Jump to content

Anaïs Barbeau-Lavalette

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Bearcat (talk | contribs) at 16:34, 6 November 2022 (→External links: recat). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Anaïs Barbeau-Lavalette
Barbeau-Lavalette in 2015
Born1979 (age 44–45)
Montreal, Quebec, Canada
NationalityCanadian
Occupation(s)Novelist, film director, screenwriter
Parent(s)Manon Barbeau
Philippe Lavalette
RelativesMarcel Barbeau
(paternal grandfather)

Anaïs Barbeau-Lavalette (born 1979) is a Canadian novelist, film director, and screenwriter from Quebec. Her films are known for their "organic, participatory feel."[1] Barbeau-Lavalette is the daughter of filmmaker Manon Barbeau and cinematographer Philippe Lavalette, and the granddaughter of artist Marcel Barbeau.

Originally prominent as a child actor, her credits included the series Le Club des 100 Watts and À nous deux!. She later began making documentary films, including Les Petits princes des bidonvilles (2000), Buenos Aires, no llores (2001)[2] and Si j'avais un chapeau (2005),[3] before releasing her first feature film, The Ring, in 2007.[3] In 2010, she also published Je voudrais qu'on m'efface (translated as Neighbourhood Watch), a novel which revolves around some of the same characters as The Ring.[2] In 2015, her second novel, La femme qui fuit (translated as Suzanne), inspired by the life of her grandmother, artist Suzanne Meloche, was short-listed for the 2016 Governor General's Award for French-language fiction, in addition to winning a number of other prizes and being a best-seller.

Barbeau-Lavalette is best known to international audiences for her award-winning 2012 film Inch'Allah.

Early life

Barbeau-Lavalette was born on February 8, 1979, in Montreal, the daughter of Manon Barbeau, a filmmaker and director, and Philippe Lavalette, a cinematographer. She is the granddaughter of the Canadian artist Marcel Barbeau, who studied under Paul-Émile Borduas, and is known for being one of the first non-figurative painters in Canada.[4]

As a young adult, Barbeau-Lavalette lived and studied in the heavily disputed West Bank area.[5]

In 2000, after finishing her first full-length documentary, Les Petits princes des bidonvilles (2000), Barbeau-Lavalette enrolled at the Université de Montréal, where she majored in International Studies. She then went on to study Film Production at the INIS. Following her time at INIS, Barbeau-Lavalette travelled to Ramallah, Palestine to attend Birzeit University.[6]

Film career

Documentaries

Barbeau-Lavalette started her film career as a documentary director. Following a year spent in Honduras,[7] Barbeau-Lavalette directed Les Petits princes des bidonvilles (2000), which followed young Hondurans growing up in Montreal.[8] In 2002, Anaïs Barbeau-Lavalette represented Canada in the United Nation's Volunteers' Odyssey (Odyssée du voluntarist), in which she traveled the world creating 15 short documentaries on the theme of volunteerism.[9]

On her return, Barbeau-Lavalette directed more documentaries, including the features Si j'avais un chapeau (2005), which detailed the lives of children across four different countries, and Tap-Tap, a "poetic portrait of Montreal's Haitian community."[9]

Fiction features

In 2007, her debut fiction The Ring came out and was received warmly by critics. Her second fiction feature film, Inch'Allah, has become her most recognizable piece of work.

Her 2020 film, Goddess of the Fireflies (La déesse des mouches à feu), is an adaptation of the novel by Geneviève Pettersen.[10]

In 2022, she released White Dog (Chien blanc), an adaptation of Romain Gary's 1970 novel White Dog.[11]

Short films

Barbeau-Lavalette has created many short films spanning across different mediums and genres. Barbeau-Lavalette directed and shot 15 documentarial short films during her time with the United Nation's Volunteers' Odyssey, and has continued to release short films throughout her career.

Her filmography includes such short films as Seven Hours Three Times A Year (2012), Ina Litovski (2012), and an 11-minute animated short film, Take Me (2014).

Videoclips

Barbeau-Lavalette is part of the Wapikoni Mobile audiovisual adventure.[12] Through this Barbeau-Lavalette has directed videoclips for musicians, including Canadian singers Catherine Major and Thomas Hellman and hip hop artists Samian and Dramatik.

Bibliography

  • Je voudrais qu'on m'efface (2010). Neighbourhood Watch, trans. Rhonda Mullins (Coach House, 2020).
  • Embrasser Yasser Arafat : chroniques palestiniennes (2011).
  • La Femme qui fuit (2015). Suzanne, trans. Rhonda Mullins (Coach House, 2017).

Awards and nominations

Si j'avais un chapeau (2005) was nominated for the "Best Social Documentary and Best Research" at the Prix Gémeaux in 2006. Her feature film, Le Ring (2007) was extremely well received by critics. The critically acclaimed film, was chosen in the Pusan and Berlin film festivals in 2008. Le Ring received international awards including the New Talent Grand Prize and the Golden Lion Award at Taipei Film Festival, the Special Jury Award at Vladivostok Film Festival in Russia, and the Best Director Award at Miradas Madrid Film Festival.[12]

A peace, human rights and international development activist, Barbeau-Lavalette was named artist of the year for 2012 by Les Artistes pour la paix, a Montreal-based organization that honors works of art involving themes of peace, in February 2013.[2] In the same month, Inch'Allah was awarded the FIPRESCI Prize for the Panorama section of the 2013 Berlin International Film Festival.[13]

References

  1. ^ Jimmy, Johnson (23 September 2013). "Palestinians denied a voice in Canadian film set in West Bank". The Electronic Intifada. Retrieved 1 November 2015.
  2. ^ a b c "Anaïs Barbeau-Lavalette nommée Artiste pour la paix". Radio-Canada, February 14, 2013.
  3. ^ a b "Five Questions with Inch'Allah Director Anais Barbeau-Lavalette". Filmmaker, September 8, 2012.
  4. ^ "Marcel Barbeau". canadianart.ca. Canadian Art. Retrieved 6 November 2015.
  5. ^ "Toronto: 'Inch'Allah' Director Anaïs Barbeau-Lavalette On Her Politically Charged Drama". Indie Wire. Indie Wire. 12 September 2012. Retrieved 30 October 2015.
  6. ^ "ANAÏS BARBEAU-LAVALETTE". InformAction. Retrieved 3 November 2015.
  7. ^ "ANAÏS BARBEAU-LAVALETTE". www.informactionfilms.com. InformAction.
  8. ^ Nick, Dawson (8 September 2012). "Five Questions with Inch'Allah Director Anais Barbeau-Lavalette". FilmMaker. Retrieved 7 November 2015.
  9. ^ a b "ANAÏS BARBEAU-LAVALETTE". micro-scope. Archived from the original on 4 March 2016. Retrieved 22 October 2015.
  10. ^ Jeremy Kay, "Generation 14plus entry 'Goddess Of The Fireflies' among WaZabi Films EFM slate". Screen Daily, January 22, 2020.
  11. ^ Charles-Henri Ramond, "Chien Blanc en ouverture de Cinémania". Films du Québec, August 16, 2022.
  12. ^ a b "Anaïs Barbeau-Lavalette". InformAction. Retrieved 1 November 2015.
  13. ^ "Inch'Allah wins the FIPRESCI prize at the Berlin Film Festival". The Gazette, February 15, 2013.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Anaïs_Barbeau-Lavalette&oldid=1120364472"