
  48. ^ "Emergency Rooms / Manifesto". www.nettime.org. Retrieved 2021-03-02.
  49. ^ "Emergency Rooms / Manifesto". www.nettime.org. Retrieved 2021-03-02.
  50. ^ Colonel, Emergency Room Thierry Geoffroy / (2012-05-05), "Fra undergrund til overgrund " by Jan Kornum Larsen . Weekendavisen 1mars 1991, retrieved 2021-03-02
  51. ^ "Jeff Guess - Spur of the Moment". www.guess.fr. Retrieved 2021-03-02.
  52. ^ "dictionary". www.emergencyrooms.org. Retrieved 2021-03-02.
  53. ^ "dictionary". www.emergencyrooms.org. Retrieved 2021-03-02.

External links

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