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'''''Las Muñecas que hacen pum''''' (''The Dolls that go Boom!'') is a 1979 [[Argentina|Argentine]] film directed by [Gerardo Sofovich]]. The plot concerns two rival international organisations, one of which employs [Android (robot)|androids]] used as [[sex doll]]s. The dolls are programmed to explode when the victim has sex with them.<ref>Roberto Blanco Pazos, Raúl Clemente, ''De la fuga a la fuga: diccionario de films policiales'', p. 342, Corregidor, 2004 {{isbn|9500515288}}. |
'''''Las Muñecas que hacen pum''''' (''The Dolls that go Boom!'') is a 1979 [[Argentina|Argentine]] film directed by [[Gerardo Sofovich]]. The plot concerns two rival international organisations, one of which employs [Android (robot)|androids]] used as [[sex doll]]s. The dolls are programmed to explode when the victim has sex with them.<ref>Roberto Blanco Pazos, Raúl Clemente, ''De la fuga a la fuga: diccionario de films policiales'', p. 342, Corregidor, 2004 {{isbn|9500515288}}.</ref> |
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== Reception == |
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The film was released in an era when there was little sexual censorship of comedies in Argentina. Complaints were largely absent despite it being heavily advertised. However, in neighbouring Peru, there were street protests against the film leading to its banning as a "moral danger" to children.<ref> |
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Débora D'Antonio, "State, filmmaking, and sexuality during the military dictatorship in Argentina (1976–1983)", p. 136, ch. 6 in, Juan Grigera, Luciana Zorzoli (eds), ''The Argentinian Dictatorship and its Legacy'', Springer, 2019 {{ISBN|3030183017}}.</ref> |
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==External links== |
==External links== |
Revision as of 11:51, 30 December 2022
This article needs additional citations for verification. (May 2019) |
Las Muñecas que hacen pum | |
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Release date |
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Country | Argentina |
Language | Spanish |
Las Muñecas que hacen pum (The Dolls that go Boom!) is a 1979 Argentine film directed by Gerardo Sofovich. The plot concerns two rival international organisations, one of which employs [Android (robot)|androids]] used as sex dolls. The dolls are programmed to explode when the victim has sex with them.[1]
Reception
The film was released in an era when there was little sexual censorship of comedies in Argentina. Complaints were largely absent despite it being heavily advertised. However, in neighbouring Peru, there were street protests against the film leading to its banning as a "moral danger" to children.[2]
External links
- ^ Roberto Blanco Pazos, Raúl Clemente, De la fuga a la fuga: diccionario de films policiales, p. 342, Corregidor, 2004 ISBN 9500515288.
- ^ Débora D'Antonio, "State, filmmaking, and sexuality during the military dictatorship in Argentina (1976–1983)", p. 136, ch. 6 in, Juan Grigera, Luciana Zorzoli (eds), The Argentinian Dictatorship and its Legacy, Springer, 2019 ISBN 3030183017.