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{{short description|Swedish actress}}
{{short description|Swedish actress}}
{{Multiple issues|{{Original research|date=June 2019}}
{{Multiple issues|{{Original research|date=June 2019}}
{{Overly detailed|date=April 2020}}
{{Overly detailed|date=April 2020}}}}
{{Unreferenced|date=April 2020}}}}
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{{Use dmy dates|date=January 2020}}
{{Infobox person
{{Infobox person
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==Biography==
==Biography==
Born '''Siri Naima Matilda Wifstrand''' in [[Stockholm]] in 1890, she was raised by her mother in Fleminggatan. Wifstrand never trained acting but learned the art thoroughly when she in 1905 joined the Anna Lundberg Theatre Company, a well reputed and respected theatre company in Sweden at the time. She travelled with them for a number of years, appearing in small parts and in extra parts. This eventually led her to small parts at theatres in [[Helsinki]] and around [[Stockholm]]. But at this time Wifstrand did not have her mind set on acting, instead she sought to be a singer. And it was as a grand operetta singer she became famous and enjoyed a successful star career for 30 years in Sweden (her speaking parts as an actress came long after; when she after singing-career gradually turned to acting in the 1940s and then earned acclaim as one of Sweden's finest supporting and character actresses on stage and film).
Born '''Siri Naima Matilda Wifstrand''' in [[Stockholm]] in 1890, she was raised by her mother in Fleminggatan. Wifstrand never trained acting but learned the art thoroughly when she in 1905 joined the Anna Lundberg Theatre Company, a well reputed and respected theatre company in Sweden at the time. She travelled with them for a number of years, appearing in small parts. This eventually led her to small parts at theatres in [[Helsinki]] and around [[Stockholm]]. But at this time Wifstrand did not have her mind set on acting, instead she sought to be a singer. And it was as a grand operetta singer she became famous and enjoyed a successful star career for 30 years in Sweden.


===Career and break-through===
===Career and break-through===
Wifstrand studied music and singing in Stockholm at the Swedish Royal Academy of Music and in 1910 she went to London and further trained for [[Raymond von zur Mühlen]]. After her studies she was one of the most acknowledged operetta singers in Scandinavia. She worked at [[Oscarsteatern]] (Sweden's foremost operetta and musical stage) 1913–1918 and for years to come toured Sweden and Scandinavia. Her big break-through came as Countess Stasi in [[Emmerich Kálmán]]'s operetta ''[[Die Csárdásfürstin]]'' in 1916. She worked in the 1920s mainly at the opera houses in [[Oslo]] and [[Copenhagen]]. For many years she lived in London where she also performed with [[troubadour]]-songs alone along with her guitar. A curiosity here is that when the first attempts at broadcast television took place in Britain Wifstrand became one of the first "TV-stars", so to speak, as she appeared on TV in the 1930s and performed a number of songs.
Wifstrand studied music and singing in Stockholm at the Swedish Royal Academy of Music and in 1910 she went to London and further trained for [[Raymond von zur Mühlen]]. After her studies she was one of the most acknowledged operetta singers in Scandinavia. She worked at [[Oscarsteatern]] from 1913 to 1918, and toured Sweden and Scandinavia for years. [[Greta Garbo]] admired Wifstrand in this time, and patterned some of her performances after Wifstrand's.<ref>{{Cite news |last=von Caub |first=Elizabeth |date=1936-03-30 |title=Greta Garbo, Her True Story |url=https://www.newspapers.com/article/the-pittsburgh-press-greta-garbo-her-tr/140381023/ |access-date=2024-02-06 |work=The Pittsburgh Press |pages=17 |via=Newspapers.com}}</ref>

Wifstrand's big breakthrough came as Countess Stasi in [[Emmerich Kálmán]]'s operetta ''[[Die Csárdásfürstin]]'' in 1916. She worked in the 1920s mainly at the opera houses in [[Oslo]] and [[Copenhagen]]. For many years she lived in London where she performed with [[troubadour]]-songs alone along with her guitar, or with a piano accompanist.<ref>{{Cite news |date=1934-02-27 |title=Naima Wifstrand |url=https://www.newspapers.com/article/the-daily-telegraph-naima-wifstrand/140381383/ |access-date=2024-02-06 |work=The Daily Telegraph |pages=8 |via=Newspapers.com}}</ref> When the first attempts at broadcast television took place in Britain, Wifstrand became one of the first "TV stars", as she appeared on TV in the 1930s and performed a number of songs.


