|Birth name||Jonathan Tim, Jr.:92|
January 30, 1927|
Brooklyn, New York, USA
|Died||October 2, 1993(aged 66)|
|Associated acts||Art Blakey|
Abdul-Malik asserted that his father was from Sudan and moved to the United States. Research by historian Robin Kelley, however, indicates that Abdul-Malik was born to Caribbean immigrants and changed his birth name:
Ahmed Abdul-Malik was born Jonathan Tim Jr., (sometimes spelled "Timm") on January 30, 1927, to Matilda and Jonathan Tim Sr. – both of whom had immigrated from St. Vincent in the British West Indies three years earlier. They also had a daughter, Caroline, born a little more than a year after Jonathan Jr. Jonathan Tim Sr.'s death certificate not only confirms his birth in St. Vincent, it indicates that his father – Abdul-Malik's grandfather – James Tim, and his mother, Mary Daniels, were both from the Caribbean. City directories for Brooklyn, as well as the American Federation of Musicians Union Local 802 directory, confirm the bassist's birth name as Jonathan Tim Jr.:92
The family lived at 545 Hopkinson Avenue, but moved to 1984 Atlantic Avenue before their son started school.:93 Jonathan, Jr. had violin lessons from his father, who was a plasterer and general laborer.:93 Aged 7, Jonathan, Jr. attended the Vardi School of Music and Art, "to continue his violin training, and over time took up piano, cello, bass, and tuba.":93 His parents divorced in the late 1930s, and he went to live with his father and new wife, at 2117 Dean Street, but his father died on February 9, 1941, from a bleeding gastric ulcer.:93 Jonathan, Jr. continued studying, including having lessons with local bassist Franklin Skeete,:93 before joining The High School of Music & Art in Harlem. There, "his skills on violin and viola earned him a spot in the All-City Orchestra.":93
In the mid-1970s, Abdul-Malik was a substitute instructor at Junior High School 281, in Bensonhurst, Brooklyn, New York, teaching strings under the supervision of Andrew Liotta, acclaimed composer of seven operas, choral, and numerous chamber works. While seeking a teaching certification, in addition to study under Liotta in orchestration and composition, he also taught Sudanese in the junior high school language department. In the late 1970s he taught individual students private instruction in jazz improvisation at New York University.
He is noted for integrating Middle Eastern and North African music styles in his jazz music. He was the bassist for Art Blakey, Randy Weston, and Thelonious Monk among others. As an oud player he did a tour of South America for the United States Department of State and performed at an African jazz festival in Morocco.
- 1958: Jazz Sahara (Riverside) - with Johnny Griffin
- 1959: East Meets West with Curtis Fuller, Jerome Richardson, Lee Morgan, Benny Golson, Johnny Griffin
- 1961: The Music of Ahmed Abdul-Malik (New Jazz)
- 1962: Sounds of Africa (New Jazz)
- 1963: The Eastern Moods of Ahmed Abdul-Malik (Prestige)
- 1964: Spellbound
With Art Blakey
- The African Beat (1962)
With John Coltrane
With Walt Dickerson
With Jutta Hipp
- Jutta Hipp with Zoot Sims (1956)
With Thelonious Monk
- Misterioso (1958)
- Thelonious in Action (1958)
- Thelonious Monk Quartet with John Coltrane at Carnegie Hall (1957, released 2005)
With Randy Weston
- With These Hands... (Riverside, 1956)
- Jazz á la Bohemia (Riverside, 1956)
- The Modern Art of Jazz (Dawn, 1956)
- Tanjah (Polydor, 1973)
- Kelley, Robin D. G. (2012) Nathan I. Huggins Lectures: Africa Speaks, America Answers: Modern Jazz in Revolutionary Times. Harvard University Press.
- Allmusic biography
- Weston, Randy, Jenkins, Willard (2010) African Rhythms: The Autobiography of Randy Weston". p. 25. Duke University Press.
- Curry, John (2002). "Abdul-Malik, Ahmed". In Barry Kernfeld. The new Grove dictionary of jazz (2nd ed.). New York: Grove's Dictionaries Inc. p. 3. ISBN 1561592846.