September 24, 1929
|Died||February 18, 2002
|Occupation||Stage, film, television actor, director|
|Spouse(s)||Joyce Hiller (1954-2002; his death; 2 children)|
Life and career
Piven was born Bernard Piven in Scranton, Pennsylvania, the son of Katie (née Balaban) and Samuel Piven, who were Russian Jewish immigrants. He came to Chicago in 1954 and met Joyce Hiller at the University of Chicago. They were married a short time later. In the 1950s, the Pivens were two of the founding members of the Playwrights Theatre Club, along with Paul Sills and David Shepard. Playwrights featured such budding stars as Mike Nichols, Elaine May, Ed Asner and Barbara Harris.
In the mid-1950s, the Pivens moved to New York, where they studied with Uta Hagen. Piven played the leads in several New York Shakespeare Festival productions. He was also part of the Obie Award-winning cast of A House Remembered.
They returned to Chicago in 1967 to rejoin Sills, Sheldon Patinkin, Bernie Sahlins and Joyce Sloane in forming Second City Repertory and then Story Theatre. Piven, charismatic, balding and bearded, with a beautifully resonant voice, spent some time as an acting teacher at Northwestern University, offering his expertise in improvisation as well as his peculiarly sage view of life, combining a respect for zen and the torah. In 1972, he and his wife started the Piven Theatre Workshop, partly to supplement their incomes, and partly to have something for their children to do after school. As Piven liked to point out, many of those children went on to fame and fortune.
Piven was standby for both Louis Hayward (King Arthur) and Christopher Carey (Mordred) in the national tour of "Camelot." The production also featured Arthur Treacher (Pellinore) and Kathryn Grayson (Guenevere) prior to her replacement by Jan Moody.
Some of Piven's favorite roles include: The Man in 605, for which he received the Joseph Jefferson Award for best actor, the Piven Theatre Workshop/Famous Door production of The Shoemakers, directed by Shira, Victory Garden's production of The Value of Names with Shelley Berman, This Old Man Came Rolling Home and The Sunshine Boys at the National Jewish Theatre, Bob Falls’ Hamlet (starring Byrne's then-student Aidan Quinn) and the Workshop's futuristic production of Macbeth.