[[File:Naima wifstrand-czardasfurstinnan.jpg|210px|right|thumb|Wifstrand as Countess Stasi in Kálmán's ''Die Csárdásfürstin'', 1916]]
[[File:Naima wifstrand-czardasfurstinnan.jpg|210px|right|thumb|Wifstrand as Countess Stasi in Kálmán's ''Die Csárdásfürstin'', 1916]]
In 1937 Swedish stage director Per Lindberg cast her as Mother Peachum in [[Bertolt Brecht]]'s ''[[The Threepenny Opera]]'' (in Swe: ''Tolvskillingsoperan'') which became a hugely successful production and toured with the [[National Swedish Touring Theatre]]. When Bertolt Brecht later left Germany because of [[Nazism|the Nazis]] he first moved to Sweden where he lived for a time and wrote the part ''[[Mother Courage and Her Children|Mother Courage]]'' especially for Wifstrand – but sadly, she herself never got to play the part in what became one of Brecht's most successful plays. During his stay in Sweden, Wifstrand had helped Brecht both financially and also personally with accommodation.
In 1937 Swedish stage director Per Lindberg cast her as Mother Peachum in [[Bertolt Brecht]]'s ''[[The Threepenny Opera]]'' (in Swe: ''Tolvskillingsoperan'') which became a hugely successful production and toured with the [[National Swedish Touring Theatre]]. When Bertolt Brecht later left Germany because of [[Nazism|the Nazis]] he first moved to Sweden where he lived for a time and wrote the part ''[[Mother Courage and Her Children|Mother Courage]]'' especially for Wifstrand – but sadly, she herself never got to play the part in what became one of Brecht's most successful plays. During his stay in Sweden, Wifstrand had helped Brecht both financially and also personally with accommodation.<ref>{{Cite book |last=Gelber |first=Bill |url=https://books.google.com/books?id=GR6uEAAAQBAJ&newbks=1&newbks_redir=0&lpg=PA29&dq=Naima%20Wifstrand&pg=PA29#v=onepage&q=Naima%20Wifstrand&f=false |title=Engaging with Brecht: Making Theatre in the Twenty-first Century |date=2023-02-14 |publisher=Springer Nature |isbn=978-3-031-20394-7 |pages=29 |language=en}}</ref>


