Theatrical release poster
|Directed by||Israel Adrián Caetano|
|Produced by||Executive Producer:
Israel Adrián Caetano
|Music by||Los Kjarkas|
|Editing by||Santiago Ricci
|Distributed by||Cinema Tropical|
|Running time||75 minutes|
Bolivia is a 2001 Argentine and Dutch drama film directed by Israel Adrián Caetano, his first feature-length film. The screenplay is written by Caetano, based upon the Romina Lafranchini story, about his wife. The motion picture features Freddy Flores and Rosa Sánchez, among others.
Bolivia tells the story of Freddy (Freddy Flores), a Bolivian with a gentle disposition, who, after Americans burn down the coca fields where he is employed, loses his job. With little work opportunities in Bolivia, he leaves his wife and three daughters and travels to Argentina to search for employment as an undocumented worker. He hopes to make money and later return to his family.
It is in this café that Freddy meets the characters who affect his life: Rosa (Rosa Sánchez), a waitress of Paraguayan/Argentine descent, and an outsider by virtue of her mixed heritage; Héctor (Héctor Anglada), a traveling salesman from the province of Córdoba who's gay; a Porteño taxi driver (Oscar Bertea), and one of the driver's buddies.
Freddy also has to deal with various Argentine café patrons who view all Paraguayans and Bolivians with disdain due to their ethnicity.
- Freddy Flores as Freddy
- Rosa Sánchez as Rosa
- Oscar Bertea as Oso
- Enrique Liporace as Enrique Galmes
- Marcelo Videla as Marcelo
- Héctor Anglada as Héctor, the Salesman
- Alberto Mercado as Mercado
The filming was a stop-and-go production and required three years of discontinuous shooting. It was shot on different days and at different times. According to director Caetano, he was never able to film for more than three days at a time.
Basis of film
Caetano said, "[W]hen writing the script, what interested me was the story; the issue of racism was not very present. However, it is inevitable that when addressing those characters and setting the story in that particular social strata, there is a series of themes that appear on their own and impose themselves."
Caetano believes that, "[T]he film’s main theme is the collision among people of the same social class, they are workers about to be left out of any class at all, and thus they are intolerant towards one another. Basically, they are trapped in a situation they can not escape."
The film was first featured at the Cannes Film Festival in May 2001 where it won the Best Feature Young Critics Award. It opened in the Netherlands on January 24, 2002 and in Argentina on April 11, 2002.
The film was also shown at various film festivals, including: the Donostia-San Sebastián International Film Festival, the London Film Festival, the Rotterdam International Film Festival, the Karlovy Vary Film Festival, the Festivalissimo Montréal, the Cinémas d'Amérique Latine de Toulouse, the Cleveland International Film Festival, and the Film by the Sea Film Festival.
Film critic Elvis Mitchell, writing for The New York Times, liked the direction of the film, and wrote, "Mr. Caetano's work is most telling and gripping...[and] has an emotional integrity that's concise and direct."
Film critics Frederic and Mary Ann Brussat of the website Spirituality and Practice were touched by the story they viewed, and wrote, "Bolivia is a riveting slice-of-life drama...[that] hits the mark with its harrowing depiction of urban poverty and the divisive and explosive impact of the hatred of foreigners."
Manohla Dargis, film critic for the Los Angeles Times, makes the case that the film sub silento informs of what is happening in Argentina (in 2001) both economically and culturally. She wrote, "Life in Bolivia, a parable about contemporary Argentina, is even grittier than the film's churning black-and-white cinematography...[and the film] offers up characters in a state of ongoing crisis. Underpaid and overwhelmed, financially unmoored and spiritually adrift, these are men and women for whom the tanking economy is, finally, just the most obvious manifestation of a deeper malaise."
- Cannes Film Festival: Young Critics Award Best Feature, Israel Adrián Caetano; 2001.
- London Film Festival: FIPRESCI Prize, Israel Adrián Caetano, for its direct, sentimental treatment of on of the most important social questions facing urban societies everywhere; 2001.
- Donostia-San Sebastián International Film Festival: Made in Spanish Award, Israel Adrián Caetano; 2001.
- Rotterdam International Film Festival: KNF Award, Israel Adrián Caetano; 2002.
- Argentine Film Critics Association Awards: Silver Condor; Best Screenplay, Adapted, Israel Adrián Caetano; Best Supporting Actor, Enrique Liporace; 2003.
- Argentine Film Critics Association Awards: Silver Condor; Best Cinematography, Julián Apezteguia; Best Editing, Lucas Scavino, Santiago Ricci; Best Film; Best New Actor, Freddy Waldo Flores; 2003.
- Bolivia at the Internet Movie Database.
- Atkinson, Michael. The Village Voice, film review, February 26, 2003.
- Cine Las Americas. 2003 Film Festival, web page.
- Cine Las Americas, ibid.
- Cleveland Film Festival web page. Last accessed: January 30, 2007.
- Mitchell, Elvis. New York Times, film review, February 26, 2003.
- Brussat, Frederic and Mary Ann Brussat. Spirituality and Practice, film review.
- Dargis, Manohla. Los Angeles Times, film review, June 6, 2003.
- Bolivia at Rotten Tomatoes. Last accessed: January 1, 2007.