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'''Music informatics''' is a study of music [[Information processing|processing]],<ref name=":0">{{Cite book|last=Müller|first=Meinard|url=https://www.springer.com/gp/book/9783319219448|title=Fundamentals of Music Processing: Audio, Analysis, Algorithms, Applications|date=2015|publisher=Springer International Publishing|isbn=978-3-319-21944-8|pages=|language=en}}</ref> in particular music representations, fourier analysis of music, music synchronization, music structure analysis and chord recognition.<ref name=":0" /><ref name=":1">{{Cite web|last=|first=|date=|title=Music Informatics Interest Group {{!}} SMT|url=https://societymusictheory.org/interest-groups/SMTinformatics|url-status=live|archive-url=|archive-date=|website=societymusictheory.org}}</ref> Other music informatics research topics include computational music modeling (symbolic, distributed, etc.),<ref name=":1" /> computational music analysis,<ref name=":1" /> music representations, optical music recognition,<ref name=":1" /> digital audio editors, online music search engines, [[music information retrieval]] and cognitive issues in music. Because music informatics is an emerging discipline, it is a very dynamic area of research with many diverse viewpoints, whose future is yet to be determined.
{{refimprove|date=October 2015}}

'''Music informatics''' is an emerging interdisciplinary research area dealing with the production, distribution, consumption, and analysis of music through technology (especially in digital formats).

Music Informatics research topics include music technologies such as peer-to-peer application, digital audio editors, online music search engines and [[Music information retrieval]]; cognitive, social, and economic issues in music; as well as improvisation and music performance. It studies this range of topics not only to better design music search and retrieval systems, but to develop a fundamental understanding of the nature of music and its associated behaviors as well. Because music informatics is an emerging discipline, it is a very dynamic area of research with many diverse viewpoints, whose future is yet to be determined.


==Sub-topics in Music Informatics research==
==Sub-topics in Music Informatics research==
* Interdisciplinary relationships in Music Informatics
* interdisciplinary relationships in music informatics
* The digital revolution in music its impact on music information services and music libraries
* the digital revolution in music its impact on music information services and music libraries
* Knowledge of current trends in music technologies including software and hardware
* knowledge of current trends in music technologies including software and hardware
* Mental models in the [[Music psychology|cognition of music]] listening and performing
* mental models in the [[Music psychology|cognition of music]] listening and performing
* Symbolic music modeling systems and computer-aided composition
* symbolic music modeling systems and computer-aided composition
* Social and economic realities of the consumption of music in Western societies
* social and economic realities of the consumption of music in Western societies
* [[Improvisation]] in music, especially where it is facilitated by music technology
* [[improvisation]] in music, especially where it is facilitated by music technology
* Music digital libraries and collections architectures
* music digital libraries and collections architectures
* Future of music distribution, the music industry, and music libraries
* future of music distribution, the music industry, and music libraries
* [[Music information retrieval]]
* [[music information retrieval]]
* Music [[Recommendation system|Recommendation systems]]
* music [[Recommendation system|recommendation systems]]
* Studying and Synthesizing Music Expression
* studying and synthesizing music expression
* Audio Signal-to-Score (singing, polyphonic, piano, etc.)
* audio signal-to-score (singing, polyphonic, piano, etc.)
* [[Musical analysis]]
* [[musical analysis]]
* musical accompaniment systems
* Musical Accompaniment Systems
* score following
* Score Following
* [[Optical music recognition|Optical Music Recognition (OMR)]]
* [[Optical music recognition|optical music recognition (OMR)]]
* Music Source Separation
* music Source Separation
* Music for Computer Games
* music for Computer Games
* MIDI to Symbolic Score
* MIDI to Symbolic Score


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==See also==
==See also==
⚫
* g[[Generative music|enerative music]]
* [[Informatics]]
⚫
* [[List of music software#Music mining software|music mining software]]
⚫
* [[Generative music]]
⚫
* [[List of music software#Music mining software|Music mining software]]
* [[New Interfaces for Musical Expression]]
* [[New Interfaces for Musical Expression]]


Revision as of 18:15, 1 January 2021

Music informatics is a study of music processing,[1] in particular music representations, fourier analysis of music, music synchronization, music structure analysis and chord recognition.[1][2] Other music informatics research topics include computational music modeling (symbolic, distributed, etc.),[2] computational music analysis,[2] music representations, optical music recognition,[2] digital audio editors, online music search engines, music information retrieval and cognitive issues in music. Because music informatics is an emerging discipline, it is a very dynamic area of research with many diverse viewpoints, whose future is yet to be determined.

Sub-topics in Music Informatics research

  • interdisciplinary relationships in music informatics
  • the digital revolution in music its impact on music information services and music libraries
  • knowledge of current trends in music technologies including software and hardware
  • mental models in the cognition of music listening and performing
  • symbolic music modeling systems and computer-aided composition
  • social and economic realities of the consumption of music in Western societies
  • improvisation in music, especially where it is facilitated by music technology
  • music digital libraries and collections architectures
  • future of music distribution, the music industry, and music libraries
  • music information retrieval
  • music recommendation systems
  • studying and synthesizing music expression
  • audio signal-to-score (singing, polyphonic, piano, etc.)
  • musical analysis
  • musical accompaniment systems
  • score following
  • optical music recognition (OMR)
  • music Source Separation
  • music for Computer Games
  • MIDI to Symbolic Score

Music informatics in education

Music informatics, as a degree subject, offers a similar learning experience to music technology, but goes further into learning the principles behind the technology.[3] Informatics students will not just use existing music hardware and software, but will learn programming and artificial intelligence.

See also

References

  1. ^ a b Müller, Meinard (2015). Fundamentals of Music Processing: Audio, Analysis, Algorithms, Applications. Springer International Publishing. ISBN 978-3-319-21944-8.
  2. ^ a b c d "Music Informatics Interest Group | SMT". societymusictheory.org.{{cite web}}: CS1 maint: url-status (link)
  3. ^ "Music Informatics". University of Sussex. Retrieved 2008-04-20.
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