===Filming and Bergman===
===Filming and Bergman===
[[File:Joh dollarprinsessan.jpg|210px|right|thumb|As Daisy in [[Die Dollarprinzessin|''The Dollar Princess'']], 1909]]
[[File:Joh dollarprinsessan.jpg|210px|right|thumb|As Daisy in [[Die Dollarprinzessin|''The Dollar Princess'']], 1909]]
Naima Wifstrand in the 1940s planned to retire from her own stage career by turning to directing, first at the [[Royal Swedish Opera]] 1944–1946. However, due to some successful supporting parts in some Swedish 1940s films – where Naima surprised critics and proved herself a surprisingly strong and charismatic character actress – a number of Sweden's young stage and film directors approached her and offered her parts in dramatic productions on stage: one of these young directors was [[Ingmar Bergman]]. Later on Wifstrand became one of the director's most reliable and longtime ensemble actors. She was part of Bergman's ensemble (1954–1961) during all his legendary years at [[Malmö City Theatre]]. Later he would also cast her in some of his most memorable early films, including ''[[Wild Strawberries (film)|Wild Strawberries]]'', ''[[Smiles of a Summer Night]]'' and ''[[The Magician (1958 film)|The Magician]]''. Aside from this she also worked with the new established [[Stockholm City Theatre]] 1962–1963 and at [[Gothenburg City Theatre]] from 1964.
Naima Wifstrand in the 1940s planned to retire from her own stage career by turning to directing, first at the [[Royal Swedish Opera]] 1944–1946. However, due to some successful supporting parts in some Swedish 1940s films – where Naima surprised critics and proved herself a surprisingly strong and charismatic character actress – a number of Sweden's young stage and film directors approached her and offered her parts in dramatic productions on stage: one of these young directors was [[Ingmar Bergman]]. Later on Wifstrand became one of the director's most reliable and longtime ensemble actors. She was part of Bergman's ensemble (1954–1961) during all his legendary years at [[Malmö City Theatre]].<ref>{{Cite book |last=Steene |first=Birgitta |url=https://books.google.com/books?id=eJCGNAlqB0gC&newbks=1&newbks_redir=0&lpg=PA790&dq=Naima%20Wifstrand&pg=PA790#v=onepage&q=Naima%20Wifstrand&f=false |title=Ingmar Bergman: A Reference Guide |date=2005 |publisher=Amsterdam University Press |isbn=978-90-5356-406-6 |pages=790 |language=en}}</ref><ref>{{Cite book |last=Marker |first=Frederick J. |url=https://books.google.com/books?id=BcAUAIywhvoC&newbks=1&newbks_redir=0&lpg=PA141&dq=Naima%20Wifstrand&pg=PA141#v=onepage&q=Naima%20Wifstrand&f=false |title=Strindberg and Modernist Theatre: Post-Inferno Drama on the Stage |last2=Marker |first2=Lise-Lone |date=2002-11-28 |publisher=Cambridge University Press |isbn=978-0-521-62377-3 |pages=141 |language=en}}</ref> Later he would also cast her in some of his most memorable early films, including ''[[Wild Strawberries (film)|Wild Strawberries]]'', ''[[Smiles of a Summer Night]]''<ref>{{Cite book |last=Gervais |first=Marc |url=https://books.google.com/books?id=JbR_2spW0b4C&newbks=1&newbks_redir=0&lpg=PA43&dq=Naima%20Wifstrand&pg=PA43#v=onepage&q=Naima%20Wifstrand&f=false |title=Ingmar Bergman: Magician and Prophet |date=1999 |publisher=McGill-Queen's Press - MQUP |isbn=978-0-7735-2004-2 |pages=43 |language=en}}</ref> and ''[[The Magician (1958 film)|The Magician]]''. Aside from this she also worked with the new established [[Stockholm City Theatre]] 1962–1963 and at [[Gothenburg City Theatre]] from 1964.


Naima Wifstrand was married to captain Erling Nielsen from 1921 to 1928.
Naima Wifstrand was married to captain Erling Nielsen from 1921 to 1928.
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* ''Vindingevals'' (1968) - The Old Lady
* ''Vindingevals'' (1968) - The Old Lady
{{div col end}}
{{div col end}}

== References ==
{{Reflist}}


==External links==
==External links==

Revision as of 16:38, 6 February 2024

Naima Wifstrand
Naima Wifstrand, 1950s
Born
Siri Naima Matilda Wifstrand

(1890-09-04)4 September 1890
Stockholm, United Kingdoms of Sweden and Norway
Died23 October 1968(1968-10-23) (aged 78)
Stockholm, Sweden
Occupation(s)Actress, singer, composer
Years active1905–1968
SpouseCaptain Erling Nielsen (1921–1928)

Naima Wifstrand (pronounced [ˈnâjma ˈvîːfstrand];[check tonemes] 4 September 1890 – 23 October 1968) was a Swedish film actress, operetta singer, troubadour, director and composer. In her later years, she was cast in several supporting roles in Ingmar Bergman films.

Biography

Born Siri Naima Matilda Wifstrand in Stockholm in 1890, she was raised by her mother in Fleminggatan. Wifstrand never trained acting but learned the art thoroughly when she in 1905 joined the Anna Lundberg Theatre Company, a well reputed and respected theatre company in Sweden at the time. She travelled with them for a number of years, appearing in small parts. This eventually led her to small parts at theatres in Helsinki and around Stockholm. But at this time Wifstrand did not have her mind set on acting, instead she sought to be a singer. And it was as a grand operetta singer she became famous and enjoyed a successful star career for 30 years in Sweden.

