Anna Sten

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Anna Sten
Anna Sten Photo.jpg
Anna Sten publicity photo
Born Annel Stenskaya Sudakevich
(1908-12-03)December 3, 1908
Kyiv, Kyiv Governorate, Russia
Died November 12, 1993(1993-11-12) (aged 84)
New York City, New York, U.S.
Occupation Actress
Years active 1926–1964
Spouse(s) Fyodor Otsep (1927–1931)
Eugene Frenke (1932–1984)

Anna Sten (Russian: Анна Стен; December 3, 1908 – November 12, 1993) was a Russian-born American actress. She began her career in stage plays and films in Russia before travelling to Germany, where she starred in several films. Her performances were noticed by film producer Samuel Goldwyn, who brought her to the United States with the aim of creating a new screen personality to rival the popular Greta Garbo. After a few unsuccessful films, Goldwyn released her from her contract. She continued to act occasionally until her final film appearance in 1962.[1][2]

Early life and education[edit]

Sten was born Annel Stenskaya Sudakevych[2] on December 3, 1908 in Kyiv, Ukraine. Her father was a Ukrainian ballet master who died when she was 12 years old, and her mother was Swedish. Sten worked as a waitress until she was discovered at the age of 15 while acting in an amateur play in Kyiv. She studied at the Kyiv theater school.


In 1926, after completing her studies at Kyiv theater school, Sten was invited by Ukrainian film director Viktor Turin to appear in his film Provokator, based on the book by Ukrainian writer Oles Dosvitnyi.[Note 1] Sten was discovered by influential Russian stage director and instructor Konstantin Stanislavsky, who arranged an audition for her at the Moscow Film Academy.[1] Sten went on to act in other plays and films in Ukraine and Russia, including Boris Barnet's 1927 comedy The Girl with a Hatbox. She and her husband, Russian film director Fedor Ozep, traveled to Germany to appear in a film co-produced by German and Soviet studios, Zemlya v plenu (Russian: "Earth in Captivity") and Der gelbe Paß (German: The Yellow Pass). After the film was completed, Anna Sten and her husband decided not to return to the Soviet Union.[1]

Making a smooth transition to talking pictures, Sten appeared in such German films as Trapeze (1931) and The Brothers Karamazov (1931) until she came to the attention of American movie mogul Samuel Goldwyn. Goldwyn was looking for a foreign-born actress that he could build up as the rival of Greta Garbo, and possible successor to Vilma Bánky with whom Goldwyn had great success in the silent era. For two years after bringing Sten to America, Goldwyn had his new star tutored in English and taught Hollywood screen acting methods. He poured a great deal of time and money into Sten's first American film, Nana (1934), a somewhat homogenized version of Émile Zola's scandalous 19th century novel. But the film was not successful at the box office, nor were her two subsequent Goldwyn films, We Live Again (1934) and The Wedding Night (1935), playing opposite Gary Cooper. Reluctantly, Goldwyn dissolved his contract with his "new Garbo."[1][2] Goldwyn's tutoring of Sten is mentioned in Cole Porter's 1934 song "Anything Goes" from the musical of the same name: "If Sam Goldwyn can with great conviction / Instruct Anna Sten in diction / Then Anna shows / Anything goes."

In the 1940s, Sten appeared in several films, including The Man I Love (1940), So Ends Our Night (1941), Chetniks! The Fighting Guerrillas (1943), They Came to Blow Up America (1943), Three Russian Girls (1943), and Let's Live a Little (1948). Sten continued making films in the United States and England, but none of them were successful. Attempting to rectify this situation by studying at The Actors Studio,[3][4] Sten appeared in several television series during the 1950s, including The Red Skelton Show (1956), The Walter Winchell File (1957), and Adventures in Paradise (1959).

Later life[edit]

Most of Sten's later film appearances were favors to her husband. She had an uncredited bit in the Frenke-produced Heaven Knows, Mr. Allison (1957), and a full lead in her final film (also produced by Frenke), The Nun and the Sergeant (1962).

Sten died on November 12, 1993 in New York City at the age of 84.[2]

Personal life[edit]

Sten was married to film producer Eugene Frenke, who flourished in Hollywood after following his wife there in 1932.


Year Title Role Notes
1926 Miss Mend
1926 Provokator
1927 Devushka s korobkoy (The Girl with a Hatbox) Natasha
1927 The Yellow Pass Maria
1928 Moy syn Olga Surina
1928 Belyy oryol
1929 Zolotoy klyuv Varenka
1930 Lohnbuchhalter Kremke Kremkes Tochter
1931 Les frères Karamazoff Grouschenka
1931 Der Mörder Dimitri Karamasoff Gruschenka
1931 I Salto Mortale Marina
1931 Bomben auf Monte Carlo Yola
1932 Storms of Passion Russen-Annya
1934 Nana Nana
1934 We Live Again Katusha Maslova
1935 The Wedding Night Manya Novak
1936 A Woman Alone Maria
1939 Exile Express Nadine Nikolas
1940 The Man I Married Frieda
1941 So Ends Our Night Lilo
1943 Chetniks! The Fighting Guerrillas Lubitca Mihailovitch
1943 They Came to Blow Up America Frau Reiter
1943 Three Russian Girls Natasha
1948 Let's Live a Little Michele Bennett
1955 Soldier of Fortune Madame Dupree
1956 The Red Skelton Show Queen of Livonia Television program
1956 Runaway Daughters Ruth Barton
1957 The Walter Winchell File Frieda Television program
1959 Adventures in Paradise Antonia Television program
1962 The Nun and the Sergeant Nun
1964 Arrest and Trial Mrs. Van de Heuven Television program

See also[edit]


  1. ^ A newly restored version of Viktor Turin's film Provokator was shown at the Silent Films Festival in Pordenone, Italy in October 2012.
  1. ^ a b c d "Anna Sten". Internet Movie Database. Retrieved November 2, 2011. 
  2. ^ a b c d Pace, Eric (November 15, 1993). "Anna Sten Is Dead; Film Actress Touted As Another Garbo". The New York Times. Retrieved November 2, 2011. 
  3. ^ Shipman, David (November 19, 1993). "Obituary: Anna Sten". The Independent. Retrieved December 8, 2012. 
  4. ^ Garfield, David (1980). "Appendix: Life Members of The Actors Studio as of January 1980". A Player's Place: The Story of The Actors Studio. New York: MacMillan Publishing Co., Inc. p. 280. ISBN 0-02-542650-8. 

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