Career and break-through

Wifstrand studied music and singing in Stockholm at the Swedish Royal Academy of Music and in 1910 she went to London and further trained for Raymond von zur Mühlen. After her studies she was one of the most acknowledged operetta singers in Scandinavia. She worked at Oscarsteatern from 1913 to 1918, and toured Sweden and Scandinavia for years. Greta Garbo admired Wifstrand in this time, and patterned some of her performances after Wifstrand's.[1]

Wifstrand's big breakthrough came as Countess Stasi in Emmerich Kálmán's operetta Die Csárdásfürstin in 1916. She worked in the 1920s mainly at the opera houses in Oslo and Copenhagen. For many years she lived in London where she performed with troubadour-songs alone along with her guitar, or with a piano accompanist.[2] When the first attempts at broadcast television took place in Britain, Wifstrand became one of the first "TV stars", as she appeared on TV in the 1930s and performed a number of songs.

Wifstrand as Countess Stasi in Kálmán's Die Csárdásfürstin, 1916

In 1937 Swedish stage director Per Lindberg cast her as Mother Peachum in Bertolt Brecht's The Threepenny Opera (in Swe: Tolvskillingsoperan) which became a hugely successful production and toured with the National Swedish Touring Theatre. When Bertolt Brecht later left Germany because of the Nazis he first moved to Sweden where he lived for a time and wrote the part Mother Courage especially for Wifstrand – but sadly, she herself never got to play the part in what became one of Brecht's most successful plays. During his stay in Sweden, Wifstrand had helped Brecht both financially and also personally with accommodation.[3]

Filming and Bergman

As Daisy in The Dollar Princess, 1909

Naima Wifstrand in the 1940s planned to retire from her own stage career by turning to directing, first at the Royal Swedish Opera 1944–1946. However, due to some successful supporting parts in some Swedish 1940s films – where Naima surprised critics and proved herself a surprisingly strong and charismatic character actress – a number of Sweden's young stage and film directors approached her and offered her parts in dramatic productions on stage: one of these young directors was Ingmar Bergman. Later on Wifstrand became one of the director's most reliable and longtime ensemble actors. She was part of Bergman's ensemble (1954–1961) during all his legendary years at Malmö City Theatre.[4][5] Later he would also cast her in some of his most memorable early films, including Wild Strawberries, Smiles of a Summer Night[6] and The Magician. Aside from this she also worked with the new established Stockholm City Theatre 1962–1963 and at Gothenburg City Theatre from 1964.

Naima Wifstrand was married to captain Erling Nielsen from 1921 to 1928.

Selected filmography

References

  1. ^ von Caub, Elizabeth (30 March 1936). "Greta Garbo, Her True Story". The Pittsburgh Press. p. 17. Retrieved 6 February 2024 – via Newspapers.com.
  2. ^ "Naima Wifstrand". The Daily Telegraph. 27 February 1934. p. 8. Retrieved 6 February 2024 – via Newspapers.com.
  3. ^ Gelber, Bill (14 February 2023). Engaging with Brecht: Making Theatre in the Twenty-first Century. Springer Nature. p. 29. ISBN 978-3-031-20394-7.
  4. ^ Steene, Birgitta (2005). Ingmar Bergman: A Reference Guide. Amsterdam University Press. p. 790. ISBN 978-90-5356-406-6.
  5. ^ Marker, Frederick J.; Marker, Lise-Lone (28 November 2002). Strindberg and Modernist Theatre: Post-Inferno Drama on the Stage. Cambridge University Press. p. 141. ISBN 978-0-521-62377-3.
  6. ^ Gervais, Marc (1999). Ingmar Bergman: Magician and Prophet. McGill-Queen's Press - MQUP. p. 43. ISBN 978-0-7735-2004-2.
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